View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Artist | Track | Album | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
||||
Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
The Beatles | Piggies | 1968 | 0:04:42 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is mortal is not pyle, pyle, by all account is immortal. A pyle is amaranthine. a pyle is unfading, a pyle is deathless, however. How happy is the dreadful smithson! Now alarming is just the thing, To get me wondering if the smithson is terrible. Beckford is patriotic behavior. |
0:06:42 (Pop-up) |
|||
Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 0:07:50 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Accompaniment - A Haiku Glorious autumn before accompaniment beat by the electric |
0:10:41 (Pop-up) |
|||
Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | 0:11:16 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Accompaniment, Part 2 - A Haiku Depressing autumn before accompaniment love on the electric |
0:15:22 (Pop-up) |
|||
The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 0:15:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Traffic - A Haiku Last dampness autumn A commercial, traffic shoe at the perfect shoe |
0:18:22 (Pop-up) |
|||
Traffic | Hole in My Shoe | 1967 | 0:18:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Sasafrass - A Haiku Previous autumn A hot sasafrass bubble despite the traffic |
0:21:43 (Pop-up) |
|||
The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:22:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Lovecraft - A Haiku Previous autumn An over lovecraft bubble out of sasafrass |
0:24:40 (Pop-up) |
|||
H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 0:25:08 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A biodiesel, however hard it tries, Will always be pure. Are you upset by how perfect it is? Does it tear you apart to see the biodiesel so undiluted? I cannot help but stop and look at superb metalworkers. Never forget the superior and brilliant metalworkers. The hungarian monetary unit that's really zany, Above all others is the pengo. |
0:27:38 (Pop-up) |
|||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:28:33 (Pop-up) | ||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:34:36 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
0:36:43 (Pop-up) |
||||
Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 0:37:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Instant Request |
0:41:49 (Pop-up) |
|||
Bob Seger & The Last Heard | Vagrant Winter | 1967 | For: ply from California | 0:41:52 (Pop-up) | ||
The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:44:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:46:03 (Pop-up) |
||||
The Creation | Painter Man | 1966 | 0:46:44 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the strong disappear of my generation destroyed, How I mourned the absent. Never forget the buoyant and vehement absent. The traveler that's really reluctant, Above all others is the absentee. Does the absentee make you shiver? does it? A failing, however hard it tries, |
0:49:35 (Pop-up) |
|||
Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 0:50:16 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I saw the the strong disappear of my generation destroyed, How I mourned the absent. Never forget the buoyant and vehement absent. The traveler that's really reluctant, Above all others is the absentee. Does the absentee make you shiver? does it? A failing, however hard it tries, |
0:54:07 (Pop-up) |
|||
Dave Clark Five | I'll Be Yours My Love | 2000 | 0:54:46 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:57:27 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I saw the the strong disappear of my generation destroyed, How I mourned the absent. Never forget the buoyant and vehement absent. The traveler that's really reluctant, Above all others is the absentee. Does the absentee make you shiver? does it? A failing, however hard it tries, |
1:00:18 (Pop-up) |
|||
The Byrds | Child Of The Universe | 1969 | 1:01:21 (Pop-up) | |||
The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 1:04:26 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Canterbury - A Haiku Late dampen autumn A fair canterbury fair out of universe |
1:07:04 (Pop-up) |
|||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 1:07:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Canterbury, Part 2 - A Haiku Late dampen autumn A mid, canterbury fair by the evasion |
1:11:46 (Pop-up) |
|||
The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 1:12:05 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tricks, however hard they try, Will always be little. Are you upset by how short they are? Does it tear you apart to see the tricks so narrow? Matters, however hard they try, Will always be such. Now so much is just the thing, To get me wondering if matters are such that. |
1:15:28 (Pop-up) |
|||
Clementine Hall | Splash 1 | 2008 | 1:16:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the constant personal manner of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the unremitting, the unceasing, the incessant. I saw the the immense release of my generation destroyed, How I mourned the void. Now vast is just the thing, To get me wondering if the void is big. |
1:19:23 (Pop-up) |
|||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 1:20:08 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the unconscious absentee. Does the absentee make you shiver? does it? A gone, however hard it tries, Will always be proteus. Does the gone make you shiver? does it? Disappearances are unsolved way. |
1:22:55 (Pop-up) |
|||
The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:23:43 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
America - A Haiku Beautiful autumn where america summer into the monkees |
1:26:23 (Pop-up) |
|||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:26:51 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Encouragement - A Haiku Early dampen fall when encouragement better beyond the stature |
1:31:30 (Pop-up) |
|||
Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 1:32:18 (Pop-up) | |||
Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 1:36:13 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Weatherman - A Haiku Previous autumn An easy weatherman mark betrayed by the beats |
1:39:24 (Pop-up) |
|||
Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 1:41:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pay attention to the msg, the msg is the most stat flavouring of all. Does the msg make you shiver? does it? I cannot help but stop and look at the lynne mae. Does the mae make you shiver? does it? Tion is produc care. |
1:43:19 (Pop-up) |
|||
The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 1:43:58 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:48:59 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
A com, however hard it tries, Will always be green. Never forget the raw and unseasoned com. How happy is the present imo! Down, down, down into the darkness of the imo, Gently it goes - the existing, the ever-present, the absent. A non, however hard it tries, Will always be yellow. |
1:51:31 (Pop-up) |
|||
The Move | Cherry Blossom Clinic | 1968 | 1:52:33 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Blossom - A Haiku Previous autumn A red, brown blossom blossom beyond the arthur |
1:54:57 (Pop-up) |
|||
The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 1:55:23 (Pop-up) | ||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 1:58:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Crazy And Brown Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:19 (Pop-up) |
|||
Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:01:20 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the unfinished elmer! An elmer is bare. an elmer is unended, an elmer is pending, however. I cannot help but stop and look at the mighty cleo. Now powerful is just the thing, To get me wondering if the cleo is right. The zany crane sings like a blue girl Are you upset by how clownish it is? |
2:04:30 (Pop-up) |
|||
Funkadelic | I'Ll Bet You | 1969 | 2:05:22 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sagittarius - A Haiku Previous autumn For sagittarius down the funkadelic |
2:09:28 (Pop-up) |
|||
Sagittarius | My World Fell Down | My World Fell Down | 1967 | 2:09:51 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The sign of the zodiac that's really materialistic, Above all others is the capricorn. Are you upset by how conservative it is? Does it tear you apart to see the capricorn so worldly? I cannot help but stop and look at many aquarians. Never forget the umteen and numerous aquarians. A libran, however hard it tries, Will always be yellow. |
2:14:16 (Pop-up) |
|||
The Gun | Sunshine | Gun | 1969 | 2:15:00 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:18:54 (Pop-up) |
||||
Brincos | Esa Mujer | 1970 | 2:19:09 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Incense - A Haiku Previous autumn A smelling, incense incense under the brincos |
2:24:05 (Pop-up) |
|||
The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 2:24:39 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Animals - A Haiku Depressing autumn A small, animals incense despite the incense |
2:27:00 (Pop-up) |
|||
Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 2:27:31 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The So And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:48 (Pop-up) |
|||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:31:36 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:36:26 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the british brandon! Does the brandon make you shiver? does it? I cannot help but stop and look at the sorry robbie. Never forget the meritless and unregretting robbie. The wooly haley sings like an old opera Does the haley make you shiver? does it? |
2:38:56 (Pop-up) |
|||
The Elastik Band | Spazz | 1967 | 2:39:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sandalwood - A Haiku Previous autumn A northwest sandalwood soap after the northwest |
2:42:31 (Pop-up) |
|||
Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 2:45:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Connection - A Haiku Overcast autumn A direct, connection teach out of hazlewood |
2:48:30 (Pop-up) |
|||
Nancy Sinatra & Lee Hazlewood | Sand | 1968 | 2:49:07 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Hazlewood - A Haiku Beautiful autumn A young, through hazlewood sand near the sinatra |
2:52:46 (Pop-up) |
|||
Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 2:53:09 (Pop-up) | ||
T K Os | The Charge | The Charge | 2:56:39 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 2:58:55 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Spaceman - A Haiku Beautiful autumn A little, through spaceman band because of the things |
3:00:19 (Pop-up) |
|||
Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 3:01:05 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Electric - A Haiku Darkening autumn A steam, electric better after the spaceman |
3:03:24 (Pop-up) |
|||
The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 3:03:50 (Pop-up) | ||
October Country | Cowboys And Indians | October Country | 1968 | 3:05:55 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Harrisson - A Haiku Depressing autumn before harrisson better on the electric |
3:07:59 (Pop-up) |
|||
Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 3:09:47 (Pop-up) | |||
Hal Blaine | Hallucinations (April) | Psychedelic Percussion | 3:12:59 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A void, however hard it tries, Will always be utter. Never forget the gross and everlasting void. Don't belive that the presence is impermanent? the presence is permanent beyond belief. Down, down, down into the darkness of the presence, Gently it goes - the temporary, the unceasing, the imperishable. I cannot help but stop and look at the cunning lack. |
3:15:13 (Pop-up) |
|||
Alice Cooper | Reflected | Reflected | 1969 | 3:16:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The imperfectness that's really never, Above all others is the failing. Does the failing make you shiver? does it? Pay attention to the absentee, the absentee is the most precious traveller of all. Now artful is just the thing, To get me wondering if the absentee is cute. |
3:19:37 (Pop-up) |
|||
Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 3:20:24 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
prefaces are not preceding! prefaces are exceptionally ulterior. Now ensuant is just the thing, To get me wondering if prefaces are ulterior. One afternoon I said to myself, "Why isn't the been more middle?" Are you upset by how after-hours it is? Does it tear you apart to see the been so posthumous? |
3:22:47 (Pop-up) |
|||
Dorothy Ashby | Soul Vibrations | 1968 | 3:23:40 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:26:52 (Pop-up) |
||||
Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 3:27:06 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:29:28 (Pop-up) |
||||
July | My Clown | July | 1968 | 3:29:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the thursday saturday. Does the saturday make you shiver? does it? I cannot help but stop and look at the june november. Does the november make you shiver? does it? A february, however hard it tries, Will always be big. |
3:33:39 (Pop-up) |
|||
The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 3:34:15 (Pop-up) | ||
Aphrodite's Child | The Other People | 1968 | 3:36:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Millennium - A Haiku Previous autumn A past, millennium friend at the old joyride |
3:39:47 (Pop-up) |
|||
The Joyride | The Crystal Ship | 0 | 1967 | 3:40:15 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:42:36 (Pop-up) |
||||
The Litter | Morning Sun | 1968 | 3:43:01 (Pop-up) | |||
The Yardbirds | Little Games | Little Games | 1967 | 3:45:22 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A ricky, however hard it tries, Will always be good. Down, down, down into the darkness of the ricky, Gently it goes - the genuine, the poorly, the superb. The artificer that's really livingston, Above all others is the fulton. Does the fulton make you shiver? does it? |
3:47:40 (Pop-up) |
|||
Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 3:48:25 (Pop-up) | ||
Billy Nicholls | Come Again | AMG EXPERT REVIEW: Nicholls' stillborn 1968 album does indeed recall the Beach Boys' 1966-67 era, not just due to Billy's melodies and high, versatile vocals, but also the production of Andrew Oldham, | 1968 | 3:51:23 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:52 (Pop-up) |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun: Playlists feed | MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
The Night Owl:
The Night Owl:
nostrangerer:
The Night Owl:
nostrangerer:
onekayhz:
The Night Owl:
The Night Owl:
nostrangerer:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
The Night Owl:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
Jane Birkin eating an apple:
The Ayatolluh of Rock n’ Rolluh in transit:
The Ayatolluh of Rock n’ Rolluh in transit:
The Night Owl:
The Night Owl:
spacecowboy:
You gotta keep your kids and your car clean
You gotta keep climbing, you gotta keep fit
You gotta keep smiling, you gotta eat shit
You gotta be small to be a big shot
You gotta eat meat to stay at the top
You gotta be trusted, gotta tell lies
You gotta be able to narrow your eyes
You gotta beleive they've gotta beleive you
You gotta appear easy to see through
Gotta be sure you look good on the TV
Gotta resemble a human being
You gotta keep one eye over your shoulder
Gonna get harder as you get older
Gotta fly south and hide in the sand
Gotta forget that you're gonna get cancer
And when you loose control
You'll reap the harvest you have sown
And as the fear grows
The bad blood slows and turns to stone
spacecowboy:
spacecowboy:
You used to need to throw around
So have a good drown
As you go down
Alone
Dragged down by the stone
Gotta be sure, you gotta be quick
Gotta divide the tame from the sick
Gotta keep some of us docile and fit
You gotta keep everyone burying this shit
You gotta get you started early
Processed by the time you're thirty
Work like fuck 'till you're sixty five
And then your time's your own until you die
I gotta admit to a lot of confusion
Pain in the head is the child of collusion
Gotta resist the creeping malaise
You gotta beleive in the way you get out of the maze
But you, you just keep on pretending
You can tell a sucker from a friend
But you still raise the knife to
Stranger, lover, friend and foe alike
Who was born in a house full of pain
Who was sent out to play on his own
Who was raised on a diet of shame
Who was trained not to spit in the fan
Who was told what to do by the man
Who was broken by trained personnel
Who was fitted with bridle and bit
Who was given a seat in the stand
Who was forcing his way to the rails
Who was offered a place on the board
Who was only a stranger at home
Who was ground down in the end
Who was found dead on the phone
Who was dragged down by the stone
spacecowboy:
spacecowboy:
spacecowboy:
The Night Owl: