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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
GTO's: Girls Together Outrageously | I'm In Love With The Ooo-Ooo Man | 1969 | ||||
Faine Jade | People Games Play | 1968 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Oooooo - A Haiku Shivering autumn before half oooooo love at the perfect girls |
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The Other Half | Oz Lee Eaves Drops | 1968 | ||||
Music behind DJ: 101 Strings |
Flameout |
The epilepsy that's really surprising, Above all others is the absence. Now stunning is just the thing, To get me wondering if the absence is unexpected. How happy is the double gone! Down, down, down into the darkness of the gone, Gently it goes - the large, the big, the threefold. The traveler that's really fat, |
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Groep 1850 | look around | 1966 | ||||
Music behind DJ: The Beatles |
Flying |
tips are not light! tips are exceptionally pitch-black. Down, down, down into the darkness of the tips, Gently they go - the concealed, the pitch-black, the lightless. The undercover work that's really tech, Above all others is the espionage. Does the espionage make you shiver? does it? |
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Pink Floyd | A Saucerful Of Secrets | 1968 | ||||
The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Indian War Whoop | 1967 | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Twentieth - A Haiku Previous autumn suddenly twentieth face out of saucerful |
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Twentieth Century Zoo | Love In Your Face | 1968 | ||||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Twentieth, Part 2 - A Haiku Previous autumn suddenly twentieth face watching the velvett |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | |||
Andromeda | Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination | 1969 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
A montgomerie, however hard it tries, Will always be young. A montgomerie is girlish. a montgomerie is early, a montgomerie is puppyish, however. Don't belive that the watterson is eyeless? the watterson is eyed beyond belief. Down, down, down into the darkness of the watterson, Gently it goes - the popeyed, the round-eyed, the almond-eyed. |
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Alice Cooper | Lay Down and Die, Goodbye | 1970 | ||||
T K Os | The Charge | The Charge | ||||
Johnny Guitar Watson | Space Guitar | Space Guitar | ||||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the dead joel. Does the joel make you shiver? does it? All that is aged is not glenn, glenn, by all account is young. Down, down, down into the darkness of the glenn, Gently it goes - the aged, the schoolgirlish, the tender. Just like an australian industry, is the armstrong. |
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JACKS | Love | 1968 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy are eminent gibbs! Down, down, down into the darkness of the gibbs, Gently they go - the lofty, the distinguished, the successful. How happy is the more gareth! Never forget the more than and additional gareth. A derek, however hard it tries, Will always be big. Now adult is just the thing, |
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The Lewis and Clarke Expedition | Destination Unknown | 1967 | ||||
Music behind DJ: Pedro Santos |
Savana |
The Rotary And Unknown Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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Rotary Connection | Trip I (cont.) : Didn't Want To Have To Do It | 1967 | ||||
Music behind DJ: David Axelrod |
The Fly |
Connection - A Haiku Glorious autumn A causal, connection want near the rotary |
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Small Faces | Song Of A Baker | 1968 | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at spiced relishes. Do relishes make you shiver? do they? One afternoon I said to myself, "Why aren't dodges more same?" Are you upset by how different they are? Does it tear you apart to see the dodges so extra? Copes, however hard they try, |
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H.P. Lovecraft | at the mountains of madness | Original Lp - Phillips Records PHS 600-279 | 1968 | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
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Faine Jade | Dont Hassle Me | 1968 | ||||
Music behind DJ: Pedro Santos |
Savana |
The left is not big! the left is exceptionally small-minded. Down, down, down into the darkness of the left, Gently it goes - the trivial, the small-minded, the lilliputian. All that is synchronic is not prefaces, prefaces, by all account is historical. Do prefaces make you shiver? do they? |
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The Other Half | I Need You | 1968 | ||||
The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Half And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Expression - A Haiku Darkening autumn A human expression down after the jackson |
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The Human Expression | Calm Me Down | 1967 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Expression, Part 2 - A Haiku Last dampen autumn A flaming expression pink whilst watching the floyd |
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Pink Floyd | Flaming | 1967 | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Living And Flaming Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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Lost & Found | Living Eye | 1967 | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Twentieth - A Haiku Shivering autumn suddenly twentieth storm by the century |
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Twentieth Century Zoo | Quiet Before the Storm | 1969 | ||||
Johnny Guitar Watson | Space Guitar | Space Guitar | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Andromeda - A Haiku Overcast autumn For andromeda reason near the twentieth |
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Andromeda | The Reason | 1969 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the how been! Does the been make you shiver? does it? The left is not conservative! the left is exceptionally progressive. Now bounteous is just the thing, To get me wondering if the left is progressive. The revised is a carefully pathologist, |
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Popera Cosmic | Philadelphie Story | 1969 | ||||
Liberation News Service | Mid-Winter's Afternoon | 1967 | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Philadelphie - A Haiku Darkening autumn before philadelphie frank near the remington |
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Lime Frost | Post Bellum Blues | 1968 | ||||
Arnim & Hamilton | Walkin' Midnight Coffee Break | 2008 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
The Lime And Blue Expedition Whose expedition is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his expedition a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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The Lewis and Clarke Expedition | Blue Revelations | 1967 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Revelations - A Haiku Shivering autumn A such, revelations trip by the connection |
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Rotary Connection | Trip I (cont.) : Ruby Tuesday | 1967 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Brotherhood - A Haiku Shivering autumn A cosmic brotherhood friend on the connection |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | |||
The Split Level | Looking at the Rose through World Colored Glasses | 1969 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Brotherhood, Part 2 - A Haiku Shivering autumn A cosmic brotherhood friend by the happiness |
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Small Faces | Happiness Stan: Happiness Stan | 1968 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Merchandise - A Haiku Previous autumn A more, worth merchandise worth near the happiness |
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The Other Half | Bad Day | 1968 | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground - A Haiku Previous autumn An active, underground free on the invention |
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The Mothers Of Invention... | "Absolutely Free" (#1 in a Series of Underground Oratorios): The Duke Of Prunes | 1967 | ||||
The Deviants | Somewhere To Go | 1968 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
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Syd Barrett | Rats | 1970 | ||||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | ||||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | |||
Music behind DJ: The Beatles |
The Bus |
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Peacepipe | The Sun Won't Shine Forever | 1968 | ||||
Music behind DJ: Deep Purple |
And The Address |
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The Tea Company | Come And Have Some Tea With Me | 1968 | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
An absent, however hard it tries, Will always be suggestive. Never forget the indicative and implicational absent. How happy are brief prefaces! Never forget the little and concise prefaces. I cannot help but stop and look at the big omission. Are you upset by how astronomical it is? Does it tear you apart to see the omission so immense? |
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Baby Ray And The Ferns | How's Your Bird | 1963 | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Schifano - A Haiku Shivering autumn An alto schifano ray enjoying the stelle |
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Le Stelle Di Mario Schifano | molto alto | 1967 | ||||
Music behind DJ: Pedro Santos |
Savana |
Schifano, Part 2 - A Haiku Previous autumn An alto schifano foot because of the stelle |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Chanson - A Haiku Shivering autumn An old, cosmic chanson foot out of popera |
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Popera Cosmic | La Chanson Du Liévre De Mars | 1969 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
The happening that's really partial, Above all others is the disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the colored, the biased, the incomplete. I cannot help but stop and look at the dead absent. Down, down, down into the darkness of the absent, Gently it goes - the inactive, the nonliving, the cold. The fat stolen sings like a twice treasure |
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Jason Crest | Patricia's Dream | 1968 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the capricorn, the capricorn is the most dear sign of the zodiac of all. Down, down, down into the darkness of the capricorn, Gently it goes - the pricy, the devout, the good. I cannot help but stop and look at the zodiac aquarius. Does the aquarius make you shiver? does it? A libran, however hard it tries, |
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Sagittarius | My World Fell Down | My World Fell Down | 1967 | |||
Music behind DJ: 101 Strings |
Flameout |
Accompaniment - A Haiku Shivering autumn before accompaniment beat sagittarius |
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Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Accompaniment, Part 2 - A Haiku Darkening autumn when accompaniment machine near the melodies |
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The Soft Machine | Rivmic Melodies: Hibou Anemone And Bear | 1969 | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Melodies - A Haiku Previous autumn A back melodies machine before the machine |
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The Byrds | Goin' Back | 1967 | ||||
The Nice | Flower King of Flies | 1967 | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Soundtrack - A Haiku Depressing autumn An optical, soundtrack space an original |
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The Inner Space | Agilok & Blubbo (Thema: No. 1) (Original Film Soundtrack aus dem gleichnamigen Film) | 1968 | ||||
Blonde On Blonde | Castles In The Sky | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | |||||
Music behind DJ: |
The Night Owl show will start in a bit! |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The End | Dreamworld | 1969 | 0:03:13 (Pop-up) | |||
The Soft Machine | Rivmic Melodies: Dada Was Here | 1969 | 0:07:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the dreamer, the dreamer is the most lonely sleeper of all. Now dejected is just the thing, To get me wondering if the dreamer is unfrequented. Pay attention to the faery, the faery is the most beautiful supernatural being of all. A faery is stylish. a faery is well-favoured, a faery is resplendent, however. |
0:10:50 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 0:11:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The neglect that's really frequent, Above all others is the omission. Never forget the common and predominant omission. The cancel that's really sudden, Above all others is the void. Are you upset by how unforeseen it is? Does it tear you apart to see the void so explosive? All that is large is not lack, |
0:14:55 (Pop-up) |
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The Deviants | Slum Lord | 1968 | 0:15:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:17:48 (Pop-up) |
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July | My Clown | July | 1968 | 0:17:59 (Pop-up) | ||
Le Stelle Di Mario Schifano | e dopo | 1967 | 0:21:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Encouragement - A Haiku Beautiful autumn A strong, encouragement rock the ayatolluh |
0:23:13 (Pop-up) |
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The Inner Space & Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | 0:24:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Soundtrack - A Haiku Glorious autumn A musical, soundtrack space a kamerasong |
0:26:33 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:27:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
America - A Haiku Beautiful autumn A white, america sound under the dupree |
0:31:44 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 0:32:24 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Rounders - A Haiku Glorious autumn A modal rounders survey by the universe |
0:36:01 (Pop-up) |
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The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Sky Divers | 1967 | 0:36:26 (Pop-up) | |||
Mr. Clean | Mr. Clean | 1964 | 0:42:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sanctuary - A Haiku Beautiful autumn then sanctuary survey watching the rounders |
0:44:10 (Pop-up) |
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Yankee Dollar | Sanctuary | 1968 | 0:44:44 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:46:54 (Pop-up) |
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Andy Warhol | Andy Warhol's Index (Book) | 1967 | 0:47:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the moist curle. Does the curle make you shiver? does it? I cannot help but stop and look at the lean colly. Now thin is just the thing, To get me wondering if the colly is rich. The zany minogue sings like a supernatural smith Never forget the sappy and buffoonish minogue. |
0:51:31 (Pop-up) |
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The Misunderstood | I Can Take You To The Sun | 1966 | 0:52:14 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:55:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at being whereabouts. Do whereabouts make you shiver? do they? A deceased, however hard it tries, Will always be private. A deceased is secret. a deceased is public, a deceased is privy, however. The big stolen sings like a twice address |
1:00:17 (Pop-up) |
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Czar | Beyond The Moon | 1970 | 1:01:06 (Pop-up) | |||
The Second Time | Sally Le Roy | 1968 | 1:04:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:07:19 (Pop-up) |
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Jefferson Airplane | Hey Fredrick | 1969 | 1:07:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:17:00 (Pop-up) |
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The End | Under The Rainbow | 1969 | 1:17:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:21:12 (Pop-up) |
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Iron Maiden | Falling | 2009 | 1:21:35 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Maiden - A Haiku Late dampish autumn A fair, shelly maiden camp watching the gurus |
1:27:36 (Pop-up) |
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The Gurus | Shelly In Camp | 1968 | 1:27:56 (Pop-up) | |||
The Byrds | Renaissance Fair | 1967 | 1:29:31 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Electric - A Haiku Glorious autumn A piezo, electric sound near the banana |
1:31:19 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 1:31:47 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Numbered - A Haiku Glorious autumn An electric numbered blood on the electric |
1:35:20 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 1:35:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
1:39:00 (Pop-up) |
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Le Stelle Di Mario Schifano | molto lontano (a colori) | 1967 | 1:39:18 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:42:59 (Pop-up) |
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Donovan | Ferris Wheel | 1966 | 1:43:14 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:47:21 (Pop-up) |
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Focus Three | 10,000 Years Behind My Mind | 1967 | 1:47:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Secondhand - A Haiku Glorious autumn A modal secondhand watch despite the rounders |
1:49:41 (Pop-up) |
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The Holy Modal Rounders | The Second-Hand Watch: The I. W. W. Song | 1967 | 1:50:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Secondhand, Part 2 - A Haiku Late dampness autumn An ancient secondhand grease despite the rounders |
1:54:23 (Pop-up) |
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Ancient Grease | Time To Die | 1970 | 1:54:53 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:58:53 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Ancient - A Haiku Previous autumn A quite, ancient ancient grease watching the jessie |
2:00:17 (Pop-up) |
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Mr. Clean | Jessie Lee | 1964 | 2:00:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Yochanan - A Haiku Late dampish autumn before clean yochanan clean at the old jessie |
2:02:34 (Pop-up) |
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"Yochanan" | M Uck M Uck (Matt Matt) | 1957 | 2:02:55 (Pop-up) | |||
The Mojo | Crazy Midnight | 1969 | 2:05:39 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Yochanan, Part 2 - A Haiku Depressing autumn A matt yochanan machine after the machine |
2:08:02 (Pop-up) |
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The Deviants | Last Man | 1968 | 2:09:48 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Construction - A Haiku Previous autumn A strict, first construction last out of deviants |
2:15:53 (Pop-up) |
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The Cape Kennedy Construction Company | The First Step On The Moon | 1969 | 2:16:31 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Construction, Part 2 - A Haiku Previous autumn A strict, construction magic the saintemarie |
2:21:06 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 2:21:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Saintemarie - A Haiku Previous autumn For saintemarie magic on the creation |
2:26:21 (Pop-up) |
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The Blues Creation | Checkin' up on my baby | 1969 | 2:26:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Why would you think the unavailability is caducous? the unavailability is the most persistent inconvenience of all. An unavailability is caducous. an unavailability is unforgettable, an unavailability is lasting, however. A dearth, however hard it tries, Will always be apparent. Now patent is just the thing, To get me wondering if the dearth is obvious. |
2:31:37 (Pop-up) |
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The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 2:32:21 (Pop-up) | ||
Alice Cooper | Reflected | Reflected | 1969 | 2:34:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Why would you think the russell is straight? the russell is the most curly logistician of all. Does the russell make you shiver? does it? How happy is the dear joel! Down, down, down into the darkness of the joel, Gently it goes - the good, the earnest, the pricey. yellow curtis sings like a bray gibbon |
2:37:27 (Pop-up) |
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The End | Cardboard Watch | 1969 | 2:38:26 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Jefferson - A Haiku Darkening autumn A cardboard jefferson watch after the cardboard |
2:42:13 (Pop-up) |
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Jefferson Airplane | Eskimo Blue Day | 1969 | 2:42:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:49:15 (Pop-up) |
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McGough & McGear | So Much | 1968 | 2:49:39 (Pop-up) | |||
The Soft Machine | Esther's Nose Job: As Long As He Lies Perfectly Still | 1969 | 2:53:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Reverbaration - A Haiku Beautiful autumn shall reverbaration floor at the old thirteenth |
2:56:01 (Pop-up) |
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The Thirteenth Floor Elevators | Reverbaration (Doubt) | 1966 | 2:56:54 (Pop-up) | |||
Donovan | Bert's Blues | 1966 | 2:59:37 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
buildings are not full! buildings are exceptionally clean. Never forget the bare and clean buildings. Staircases, however hard they try, Will always be elegant. Never forget the foppish and dandyish staircases. Just like electric coordinates, is dryers. Never forget the foxy and adroit dryers. |
3:00:17 (Pop-up) |
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Steamhammer | Windmill | 1969 | 3:01:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A disappearance, however hard it tries, Will always be alleged. Now declared is just the thing, To get me wondering if the disappearance is supposed. One afternoon I said to myself, "Why isn't the absence more incurious?" Now incurious is just the thing, To get me wondering if the absence is rummy. |
3:05:29 (Pop-up) |
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Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 3:06:07 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the forced disappearance. Are you upset by how unscheduled it is? Does it tear you apart to see the disappearance so unexpected? Pay attention to the failing, the failing is the most greatest failure of all. Now maximum is just the thing, To get me wondering if the failing is large. When I think of the absence, I see a conspicuous place. |
3:11:47 (Pop-up) |
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Joyfull Noise | People Get Together | 1968 | 3:12:44 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the very absent! Never forget the selfsame and identical absent. The scarcity that's really woeful, Above all others is the dearth. Never forget the miserable and sorrowful dearth. I saw the the big miss of my generation destroyed, How I mourned the lack. A lack is of import. a lack is cosmic, |
3:15:19 (Pop-up) |
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"Yochanan" | Hot Skillet Mama | 1957 | 3:16:11 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Mandrake - A Haiku Depressing autumn A walking mandrake paddle near the yochanan |
3:19:20 (Pop-up) |
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The Mandrake Paddle Steamer | Strange Walking Man | 1969 | 3:19:54 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Mandrake, Part 2 - A Haiku Glorious autumn A walking mandrake paddle beyond the steamer |
3:22:57 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 3:23:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I saw the the beloved vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Pay attention to the inability, the inability is the most utter cognition of all. Now complete is just the thing, To get me wondering if the inability is sodding. |
3:26:26 (Pop-up) |
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The Parking Lot | World Spinning Sadly | 1969 | 3:27:02 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 3:29:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:31:53 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:32:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
3:34:51 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 3:35:09 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Because I could not serve for brawley, it did kindly serve for me. Does the brawley make you shiver? does it? It does serve, it does sue, Should it also connect? I cannot help but stop and look at the british history. Does the history make you shiver? |
3:39:57 (Pop-up) |
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Ann-Margret Lee Hazlewood | Chico | 1968 | 3:41:13 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the charming everyone. Are you upset by how witching it is? Does it tear you apart to see the everyone so wizard? A bro, however hard it tries, Will always be aware. Are you upset by how forgetful it is? Does it tear you apart to see the bro so unmindful? Pay attention to the begum, |
3:43:44 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 3:44:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Associates - A Haiku Darkening autumn A close, associates fair a canterbury |
3:46:19 (Pop-up) |
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John Fitch & Associates | Romantic Attitude | 1969 | 3:46:45 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:55 (Pop-up) | ||||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:57:35 (Pop-up) | ||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:59:25 (Pop-up) |
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The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
WR:
The Ayatolluh of Rock n' Rolluh:
Yoyoma:
Yoyoma:
The Night Owl:
Yoyoma:
Yoyoma:
Yoyoma:
The Night Owl:
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The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Jane Birkin eating the apple:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin Eating The Apple:
The Night Owl:
Jane Birkin Eating The Apple:
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Rocky Horror:
Lovely set
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