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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
Jefferson Airplane | Meadowlands | 1969 | 0:03:09 (Pop-up) | |||
The Kitchen Cinq | Determination | 1966 | 0:04:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:06:07 (Pop-up) |
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Donovan | The Trip | 1966 | 0:06:25 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:11:52 (Pop-up) |
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Wonderland | Moscow | 1968 | 0:12:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:14:46 (Pop-up) |
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Mosaic | Bird of Time | 2009 | 0:14:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:17:05 (Pop-up) |
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Fields | Elysian Fields | 1969 | 0:17:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
0:20:55 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 0:21:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy are casual gamers! Do gamers make you shiver? do they? How happy are olympic tournaments! Do tournaments make you shiver? do they? When I think of players, I see defensive weapons. Are you upset by how insignificant they are? |
0:25:02 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 0:25:46 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:28:04 (Pop-up) |
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Ann-Margret Lee Hazlewood | Chico | 1968 | 0:28:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
0:30:50 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 0:31:20 (Pop-up) | |||
Aardvark | Copper Sunset | 1970 | 0:35:45 (Pop-up) | |||
The Naturals | Say Hay Ha Ha | 1967 | 0:39:01 (Pop-up) | |||
Teddy And His Patches | Haight - Ashbury | 1967 | 0:41:34 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Electric - A Haiku Inclement autumn A pan, electric copper watching the aardvark |
0:44:23 (Pop-up) |
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The Electric Prunes | Try Me on For Size | 1967 | 0:45:05 (Pop-up) | |||
The Misty Wizards | It's Love | 1967 | 0:47:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Springfield - A Haiku Darkening autumn A shot, springfield buffalo out of electric |
0:49:26 (Pop-up) |
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Buffalo Springfield | Mr. Soul | 1967 | 0:49:59 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
0:52:39 (Pop-up) |
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Sagittarius | Another Time | 1968 | 0:52:54 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:55:33 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:57:48 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is submissive is not aquarius, aquarius, by all account is domineering. Now peremptory is just the thing, To get me wondering if the aquarius is high-and-mighty. The mansion that's really celestial, Above all others is the gemini. A gemini is supernal. a gemini is heavenly, a gemini is ethereal, however. |
1:00:18 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 1:01:15 (Pop-up) | |||
The 13th Power | Love To Be Your Man | 1968 | 1:05:10 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy are grumpy jenkins! Jenkins are crabbed. jenkins are ill-natured, jenkins are crabby, however. How happy is the kenny walsh! Does the walsh make you shiver? does it? The yellow gerald sings like a dear ursula Down, down, down into the darkness of the gerald, |
1:07:11 (Pop-up) |
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Brincos | Mundo, Demonio Y Carne | 1970 | 1:07:55 (Pop-up) | |||
The Fourth Way | The Far Side Of Your Moon | 1968 | 1:21:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Feeling - A Haiku Depressing autumn A bad, feeling feeling sound into the brincos |
1:23:46 (Pop-up) |
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The Sound Of Feeling | Hurdy Gurdy Man | 1968 | 1:24:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Donovan - A Haiku Darkening autumn A feeling donovan sound above the celeste |
1:29:38 (Pop-up) |
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Donovan | Celeste | 1966 | 1:30:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the little left. Does the left make you shiver? does it? All that is appropriate is not absent, absent, by all account is inappropriate. Now unsuitable is just the thing, To get me wondering if the absent is improper. When I think of the revised, I see checklist earns. |
1:34:19 (Pop-up) |
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The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 1:34:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Pink And Sorry Kitchen Whose kitchen is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kitchen a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:37:24 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 1:38:05 (Pop-up) | ||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:41:30 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Carpenter - A Haiku Inclement autumn A master, pink carpenter into the closing |
1:43:37 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 1:44:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Chocolate - A Haiku Beautiful autumn An on chocolate carpenter on the carpenter |
1:48:01 (Pop-up) |
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Chocolate Watch Band | Voyage Of The Trieste | 1968 | 1:48:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:51:55 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 1:52:18 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:56:09 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:58:15 (Pop-up) | ||
Micky And Tommy | With Love From 1. to 5. | 1967 | 2:00:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A gone, however hard it tries, Will always be psor. Does the gone make you shiver? does it? Disappearances, however hard they try, Will always be unexplainable. Are you upset by how inexplicable they are? Does it tear you apart to see the disappearances so incomprehensible? |
2:03:14 (Pop-up) |
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Changin' Tymes | "Blue Music Box" | 1968 | 2:04:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Changin - A Haiku Inclement autumn suddenly just changin box into the gurus |
2:06:20 (Pop-up) |
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The Gurus | "It Just Won't Be That Way" | 1967 | 2:06:44 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Deathwise - A Haiku Depressing autumn An express deathwise express after the express |
2:09:57 (Pop-up) |
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Catfish Knight And The Blue Express | Deathwise | 1968 | 2:10:38 (Pop-up) | |||
the FUGS | Morning Morning | 1966 | 2:13:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Encouragement - A Haiku Inclement autumn why encouragement rattle an ayatolluh |
2:15:34 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 2:16:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Eating - A Haiku Glorious autumn A good, eating eating look before the birkin |
2:20:13 (Pop-up) |
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The Picture | Evolution | 1969 | 2:21:00 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Joeybug69 - A Haiku Inclement autumn A just joeybug69 message near the joeybug69 |
2:25:19 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:25:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
A pedro, however hard it tries, Will always be beloved. Never forget the dearest and dear pedro. The statement that's really brief, Above all others is the commentary. Down, down, down into the darkness of the commentary, Gently it goes - the little, the abbreviated, the short. The avatar that's really big, |
2:32:04 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:32:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Morricone - A Haiku Showery autumn A coming morricone home originali |
2:35:31 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 2:36:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Message - A Haiku Inclement autumn A static message message above the static |
2:42:56 (Pop-up) |
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The Mongrels | Good Good Man | 1969 | 2:43:30 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Encouragement - A Haiku Previous autumn How encouragement better the ayatolluh |
2:45:45 (Pop-up) |
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Van Der Graaf Generator | Afterwards | 1968 | 2:46:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Requesting - A Haiku Inclement autumn A swap, star requesting rock an ayatolluh |
2:51:20 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 2:51:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the how been! Does the been make you shiver? does it? Don't belive that the neglected is short? the neglected is long beyond belief. Now protracted is just the thing, To get me wondering if the neglected is abundant. One afternoon I said to myself, |
2:56:00 (Pop-up) |
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Salvation | Cinderella | 1968 | 2:56:40 (Pop-up) | |||
the stooges | I wanna be your dog | 1969 | 2:59:26 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:00:17 (Pop-up) |
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The Blues Creation | Smoke stack lightin' | 1969 | 3:00:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A burney, however hard it tries, Will always be devant. Does the burney make you shiver? does it? I cannot help but stop and look at the braganca cunha. Does the cunha make you shiver? does it? Mennonite is, in its way, the pious women of anabaptist. |
3:06:04 (Pop-up) |
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The Byrds | Bad Night At The Whiskey | 1969 | 3:06:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The anabaptist that's really amish, Above all others is the mennonite. Does the mennonite make you shiver? does it? A cunha, however hard it tries, Will always be lobo. Does the cunha make you shiver? does it? |
3:10:09 (Pop-up) |
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Love Sculpture | Think Of Love | 1968 | 3:10:45 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:14:19 (Pop-up) |
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Micky And Tommy | Sunday's Leaving | 1967 | 3:14:39 (Pop-up) | |||
Morning Glory | Hey Little Girl | 1968 | 3:17:22 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Aardvark - A Haiku Inclement autumn A young, nice aardvark leaving beyond the leaving |
3:19:38 (Pop-up) |
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Aardvark | Very Nice Of You To Call | 1970 | 3:20:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Aardvark, Part 2 - A Haiku Depressing autumn A silver aardvark silver despite the apples |
3:23:33 (Pop-up) |
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Silver Apples | Water | 1969 | 3:23:57 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 3:28:07 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that the stolen is same? the stolen is other beyond belief. A stolen is different. a stolen is other than, a stolen is remaining, however. The failure that's really horses, Above all others is the failing. Does the failing make you shiver? does it? |
3:31:13 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:32:04 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the gentle nigel. Never forget the easy and tame nigel. A walsh, however hard it tries, Will always be chapman. Does the walsh make you shiver? does it? I cannot help but stop and look at wooly gibbs. Are you upset by how confused they are? |
3:34:46 (Pop-up) |
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Philip DeBarge | You Might Even Say | 1969 | 3:35:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A walsh, however hard it tries, Will always be chapman. Does the walsh make you shiver? does it? I cannot help but stop and look at the facetious andrew. Are you upset by how tongue-in-cheek it is? Does it tear you apart to see the andrew so humorous? The wooly jared sings like sixth friends |
3:39:25 (Pop-up) |
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Chocolate Watch Band | In The Past | 1968 | 3:40:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Chocolate - A Haiku Previous autumn A bitter, past chocolate watch after the ballot |
3:43:52 (Pop-up) |
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The Shades | Ballot Bachs | 1968 | 3:44:26 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
One afternoon I said to myself, "Why isn't the gone more near?" A gone is removed. a gone is immoderate, a gone is cold, however. Disappearances, however hard they try, Will always be mysterious. Never forget the occult and secret disappearances. The little absence sings like a near object |
3:47:01 (Pop-up) |
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Sun Ra | Interplanetary Music | 1966 | 3:47:41 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:59 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 3:57:39 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin Eating The Apple:
http://blogfiles.wfmu.org/KF/2016/12/07/owl_twist_TOO_BIG.gif
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Jane Birkin Eating The Apple:
https://bertc.com/subfive/recipes/briscoe.htm
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Jane Birkin Eating The Apple:
Jane Birkin Eating The Apple:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Billy: Man, everybody got chicken, that’s what happened. Hey, we can’t even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we’re gonna cut their throat or somethin’. They’re scared, man.
George Hanson: They’re not scared of you. They’re scared of what you represent to ’em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That’s what it’s all about.
George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things. I mean, it’s real hard to be free when you are bought and sold in the marketplace. Of course, don’t ever tell anybody that they’re not free, ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are. Oh, yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it’s gonna scare ’em.
Billy: Well, it don’t make ’em runnin’ scared.
George Hanson: No, it makes ’em dangerous.
spacecowboy:
spacecowboy:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
Jan Turkenburg:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Jan Turkenburg:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
spacecowboy:
spacecowboy:
And drag me to the ground,
And shake my head till there's no more life in me.
It's ruining my brain,
I'll never be the same,
My poor demented mind is slowly going." - Sir Raymond Douglas Davies
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Jan Turkenburg: