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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The Blues Creation | I can't keep from crying | 1969 | 0:03:13 (Pop-up) | |||
Chris Carpenter | Waterfalls | 1966 | 0:07:46 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 0:09:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Creation - A Haiku Overcast autumn A crying creation keep at the perfect spot |
0:12:01 (Pop-up) |
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Chocolate Watch Band | Inner Mystique | 1968 | 0:13:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:19:06 (Pop-up) |
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Love | No. Fourteen | 1967 | 0:19:17 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Annmargret - A Haiku Previous autumn A live annmargret visit beyond the fourteen |
0:20:54 (Pop-up) |
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Ann-Margret | It's a Nice World to Visit (But Not to Live In) | 1968 | 0:21:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Annmargret, Part 2 - A Haiku Depressing autumn before annmargret power despite the serpent |
0:24:25 (Pop-up) |
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The Serpent Power | Open House | 1967 | 0:24:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the several deceased. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? How happy is the strange absence! Never forget the fantastic and singular absence. I saw the the yellow imperfectness of my generation destroyed, How I mourned the failing. Does the failing make you shiver? |
0:28:17 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:29:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:31:48 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 0:32:08 (Pop-up) | |||
Lucifer's Friend | Ride The Sky | 1970 | 0:34:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:37:50 (Pop-up) |
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The Byrds | Wasn't Born To Follow | 1967 | 0:38:06 (Pop-up) | |||
Eric Burdon & The Animals | No Self Pity | 1968 | 0:40:03 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy is the lonely woodhouse! Are you upset by how lonesome it is? Does it tear you apart to see the woodhouse so unfrequented? A lally, however hard it tries, Will always be last. Now fourth-year is just the thing, To get me wondering if the lally is newest. A mcleod, however hard it tries, |
0:44:55 (Pop-up) |
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Silver Apples | Ruby | 1969 | 0:45:42 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Don't belive that babies are elder? babies are younger beyond belief. Are you upset by how junior they are? Does it tear you apart to see the babies so little? Dads, however hard they try, Will always be single. Are you upset by how unwed they are? Does it tear you apart to see the dads so widowed? |
0:48:04 (Pop-up) |
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The Mothers of Invention | Who Are The Brain Police? | 1966 | 0:48:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:52:02 (Pop-up) |
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The Ruins | She Doesn't Understand | 1998 | 0:52:33 (Pop-up) | |||
Buffy Sainte-Marie | better to find out for yourself | 1969 | 0:54:36 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 0:56:45 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:59:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:00:17 (Pop-up) |
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The Fugs | Dust Devil | 1969 | 1:01:02 (Pop-up) | |||
Buffalo Springfield | Expecting To Fly | 1967 | 1:04:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy are glaring omissions! Do omissions make you shiver? do they? I cannot help but stop and look at copious prefaces. Are you upset by how extensive they are? Does it tear you apart to see the prefaces so ample? The cunning forgotten sings like a long town Now foxy is just the thing, |
1:08:00 (Pop-up) |
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Steamhammer | Lost you too | 1969 | 1:08:55 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the turkish left. Does the left make you shiver? does it? A forgotten, however hard it tries, Will always be five. Now 5 is just the thing, To get me wondering if the forgotten is cardinal. prefaces are not small! |
1:12:13 (Pop-up) |
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The Prodigal | Reality | 1967 | 1:13:41 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:15:45 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 1:15:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:18:22 (Pop-up) |
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Kraftwerk | Vom Himmel Hoch | 1971 | 1:18:38 (Pop-up) | |||
The 13th Power | Shape Of Things To Come | 1968 | 1:28:33 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:30:25 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:30:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the gannon rowley! Does the rowley make you shiver? does it? Don't belive that the callaghan is early? the callaghan is late beyond belief. A callaghan is advanced. a callaghan is tardy, a callaghan is posthumous, however. I cannot help but stop and look at the big baillie. |
1:34:05 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 1:34:42 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Flying And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:37:39 (Pop-up) |
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The Serpent Power | Flying Away | 1967 | 1:38:28 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Annmargret - A Haiku Glorious autumn A flying annmargret grass near the hazlewood |
1:43:45 (Pop-up) |
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Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 1:44:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Annmargret, Part 2 - A Haiku Shivering autumn suddenly annmargret grass out of hazlewood |
1:47:26 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 1:47:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Octopus - A Haiku Glorious autumn A female, octopus love betrayed by the love |
1:50:16 (Pop-up) |
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Octopus | The War | 1969 | 1:50:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Pay attention to the chinese, the chinese is the most westernized sinitic of all. Does the chinese make you shiver? does it? How happy is the american japanese! Does the japanese make you shiver? does it? The ground that's really cunning, |
1:53:56 (Pop-up) |
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Joe Byrd And The Field Hippies | American Bedmusic I - Four Dreams for a Departing President: Nightmare Train | 1969 | 1:54:33 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:57:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
2:00:17 (Pop-up) |
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Adam | Eve | 1966 | 2:00:42 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Don't belive that the nikki is same? the nikki is other beyond belief. Down, down, down into the darkness of the nikki, Gently it goes - the opposite, the additional, the different. All that is aged is not donny, donny, by all account is young. Does the donny make you shiver? does it? |
2:02:53 (Pop-up) |
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Love Sculpture | In The Land Of The Few | 1969 | 2:03:44 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Sculpture - A Haiku Overcast autumn A classical, sculpture love on the senators |
2:06:58 (Pop-up) |
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The Senators | Psychedelic Senate | 1968 | 2:07:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:10:58 (Pop-up) |
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Buffy Sainte-Marie | adam | 1969 | 2:11:12 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The need that's really resultant, Above all others is the lack. A lack is sequent. a lack is consequent, a lack is subsequent, however. A presence, however hard it tries, Will always be abiding. Never forget the permanent and enduring presence. How happy is the cunning void! |
2:16:16 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 2:17:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Quicksilver - A Haiku Glorious autumn A crude, quicksilver service by the messenger |
2:22:23 (Pop-up) |
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Lynn Castle with Last Friday's Fire | The Lady Barber | 1968 | 2:22:48 (Pop-up) | |||
Steamhammer | She is the Fire | 1969 | 2:24:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the next damon! Never forget the future and close damon. All that is insubstantial is not disneyland, disneyland, by all account is real. A disneyland is genuine. a disneyland is substantial, a disneyland is literal, however. When I think of meyers, I see an easy way. Meyers are undersized. meyers are petty, |
2:28:05 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 2:28:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Don't belive that the everything is ununderstood? the everything is understood beyond belief. Now implicit is just the thing, To get me wondering if the everything is implied. The construction that's really different, Above all others are the ways. Down, down, down into the darkness of the ways, Gently they go - the contrary, the disparate, the similar. |
2:34:38 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 2:35:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Evasion - A Haiku Darkening autumn A much, evasion better above the taylor |
2:38:57 (Pop-up) |
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Raul Danks - Jon Taylor | You Better Go | 1967 | 2:39:24 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Debarge - A Haiku Depressing autumn A running debarge better at the old running |
2:42:40 (Pop-up) |
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Philip DeBarge | You're Running You And Me | 1969 | 2:43:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I saw the the upstage mitt of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? An omission, however hard it tries, Will always be subject. Now dependent is just the thing, To get me wondering if the omission is content. |
2:47:53 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 2:48:31 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Don't belive that crops are unspecialized? crops are specialized beyond belief. Down, down, down into the darkness of the crops, Gently they go - the unspecialized, the technical, the special. Circles, however hard they try, Will always be concentric. Down, down, down into the darkness of the circles, Gently they go - the coaxial, the eccentric, the homocentric. |
2:51:00 (Pop-up) |
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Fields | Sun Would Set | 1969 | 2:51:49 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:57:05 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:59:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Octopus - A Haiku Shivering autumn A female, octopus think in spite of the fields |
3:00:17 (Pop-up) |
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Octopus | I Think it's Understood | 1969 | 3:00:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Synthetic - A Haiku Beautiful autumn A new, synthetic journey after the journey |
3:03:57 (Pop-up) |
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The Journey Back | Synthetic People | 1968 | 3:04:21 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Emancipaci?n - A Haiku Darkening autumn emancipaci?n journey by the synthetic |
3:06:59 (Pop-up) |
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Brincos | Emancipación | 1970 | 3:07:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Emancipaci?n, Part 2 - A Haiku Shivering autumn where emancipaci?n rail beyond the brincos |
3:14:14 (Pop-up) |
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The Third Rail | Is Mr. Peters Coming? | 1967 | 3:14:58 (Pop-up) | |||
The Electric Prunes | Sanctus | 1968 | 3:17:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Twelve - A Haiku Overcast autumn A lesson, coming twelve rail under the coming |
3:19:55 (Pop-up) |
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The Fugs | Four Minutes To Twelve | 1969 | 3:20:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A left, however hard it tries, Will always be blank. A left is empty. a left is uncommunicative, a left is white, however. How happy is the how been! Does the been make you shiver? does it? When I think of the neglected, I see a long prison. |
3:25:55 (Pop-up) |
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Buffalo Springfield | Hung Upside Down | 1967 | 3:26:43 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Brotherhood - A Haiku Shivering autumn A great, cosmic brotherhood into the springfield |
3:30:05 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 3:30:43 (Pop-up) | ||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 3:33:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Brotherhood, Part 2 - A Haiku Shivering autumn A great, brotherhood corner above the sunshine |
3:35:09 (Pop-up) |
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Lynn Castle with Last Friday's Fire | Rose Colored Corner | 1968 | 3:35:49 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Subconscious - A Haiku Beautiful autumn before subconscious corner before the aardvarks |
3:39:17 (Pop-up) |
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The Aardvarks | Subconscious Train Of Thought | 1968 | 3:39:39 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Subconscious, Part 2 - A Haiku Depressing autumn suddenly subconscious train at the old aardvarks |
3:43:26 (Pop-up) |
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The Pink Floyd | Apples and Oranges | 1967 | 3:43:52 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A brandon, however hard it tries, Will always be deuce. Does the brandon make you shiver? does it? A tyson, however hard it tries, Will always be english. Does the tyson make you shiver? does it? |
3:46:55 (Pop-up) |
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Aardvark | The Outing - Yes | 1970 | 3:47:39 (Pop-up) | |||
Bear | It's Getting Very Cold Outside | 1968 | 3:57:16 (Pop-up) |
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