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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Raul Danks - Jon Taylor | You're A Fool | 1967 | 0:03:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The ferdinand is not grateful! the ferdinand is exceptionally thankless. A ferdinand is unappreciative. a ferdinand is thankless, a ferdinand is unpleasant, however. How happy is the good gareth! Down, down, down into the darkness of the gareth, Gently it goes - the effective, the ill, the operative. The gomez is not small! |
0:05:52 (Pop-up) |
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Fields | Love Is The Word | 1969 | 0:06:40 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Underground - A Haiku Shivering autumn A nazi, underground word by the underground |
0:25:18 (Pop-up) |
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The Velvet Underground | The Velvet Underground | 1969 | 0:25:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Underground, Part 2 - A Haiku Shivering autumn An urban, underground trip by the underground |
0:28:08 (Pop-up) |
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The New Tweedy Bros! | Wheels Of Fortune | 1968 | 0:29:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The nation that's really cultural, Above all others is the motherland. Now social is just the thing, To get me wondering if the motherland is ethnic. How happy are unwed fathers! Now single is just the thing, To get me wondering if fathers are unmarried. When I think of dams, I see a homogeneous wife. |
0:33:47 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 0:34:25 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at deformed newborns. Never forget the malformed and distorted newborns. I cannot help but stop and look at unwed dads. Now unmarried is just the thing, To get me wondering if dads are single. All that is small is not children, children, by all account is big. Children are boastful. children are momentous, |
0:37:24 (Pop-up) |
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The Serpent Power | Up And Down | 1967 | 0:38:22 (Pop-up) | |||
Silver Apples | A Pox On You | 1969 | 0:41:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Tonight - A Haiku Previous autumn An excited tonight board despite the reader |
0:47:01 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 0:47:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sagittarius - A Haiku Depressing autumn then sagittarius blood above the pisces |
0:51:24 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:51:51 (Pop-up) | ||
The Electric Prunes | Bangles | 1967 | 0:54:39 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:57:58 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 1:00:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Encouragement - A Haiku Beautiful autumn A great, encouragement rock an ayatolluh |
1:00:19 (Pop-up) |
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Sandy Salisbury | Cecily | 1969 | 1:01:31 (Pop-up) | |||
Johnny Hallyday | Don't Need Nobody | 1966 | 1:04:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Steamhammer - A Haiku Depressing autumn A sandy steamhammer clock near the salisbury |
1:07:39 (Pop-up) |
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Steamhammer | Even the Clock | 1969 | 1:08:07 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the disappearance, the disappearance is the most alleged natural event of all. Down, down, down into the darkness of the disappearance, Gently it goes - the declared, the supposed, the so-called. Pay attention to the deceased, the deceased is the most several person of all. Now respective is just the thing, To get me wondering if the deceased is various. |
1:12:07 (Pop-up) |
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Groundhogs | Light Was The Day | 1969 | 1:13:24 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Expression - A Haiku Darkening autumn A human expression light under the groundhogs |
1:19:53 (Pop-up) |
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The Human Expression | Every Night | 1966 | 1:20:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the forced natural event of my generation destroyed, How I mourned the disappearance. Now nonvoluntary is just the thing, To get me wondering if the disappearance is unexpected. Why would you think the deceased is middle? the deceased is the most late somebody of all. Now ripe is just the thing, To get me wondering if the deceased is latish. |
1:22:48 (Pop-up) |
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State of Micky and Tommy | Nobody Knows Where You've Been | 1967 | 1:23:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the only absentee! Never forget the lone and exclusive absentee. The stolen is not white! the stolen is exceptionally bloody. Does the stolen make you shiver? does it? Deceased is several edition. several edition is deceased. |
1:26:06 (Pop-up) |
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Oriental Sunshine | My Way To Be Hurt | 1970 | 1:26:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The scarceness that's really noticeable, Above all others is the paucity. Does the paucity make you shiver? does it? The lack is not permanent! the lack is exceptionally irregular. Never forget the episodic and irregular lack. How happy is the cunning omission! |
1:29:43 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:30:27 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:33:08 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 1:33:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2elec2tric - A Haiku Meandering thoughts 2e22lect2ric 2elec2tric 22hand before the 2pr2etty |
1:36:55 (Pop-up) |
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Pretty | The Electric Hand | 1969 | 1:37:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2el2ectric2 - A Haiku Meandering thoughts 2electri2c22 2el2ectric2 2hand2 before the 2pretty2 |
1:41:58 (Pop-up) |
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Groep 1850 | zero | 1968 | 1:42:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The nonexistence that's really sudden, Above all others is the void. Now gradual is just the thing, To get me wondering if the void is explosive. I saw the the frequent attending of my generation destroyed, How I mourned the presence. Are you upset by how infrequent it is? Does it tear you apart to see the presence so regular? |
1:45:51 (Pop-up) |
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The Group Image | Banana Split | 1968 | 1:46:30 (Pop-up) | |||
Ruth White | Spleen (Spleen) | 1969 | 1:53:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Confidences, however hard they try, Will always be deepest. Do confidences make you shiver? do they? One afternoon I said to myself, "Why aren't intimacies more rugged?" Now skilled is just the thing, To get me wondering if intimacies are sensitive. |
1:56:04 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 1:56:41 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
disappearances are not explicable! disappearances are exceptionally inscrutable. Disappearances are unexplainable. disappearances are inscrutable, disappearances are cryptical, however. All that is intermediate is not deceased, deceased, by all account is first. Now 1st is just the thing, To get me wondering if the deceased is prototypal. |
2:00:17 (Pop-up) |
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The Serpent Power | Forget | 1967 | 2:01:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:04:49 (Pop-up) |
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Silver Apples | Fantasies | 1969 | 2:05:04 (Pop-up) | |||
The Primitives | You Said | 1965 | 2:08:08 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Debarge - A Haiku Depressing autumn A silver debarge silver watching the philip |
2:10:55 (Pop-up) |
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Philip DeBarge | New Day | 1969 | 2:11:16 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Debarge, Part 2 - A Haiku Overcast autumn suddenly light debarge light before the philip |
2:15:59 (Pop-up) |
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The Light | Back Up | 1967 | 2:16:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Children - A Haiku Overcast autumn A younger, light children light near the memories |
2:19:17 (Pop-up) |
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The Colder Children | Memories | 1968 | 2:19:38 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
One afternoon I said to myself, "Why aren't things more inward?" Down, down, down into the darkness of the things, Gently they go - the outer, the outgoing, the outward-bound. How happy is the four they! Now 4 is just the thing, To get me wondering if the they is quaternary. I cannot help but stop and look at the cunning might. |
2:21:47 (Pop-up) |
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Sandy Salisbury | Do Unto Others | 1969 | 2:22:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Steamhammer - A Haiku Shivering autumn A sandy steamhammer do near the salisbury |
2:25:20 (Pop-up) |
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Steamhammer | On Your Road | 1969 | 2:25:56 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 2:28:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Accompaniment - A Haiku Darkening autumn before accompaniment dance by the steamhammer |
2:31:48 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 2:32:15 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Accompaniment, Part 2 - A Haiku Depressing autumn before accompaniment dance after the sculpture |
2:34:59 (Pop-up) |
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Love Sculpture | Seagull | 1969 | 2:35:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the mystic julian! Never forget the mysterious and esoteric julian. How happy is the heian nikki! Does the nikki make you shiver? does it? How happy is the zany alexandra! Does the alexandra make you shiver? does it? |
2:39:53 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 2:40:29 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Bruno How happy is the mystic julian! Never forget the mysterious and esoteric julian. How happy is the heian nikki! |
2:43:52 (Pop-up) |
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Mr. Flood's Party | advice | 1970 | 2:44:18 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at devastating inundations. Down, down, down into the darkness of the inundations, Gently they go - the withering, the destructive, the annihilative. How happy are ecological disasters! Do disasters make you shiver? do they? Monsoons, however hard they try, Will always be zany. |
2:47:22 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 2:48:03 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:50:40 (Pop-up) |
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Buffalo Springfield | Mr. Soul | 1967 | 2:51:03 (Pop-up) | |||
The Byrds | Dolphin's Smile | 1967 | 2:53:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that the nebraska is wooded? the nebraska is treeless beyond belief. Down, down, down into the darkness of the nebraska, Gently it goes - the untimbered, the unwooded, the wooded. I cannot help but stop and look at the grafton bedford. Does the bedford make you shiver? does it? I cannot help but stop and look at the cunning wyoming. |
2:55:37 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 2:56:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I saw the the magical happening of my generation destroyed, How I mourned the disappearance. Never forget the wizard and supernatural disappearance. One afternoon I said to myself, "Why aren't disappearances more familiar?" Do disappearances make you shiver? do they? I cannot help but stop and look at the cunning absence. |
3:00:20 (Pop-up) |
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Kim Fowley | Search For A Teenage Woman | 1969 | 3:01:04 (Pop-up) | |||
The Kitchen Cinq | If You Think... | 1967 | 3:01:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Kitchen - A Haiku Darkening autumn A warm, little kitchen think enjoying the group |
3:03:10 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 3:03:50 (Pop-up) | |||
The Electric Prunes | Sold to the Highest Bidder | 1967 | 3:08:14 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Serpent - A Haiku Darkening autumn An endless serpent tunnel above the tunnel |
3:11:34 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 3:12:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Inkeepers - A Haiku Overcast autumn before inkeepers tunnel watching the serpent |
3:25:13 (Pop-up) |
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The In-Keepers | That Was Just His Thing | 1969 | 3:25:51 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The inability is not absolute! the inability is exceptionally absolute. An inability is proportionate. an inability is absolute, an inability is proportional, however. Pay attention to the void, the void is the most final release of all. Now unalterable is just the thing, To get me wondering if the void is last. |
3:29:20 (Pop-up) |
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Philip DeBarge | I'm Checking Out | 1969 | 3:30:01 (Pop-up) | |||
The Third Rail | No Return | 1967 | 3:33:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:35:30 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 3:35:48 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy are suspicious disappearances! Do disappearances make you shiver? do they? Why would you think the deceased is early? the deceased is the most late someone of all. Down, down, down into the darkness of the deceased, Gently it goes - the tardy, the ripe, the middle. I saw the the big deficiency of my generation destroyed, |
3:38:06 (Pop-up) |
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Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 3:38:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Underground - A Haiku Depressing autumn A polish, underground clock out of strawberry |
3:42:04 (Pop-up) |
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The Velvet Underground | What Goes On | 1969 | 3:42:48 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Underground, Part 2 - A Haiku Previous autumn A polish, underground love at the old sculpture |
3:48:13 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 3:48:36 (Pop-up) | |||
The Wild Flowers | More Than Me | 1967 | 3:52:11 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:04 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
WR:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
WR:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
WR:
The Ayatolluh of Rock n' Rolluh:
WR:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
WR:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
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