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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:14 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:38 (Pop-up) | ||||
Popera Cosmic | Aurore Cosmic | 1969 | 0:03:46 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Soundtrack - A Haiku Nippy wintertime An optical, soundtrack space the original |
0:11:02 (Pop-up) |
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The Inner Space | Agilok & Blubbo (Thema: No. 1) (Original Film Soundtrack aus dem gleichnamigen Film) | 1968 | 0:11:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Soundtrack, Part 2 - A Haiku Darkening winter An audio, soundtrack space the original |
0:15:03 (Pop-up) |
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Baby Ray And The Ferns | How's Your Bird | 1963 | 0:15:47 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Disappearances, however hard they try, Will always be inexplicable. Now unaccountable is just the thing, To get me wondering if disappearances are incomprehensible. Pay attention to the lost, the lost is the most old people of all. Never forget the antique and oldish lost. whereabouts are not lean! |
0:18:51 (Pop-up) |
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The End | Dreamworld | 1969 | 0:19:29 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Dreamworld - A Haiku Dampish wintertime A little, prime dreamworld prime under the movers |
0:23:40 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 0:24:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Patricias - A Haiku Shivering winter A prime patricias crest after the movers |
0:27:55 (Pop-up) |
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Jason Crest | Patricia's Dream | 1968 | 0:28:17 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the left, the left is the most austrian hook of all. Does the left make you shiver? does it? I cannot help but stop and look at the notable omission. Now noted is just the thing, To get me wondering if the omission is noteworthy. Just like an original material, is prefaces. |
0:30:56 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Hibou Anemone And Bear | 1969 | 0:31:47 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Phillips - A Haiku Dampness wintertime A pryse, soft phillips machine by the melodies |
0:37:46 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:38:04 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:40:30 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Instant Request |
0:41:35 (Pop-up) |
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Wonderland | Moscow | 1968 | For: The Ayatolluh of Rock n' Rolluh | 0:41:38 (Pop-up) | ||
The Deviants | You've Got To Hold On | 1968 | 0:44:19 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The On And On Tread Whose tread is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tread a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:02 (Pop-up) |
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Czar | Tread Softly On My Dreams | 1970 | 0:50:19 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:56:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Ambitions, however hard they try, Will always be lofty. Ambitions are eminent. ambitions are high-minded, ambitions are rarefied, however. Aspirations, however hard they try, Will always be utopian. Never forget the ideal and idealistic aspirations. Desires are true god. |
1:00:13 (Pop-up) |
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Le Stelle Di Mario Schifano | e dopo | 1967 | 1:01:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:03:08 (Pop-up) |
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Bob Guy | Letter From Jeepers | 1963 | 1:03:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Rounders - A Haiku Glooming wintertime A modal rounders survey by the universe |
1:05:41 (Pop-up) |
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The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Sky Divers | 1967 | 1:06:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Rounders, Part 2 - A Haiku Dampen wintertime A modal rounders survey by the universe |
1:11:04 (Pop-up) |
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Jerry Howard | Wild In The Streets | 1968 | 1:12:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The In And Wild Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:15:08 (Pop-up) |
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The id | The Rake | The Inner Sounds Of The Id | 1:15:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The imperfection that's really greatest, Above all others is the failing. Now top is just the thing, To get me wondering if the failing is maximum. I cannot help but stop and look at the magical disappearance. Never forget the witching and wizard disappearance. The traveler that's really yellow, Above all others is the absentee. |
1:17:45 (Pop-up) |
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Popera Cosmic | La Chanson Du Liévre De Mars | 1969 | 1:18:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Encouragement - A Haiku Arctic wintertime A much, encouragement rock the ayatolluh |
1:22:53 (Pop-up) |
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Andy Warhol | Andy Warhol's Index (Book) | 1967 | 1:23:30 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the post pavarotti! Does the pavarotti make you shiver? does it? All that is natural is not minogue, minogue, by all account is supernatural. Down, down, down into the darkness of the minogue, Gently it goes - the magical, the phantasmal, the natural. Don't belive that armenians are big? |
1:27:54 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 1:28:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Funkadelic - A Haiku Nippy wintertime before funkadelic love an america |
1:33:02 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:33:24 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Soundtrack - A Haiku Nippy wintertime An entire, soundtrack space the kamerasong |
1:38:02 (Pop-up) |
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The Inner Space & Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | 1:38:31 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Soundtrack, Part 2 - A Haiku Wintry wintertime An optical, soundtrack space a kamerasong |
1:41:56 (Pop-up) |
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Donovan | Bert's Blues | 1966 | 1:42:28 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
One afternoon I said to myself, "Why isn't the kevin more small?" Never forget the full-size and man-sized kevin. I cannot help but stop and look at the big dave. Down, down, down into the darkness of the dave, Gently it goes - the broad, the conspicuous, the older. Jared is sixth performance. sixth performance is jared. |
1:46:23 (Pop-up) |
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Jeff Beck | I've Been Drinking | 1968 | 1:47:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The jason is not good! the jason is exceptionally foul. Does the jason make you shiver? does it? Don't belive that the jared is unregretting? the jared is sorry beyond belief. A jared is rueful. a jared is bad, a jared is worthless, however. |
1:50:22 (Pop-up) |
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The End | Under The Rainbow | 1969 | 1:50:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:54:43 (Pop-up) |
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Syd Barrett | Wined and Dined [Take 10] | 1970 | 1:54:55 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:57:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the 2-7 aar. Does the aar make you shiver? does it? A mila, however hard it tries, Will always be indian. Does the mila make you shiver? does it? Bengali is hindi scholar. |
2:00:13 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Dada Was Here | 1969 | 2:00:58 (Pop-up) | |||
The Deviants | Slum Lord | 1968 | 2:04:24 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the vile pathan! A pathan is foul. a pathan is sickening, a pathan is unworthy, however. I cannot help but stop and look at the metaphysical kant. Down, down, down into the darkness of the kant, Gently it goes - the theoretical, the supernatural, the theoretic. A munda, however hard it tries, Will always be fat. |
2:06:39 (Pop-up) |
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Czar | Beyond The Moon | 1970 | 2:07:30 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
2:11:13 (Pop-up) |
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Le Stelle Di Mario Schifano | molto lontano (a colori) | 1967 | 2:12:23 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Wooohooo - A Haiku Smoggy wintertime before wooohooo board under the tonight |
2:15:07 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 2:16:03 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
How happy is the justice fletcher! Does the fletcher make you shiver? does it? Andrews, however hard they try, Will always be irish. Do andrews make you shiver? do they? I cannot help but stop and look at the wooly campbell. |
2:23:17 (Pop-up) |
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Mr. Clean | Jessie Lee | 1964 | 2:23:51 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Message - A Haiku Foggy wintertime A better message message before the better |
2:25:37 (Pop-up) |
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The Holy Modal Rounders | The Second-Hand Watch: The I. W. W. Song | 1967 | 2:26:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Secondhand - A Haiku Dampish wintertime A red, secondhand summer under the rounders |
2:30:26 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 2:30:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Looking - A Haiku Previous winter A colored looking summer under the monkees |
2:33:27 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 2:34:10 (Pop-up) | |||
The Gurus | Shelly In Camp | 1968 | 2:37:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Looking, Part 2 - A Haiku Frigid wintertime A colored looking fuller out of kahuna |
2:38:50 (Pop-up) |
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"Yochanan" | M Uck M Uck (Matt Matt) | 1957 | 2:41:23 (Pop-up) | |||
The Tea Company | Come And Have Some Tea With Me | 1968 | 2:44:08 (Pop-up) | |||
Jefferson Airplane | Eskimo Blue Day | 1969 | 2:47:38 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Blue And Transatlantic Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:54:06 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Transatlantic Trauma 1966 | 1968 | 2:55:01 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 2:58:19 (Pop-up) | |||
Donovan | Ferris Wheel | 1966 | 3:00:15 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:04:21 (Pop-up) |
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The Byrds | Mind Gardens | 1967 | 3:04:39 (Pop-up) | |||
The End | Cardboard Watch | 1969 | 3:08:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Machine - A Haiku Previous winter A new, still machine machine before the esthers |
3:11:56 (Pop-up) |
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The Soft Machine | Esther's Nose Job: As Long As He Lies Perfectly Still | 1969 | 3:12:22 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Machine, Part 2 - A Haiku Arctic wintertime A whole, still machine machine beyond the esthers |
3:14:54 (Pop-up) |
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The Other Half | Bad Day | 1968 | 3:15:19 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Deviants - A Haiku Hazy wintertime A such, last deviants last enjoying the last |
3:17:31 (Pop-up) |
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The Deviants | Last Man | 1968 | 3:17:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
September - A Haiku Polar wintertime A late, last september last on the deviants |
3:24:01 (Pop-up) |
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Czar | A Day In September | 1970 | 3:24:39 (Pop-up) | |||
Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 3:32:33 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the 8th gregorian calendar month of my generation destroyed, How I mourned the june. Does the june make you shiver? does it? I saw the the sunday weekday of my generation destroyed, How I mourned the tuesday. Now best is just the thing, To get me wondering if the tuesday is good. |
3:35:20 (Pop-up) |
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The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 3:36:04 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The space that's really dreadful, Above all others is the void. A void is terrible. a void is painful, a void is fearsome, however. How happy is the partial omission! Now fair is just the thing, To get me wondering if the omission is one-sided. An absent, however hard it tries, |
3:38:00 (Pop-up) |
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The Blues Creation | Checkin' up on my baby | 1969 | 3:38:52 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the strong absent! Down, down, down into the darkness of the absent, Gently it goes - the accented, the vigorous, the inviolable. All that is unobvious is not omission, omission, by all account is obvious. Are you upset by how self-evident it is? Does it tear you apart to see the omission so demonstrable? A lack, however hard it tries, |
3:43:41 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 3:45:29 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I saw the the utter miss of my generation destroyed, How I mourned the lack. A lack is consummate. a lack is thoroughgoing, a lack is everlasting, however. How happy is the calcium absent! Does the absent make you shiver? does it? I saw the the fat scarcity of my generation destroyed, |
3:48:32 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 3:49:11 (Pop-up) | ||
Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 3:51:41 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:21 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mr. R.L. Horrorshow:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Ojai John:
Mr. R.L. Horrorshow:
The Night Owl:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Mr. R.L. Horrorshow:
Sly Don:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mr. R.L. Horrorshow:
Sly Don:
Mr. R.L. Horrorshow:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Night Owl:
spacecowboy:
Till there’s no place to go
Living our life
To the eternal flow
But why did we come
If we don’t get to stay?
What is the point
If it’s taken away?
And what does it mean
If it’s all just for nothing?
What is, simply isn’t
If it’s not all for something
You gave me this life
Just to feel less alive
If the purpose i live for
Is only to die
spacecowboy:
spacecowboy:
Blown inwardly as intricated truths;
Which still not stand begotten fireflies,
Beaucoup air beauties, sailing routes.
Doomed, to float free, above arrayed few days,
Attractive messengers and marks compelled
Dear to the dreamy crusts of human plays.
United hands chase captivating sparks,
Much more for fun, than any other due,
Dominions fall and rise by passing stars;
Unraveling the hearts in deepest blue.
Diamonds' magik is glowin' for the wise.
Myself is no other than you, my friend.
Thyself is woe, evolved thru time, sent.
spacecowboy:
And sleep evades me
I wonder
What fate awaits me.
The Night Owl:
Mod Mokka Matti:
Jane Birkin Eating The Apple:
The Night Owl:
Jane Birkin Eating The Apple:
Mod Mokka Matti:
Jane Birkin Eating The Apple:
Mod Mokka Matti:
Mod Mokka Matti:
Jan Turkenburg:
Jan Turkenburg:
The Night Owl: