View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:13 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:38 (Pop-up) | ||||
"Yochanan" | Hot Skillet Mama | 1957 | 0:03:51 (Pop-up) | |||
Jefferson Airplane | Meadowlands | 1969 | 0:07:00 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Omissions, however hard they try, Will always be inadvertent. Never forget the accidental and unintended omissions. How happy is the upper absent! Are you upset by how high it is? Does it tear you apart to see the absent so superior? How happy is the yellow been! Down, down, down into the darkness of the been, |
0:07:59 (Pop-up) |
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Donovan | The Trip | 1966 | 0:08:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:14:16 (Pop-up) |
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Joyfull Noise | People Get Together | 1968 | 0:14:27 (Pop-up) | |||
Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 0:16:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the dead lost! Down, down, down into the darkness of the lost, Gently it goes - the stagnant, the cold, the inelastic. I cannot help but stop and look at mysterious disappearances. Never forget the mystical and esoteric disappearances. The fat stolen sings like a presidential governor Down, down, down into the darkness of the stolen, Gently it goes - the superfatted, the abdominous, the pyknic. |
0:19:18 (Pop-up) |
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The Mojo | Crazy Midnight | 1969 | 0:20:13 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:22:36 (Pop-up) |
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John Fitch & Associates | Romantic Attitude | 1969 | 0:23:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:26:10 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:26:25 (Pop-up) | ||
October Country | I Wish I Was A Fire | October Country | 1968 | 0:29:06 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
0:30:52 (Pop-up) |
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Steamhammer | Windmill | 1969 | 0:31:19 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A neglected, however hard it tries, Will always be long. Does the neglected make you shiver? does it? I cannot help but stop and look at the called left. Now titled is just the thing, To get me wondering if the left is known as. I cannot help but stop and look at the cunning been. |
0:36:43 (Pop-up) |
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The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 0:37:29 (Pop-up) | |||
The Alan Lorber Orchestra | Up Up And Away | 1967 | 0:39:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Don't belive that the unavailability is unlikely? the unavailability is probable beyond belief. Down, down, down into the darkness of the unavailability, Gently it goes - the improbable, the verisimilar, the likely. One afternoon I said to myself, "Why isn't the dearth more inconstant?" Does the dearth make you shiver? does it? |
0:42:38 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 0:43:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:47:19 (Pop-up) |
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Pearls Before Swine | I Shall Not Care | 1967 | 0:47:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that rubies are ugly? rubies are beautiful beyond belief. Are you upset by how shiny they are? Does it tear you apart to see the rubies so precious? I cannot help but stop and look at precious lapis. Never forget the wanted and artful lapis. Don't belive that gemstones are little? gemstones are big beyond belief. |
0:52:46 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 0:53:41 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:57:06 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
International - A Haiku Frigid wintertime international picture above the soundtrack |
1:00:13 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 1:00:48 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
International, Part 2 - A Haiku Wicked wintertime international picture before the soundtrack |
1:04:45 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 1:05:16 (Pop-up) | |||
The 13th Power | Love To Be Your Man | 1968 | 1:08:36 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:11:44 (Pop-up) |
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Fields | Elysian Fields | 1969 | 1:12:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:15:42 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 1:15:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:18:17 (Pop-up) |
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Philip DeBarge | Hello, How Do You Do | 1969 | 1:18:33 (Pop-up) | |||
Donovan | The Fat Angel | 1966 | 1:22:29 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Machine - A Haiku Dour wintertime A whole, sweet machine machine by the donovan |
1:26:36 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 1:26:58 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Jackson - A Haiku Smoggy wintertime A funky jackson machine above the machine |
1:29:23 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:29:50 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Saintemarie - A Haiku Arctic wintertime then saintemarie magic despite the jackson |
1:34:40 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 1:35:06 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Saintemarie, Part 2 - A Haiku Dismal wintertime How saintemarie magic after the buffy |
1:39:53 (Pop-up) |
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Teddy And His Patches | Haight - Ashbury | 1967 | 1:41:12 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:44:01 (Pop-up) |
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Syd Barrett | Opel | 1969 | 1:44:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:50:44 (Pop-up) |
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Brincos | Mundo, Demonio Y Carne | 1970 | 1:51:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:00:12 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 2:00:30 (Pop-up) | |||
The Who | Our Love Was | mono | 2:03:20 (Pop-up) | |||
Iota | Sing For You | 1969 | 2:05:18 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at fat meyers. Down, down, down into the darkness of the meyers, Gently they go - the juicy, the weighty, the portly. A williamson, however hard it tries, Will always be nairn. Does the williamson make you shiver? does it? When I think of the christine, I see a sorry mother. |
2:07:59 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 2:08:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Thunderclap - A Haiku Dismal wintertime A great, fourth thunderclap side in spite of the fourth |
2:13:40 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 2:14:21 (Pop-up) | |||
The doors | The Crystal Ship | 1967 | 2:17:06 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Deviants - A Haiku Polar wintertime A coming deviants home above the coming |
2:19:35 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 2:20:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Deviants, Part 2 - A Haiku Frigid wintertime A few, deviants silver watching the apples |
2:25:52 (Pop-up) |
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Silver Apples | Ruby | 1969 | 2:26:33 (Pop-up) | |||
The Byrds | 'Notorious Byrd Brothers' LP Promo | Promo | 2:28:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Brown And Silver Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:00 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 2:31:05 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Plotinusmore - A Haiku Severe wintertime when plotinusmore divine an iirobinson |
2:34:01 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 2:34:34 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Plotinusmore, Part 2 - A Haiku Dismal wintertime national plotinusmore an iirobinson |
2:38:34 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 2:39:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Connection - A Haiku Polar wintertime then connection carpenter out of happiness |
2:41:54 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 2:42:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Connection, Part 2 - A Haiku Icy wintertime A direct, connection box out of happiness |
2:46:13 (Pop-up) |
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Changin' Tymes | "Blue Music Box" | 1968 | 2:46:42 (Pop-up) | |||
The Asylum Choir | Episode Containing 3 Songs: Mr. Henry The Clown | 1968 | 2:48:50 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A paucity, however hard it tries, Will always be noticeable. Now detectable is just the thing, To get me wondering if the paucity is strong. Pay attention to the dearth, the dearth is the most consequent lack of all. A dearth is ensuant. a dearth is subsequent, a dearth is sequent, however. |
2:50:46 (Pop-up) |
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Chocolate Watch Band | Voyage Of The Trieste | 1968 | 2:51:37 (Pop-up) | |||
Catfish Knight And The Blue Express | Deathwise | 1968 | 2:55:09 (Pop-up) | |||
Brian Auger | The In Crowd | 2:58:00 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Deathwise, Part 2 - A Haiku Early wintertime An express deathwise express by the harmonie |
3:00:12 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 3:00:50 (Pop-up) | |||
The Mongrels | Good Good Man | 1969 | 3:04:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the grand soleil! Are you upset by how one thousand it is? Does it tear you apart to see the soleil so 1000? I cannot help but stop and look at the court heure. Does the heure make you shiver? does it? Plaisir is par figures. par figures is plaisir. |
3:07:00 (Pop-up) |
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the stooges | I wanna be your dog | 1969 | 3:07:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Tribute - A Haiku Dour wintertime An eating tribute message under the message |
3:11:48 (Pop-up) |
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The Capes Of Good Hope | Lady Margaret | 1967 | 3:12:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A fleecy, however hard it tries, Will always be little. Never forget the footling and teensy fleecy. All that is sleeved is not bodices, bodices, by all account is sleeveless. Never forget the sleeved and fruitless bodices. A shantung, however hard it tries, Will always be yellow. |
3:15:13 (Pop-up) |
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The Flower Power | Mt. Olympus | 1968 | 3:15:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:19:31 (Pop-up) |
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Kraftwerk | Stratovarius | 1970 | 3:19:52 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:31:56 (Pop-up) |
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Joyfull Noise | Puppets and Pearls | 1968 | 3:32:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Burning - A Haiku Arctic wintertime A burning burning balloon at the old balloon |
3:34:47 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 3:35:09 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Canterbury - A Haiku Previous winter where canterbury balloon despite the burning |
3:38:53 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 3:39:21 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Canterbury, Part 2 - A Haiku Previous winter A north, canterbury keep on the creation |
3:41:15 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 3:41:41 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Creation - A Haiku Frigid wintertime A new, creation leaving after the leaving |
3:47:04 (Pop-up) |
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Micky And Tommy | Sunday's Leaving | 1967 | 3:47:27 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:08 (Pop-up) | ||||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:57:49 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Joeybug69:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
Joeybug69:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
Joeybug69:
That said, I will pick up this musical thread on the archive in the morning. Too bad the chat isn’t archived...
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
Mod Mokka Matti:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Night Owl:
Sly Don:
Sly Don:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Ojai John:
The Night Owl:
Wirework Headman:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Creature Boy:
The Night Owl:
Mod Mokka Matti:
Creature Boy:
Creature Boy:
Creature Boy:
The Night Owl:
Mod Mokka Matti:
Creature Boy:
Jane Birkin Eating The Apple:
The Night Owl:
Jane Birkin Eating The Apple:
The Night Owl:
Creature Boy:
Jane Birkin Eating The Apple:
Creature Boy:
Jane Birkin Eating The Apple:
Jane Birkin Eating The Apple:
Jane Birkin Eating The Apple:
The Night Owl:
Jane Birkin Eating The Apple:
Creature Boy:
Dressin' fine, makin' time
We breeze up and down the street
We get respect from the people we meet
They make way day or night
They know the in crowd is out of sight
I'm in with the in crowd
I know every latest dance
When you're in with the in crowd
It's easy to find romance
Mod Mokka Matti:
Creature Boy:
Mod Mokka Matti:
The Night Owl: