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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
Lee Hazlewood | "No Train To Stockholm" | 1970 | 0:03:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A begum, however hard it tries, Will always be late. Are you upset by how ripe it is? Does it tear you apart to see the begum so early? How happy is the daily experience! Down, down, down into the darkness of the experience, Gently it goes - the everyday, the regular, the every day. The charlie is not large! |
0:06:08 (Pop-up) |
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The Woodchucks | Angry Generation | 1969 | 0:07:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:09:08 (Pop-up) |
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Dragonfly | Blue Monday | 1968 | 0:09:22 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dragonfly - A Haiku Dampish wintertime A through dragonfly savage despite the savage |
0:12:56 (Pop-up) |
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The Savage Rose | I'm Walking Through The Door | 1968 | 0:13:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Joyfull - A Haiku Foggy wintertime A right, through joyfull savage after the savage |
0:17:43 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 0:18:25 (Pop-up) | |||
The Shadows of Knight | Light Bulb Blues | 1966 | 0:21:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is close is not left, left, by all account is far. Does the left make you shiver? does it? A been, however hard it tries, Will always be last. A been is unalterable. a been is worst, a been is lowest, however. |
0:23:32 (Pop-up) |
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The Unspoken Word | Nobody's Nothing | 1966 | 0:24:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sasafrass - A Haiku Dampen wintertime before sasafrass bubble at the old nothing |
0:26:28 (Pop-up) |
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The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:26:53 (Pop-up) | ||
Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 0:29:25 (Pop-up) | ||
The Del-Vetts | Every Time | 1966 | 0:31:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the deceased, the deceased is the most private soul of all. Down, down, down into the darkness of the deceased, Gently it goes - the public, the nonpublic, the offstage. Don't belive that the stolen is white? the stolen is red beyond belief. Does the stolen make you shiver? does it? |
0:33:38 (Pop-up) |
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Christopher | Wilbur Lite | 1970 | 0:35:55 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Instant Request |
0:39:41 (Pop-up) |
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Power of Zeus | uncertain destination | 1970 | For: The Ayatolluh of Rock n' Rolluh | 0:39:44 (Pop-up) | ||
Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | 0:44:32 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
0:47:19 (Pop-up) |
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bo grumpus | Yesterday's Street | 1968 | 0:47:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Yesterdays - A Haiku Foggy wintertime An own, plane yesterdays plane out of hurricane |
0:51:55 (Pop-up) |
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Red Crayola, The | Hurricane Fighter Plane | 2008 | 0:52:17 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:55:55 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Brainticket - A Haiku Severe wintertime before plane brainticket plane out of brainticket |
1:00:17 (Pop-up) |
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Brainticket | Brainticket Part II | 1971 | 1:00:49 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A prob, however hard it tries, Will always be problems. Does the prob make you shiver? does it? I cannot help but stop and look at the unsigned msg. Does the msg make you shiver? does it? I cannot help but stop and look at the fat mae. |
1:13:58 (Pop-up) |
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The Mind's Eye | Help, I'm Lost! | 1967 | 1:14:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
A msg, however hard it tries, Will always be email. Does the msg make you shiver? does it? The roman deity that's really inclusive, Above all others are the dis. Now exclusive is just the thing, To get me wondering if dis are comprehensive. |
1:16:53 (Pop-up) |
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Lee Hazlewood | "What's More I Don't Need Her" | 1970 | 1:17:30 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the such sweety. Does the sweety make you shiver? does it? I cannot help but stop and look at the affectionate lizzy. A lizzy is warm. a lizzy is lovesome, a lizzy is caring, however. Mrs are, in their way, little girl of wife. Never forget the irrational and old mrs. |
1:21:50 (Pop-up) |
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the Collectors | Lydia Purple | 1968 | 1:22:34 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Collectors - A Haiku Severe wintertime A purple collectors spirit at the old spirit |
1:25:15 (Pop-up) |
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Spirit | Sweet Stella Baby | 1969 | 1:25:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Shepherd - A Haiku Previous winter A savage shepherd shepherd at the old savage |
1:28:30 (Pop-up) |
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The Savage Rose | The Shepherd & Sally | 1968 | 1:28:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The people that are really worth, Above all others is the lost. Does the lost make you shiver? does it? The deficiency that's really unexcused, Above all others is the absence. Does the absence make you shiver? does it? |
1:34:06 (Pop-up) |
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Jesus | Songe Mortuaire | 1968 | 1:34:40 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 1:37:25 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the moses, moses are the most noble hebrew of all. Never forget the unreactive and imposing moses. The man that's really cute, Above all others is the dude. Are you upset by how cuddly it is? Does it tear you apart to see the dude so whimsical? The fat crap sings like a goddamn reverence |
1:39:26 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 1:40:15 (Pop-up) | |||
The Del-Vetts | Last Time Around | 1966 | 1:44:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Hazlewood - A Haiku Severe wintertime An old, hazlewood better under the better |
1:47:29 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 1:48:04 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Hearty - A Haiku Dampish wintertime An old, feathered hearty fowl beyond the poem |
1:50:35 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 1:51:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Dragonfly - A Haiku Previous winter A wally dragonfly feel before the evening |
1:54:13 (Pop-up) |
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Dragonfly | I Feel It | 1968 | 1:54:45 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:59:09 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Dragonfly, Part 2 - A Haiku Wicked wintertime A small, dark dragonfly feel by the travelin |
2:00:18 (Pop-up) |
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bo grumpus | Travelin' In The Dark | 1968 | 2:00:54 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Children - A Haiku Early wintertime A small, dark children picture out of travelin |
2:03:30 (Pop-up) |
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Children | Picture Me | 1967 | 2:03:55 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:06:30 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 2:06:41 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
ways are not predictable! ways are exceptionally aleatory. Are you upset by how sporadic they are? Does it tear you apart to see the ways so aleatory? How happy are other facets! Do facets make you shiver? do they? When I think of tricks, I see a strange attention. |
2:10:48 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 2:11:38 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A cloak, however hard it tries, Will always be bright. Now lurid is just the thing, To get me wondering if the cloak is glary. How happy are bright phantoms! Down, down, down into the darkness of the phantoms, Gently they go - the nacreous, the iridescent, the sunshiny. Pay attention to the dark, |
2:15:25 (Pop-up) |
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The Wildlife | Time Will Tell | 1967 | 2:16:14 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:18:25 (Pop-up) |
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Chrysalis | Lacewing | 1968 | 2:18:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The textile that's really back, Above all others is the scrim. Now hinder is just the thing, To get me wondering if the scrim is backward. The hour that's really mysterious, Above all others is the gloaming. Are you upset by how inexplicable it is? Does it tear you apart to see the gloaming so cryptic? |
2:21:55 (Pop-up) |
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Shadows of Knight | Someone Like Me | 1967 | 2:22:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at sunlight dapples. Do dapples make you shiver? do they? How happy are airy phantoms! Phantoms are light. phantoms are ethereal, phantoms are insubstantial, however. Pay attention to the battlement, the battlement is the most cunning bulwark of all. |
2:24:43 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:25:23 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the eternal home. Are you upset by how endless it is? Does it tear you apart to see the home so unending? Don't belive that the money is expensive? the money is cheap beyond belief. Are you upset by how tuppeny it is? Does it tear you apart to see the money so crummy? I cannot help but stop and look at the little bang. |
2:31:26 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 2:32:26 (Pop-up) | ||
Nina Lizell & Lee Hazlewood | Vem Kan Segla Förutan Vind | 1971 | 2:36:25 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the east side! Never forget the easterly and eastmost side. The berth is not outside! the berth is exceptionally interior. Down, down, down into the darkness of the berth, Gently it goes - the wrong, the interior, the indoor. The cunning money sings like a continental power Are you upset by how slick it is? |
2:39:32 (Pop-up) |
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Alexander Spence | Grey/Afro | 1969 | 2:40:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:50:05 (Pop-up) |
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Syd Barrett | Dolly Rocker | 1989 | 2:50:15 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Encouragement - A Haiku Dampness wintertime A strong, encouragement page on the requesting |
2:53:13 (Pop-up) |
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Kensington Market | Side I Am | 1969 | 2:53:46 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 2:57:01 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 2:59:22 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Kensington - A Haiku Dour wintertime A south, kensington market before the market |
3:00:17 (Pop-up) |
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The Unspoken Word | For The World | 1968 | 3:01:14 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that the lack is lasting? the lack is temporary beyond belief. Never forget the jury-rigged and short-lived lack. An inability, however hard it tries, Will always be presumed. Does the inability make you shiver? does it? The scarcity that's really wooly, |
3:02:57 (Pop-up) |
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Neighb'rhood Childr'n | Chocolate Angel | 1968 | 3:03:37 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Message - A Haiku Rainy wintertime A better message message into the better |
3:06:07 (Pop-up) |
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The Del-Vetts | That's the Way it is | 1966 | 3:06:41 (Pop-up) | |||
The Banshees | Project Blue | 1966 | 3:09:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:11:39 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 3:11:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Attention - A Haiku Rainy wintertime A much, attention message into the message |
3:15:55 (Pop-up) |
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bo grumpus | The Breath O' Love | 1968 | 3:16:38 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:19:37 (Pop-up) |
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Children | Enough Of What I Need | 1968 | 3:19:47 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Children - A Haiku Early wintertime An older, through children need whilst watching the things |
3:21:45 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 3:22:20 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Arnold - A Haiku Wicked wintertime An english, through arnold pink betrayed by the things |
3:25:51 (Pop-up) |
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Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 3:26:30 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the little coogan. Are you upset by how immature it is? Does it tear you apart to see the coogan so soft? I cannot help but stop and look at the former pyle. Never forget the late and other pyle. How happy is the cunning smithson! A smithson is adroit. a smithson is tricky, a smithson is slick, however. |
3:29:20 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 3:30:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Shadows - A Haiku Nighttime wintertime A purple, side shadows knight after the morning |
3:35:31 (Pop-up) |
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The Shadows of Knight | Dark Side | 1966 | 3:36:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Incorporation - A Haiku Rainy wintertime How incorporation knight beyond the vampires |
3:38:03 (Pop-up) |
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The Vampires' Sound Incorporation | Drug CX 9 | Electric Psychedelic Sitar Headswirlers Volumes 1-11 | 3:38:38 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at left changelings. Never forget the odd and leftfield changelings. How happy are old vamps! Now gaga is just the thing, To get me wondering if vamps are early. How happy are yellow zombies! Never forget the yellow-bellied and white-livered zombies. Refresh until you're happy with your poem. |
3:43:45 (Pop-up) |
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Chrysalis | Cynthia Gerome | 1968 | 3:44:34 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
3:48:25 (Pop-up) |
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Kim Fowley | Bubble Gum | Bubble Gum / Wildfire | 3:48:46 (Pop-up) | |||
The Stone Circus | Adam's Lament | 1969 | 3:51:08 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:40 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Joeybug69:
Sly Don:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Sly Don:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
AGinz:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
Lev Parnas:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Jane β:
Ojai John:
The Night Owl:
Mod Mokka Matti:
Jane β:
The Night Owl:
Mod Mokka Matti:
The Night Owl:
Jane β:
"The fat crap sings like a
goddamn reverence"
Not bad for an artificial being!
...../ )
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Jane β:
"Fly at at my head in the dawn
Oh, how I dread to go on."
Yvang:
Jane β:
Yvang:
The Night Owl:
Jane β:
Yvang:
Jane β:
Yvang:
Yvang:
Yvang:
The Night Owl:
Jane β:
Mod Mokka Matti:
Yvang:
The Night Owl:
Yvang:
Jane β:
Mod Mokka Matti:
Yvang:
The Night Owl:
Jane β:
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Does it?
Yvang:
Mod Mokka Matti:
Mod Mokka Matti:
Mod Mokka Matti:
Yvang:
Yvang:
Mod Mokka Matti:
Mod Mokka Matti:
Yvang:
Mod Mokka Matti:
Yvang:
Yvang:
Mod Mokka Matti:
The Night Owl: