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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The Shadows of Knight | Oh Yeah | 1966 | 0:03:52 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the timeless dreamworld! Down, down, down into the darkness of the dreamworld, Gently it goes - the unchanged, the dateless, the unaltered. Why would you think the scrim is dark? the scrim is the most light fabric of all. Are you upset by how light-duty it is? Does it tear you apart to see the scrim so dark? big specters sings like an unseen light |
0:06:35 (Pop-up) |
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jeff beck | Ol' Man River | 1968 | 0:07:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I saw the the thrombocytopenia disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? How happy are odd omissions! Omissions are rum. omissions are peculiar, omissions are leftover, however. One afternoon I said to myself, |
0:11:08 (Pop-up) |
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The Children | Don't Ever Lose It | 1968 | 0:11:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:15:50 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 0:16:12 (Pop-up) | |||
Moorpark Intersection | Yesterday Holds On | 1968 | 0:21:23 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Destruction - A Haiku Nighttime wintertime An own, war destruction peace the alexander |
0:23:24 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 0:23:53 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Neighbrhood - A Haiku Early wintertime suddenly war neighbrhood peace an alexander |
0:27:48 (Pop-up) |
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Neighb'rhood Childr'n | Patterns | 1968 | 0:28:23 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
0:31:42 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 0:31:53 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:35:24 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:35:53 (Pop-up) | ||
Saturday's Children | Leave That Baby Alone | 1967 | 0:38:35 (Pop-up) | |||
Chrysalis | Dr. Root's Garden | 1968 | 0:41:50 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are free quakers! Are you upset by how detached they are? Does it tear you apart to see the quakers so freeborn? I cannot help but stop and look at the british urquhart. Does the urquhart make you shiver? does it? A montgomerie, however hard it tries, Will always be yellow. |
0:46:01 (Pop-up) |
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Lothar And The Hand People | Rose Colored Glasses | 1967 | 0:46:57 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Insideout - A Haiku Severe wintertime shall insideout people before the circus |
0:49:22 (Pop-up) |
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The Stone Circus | Inside-Out Man | 1969 | 0:49:47 (Pop-up) | |||
The 13th Floor Elevators | May The Circle Remain Unbroken | 1969 | 0:54:53 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:57:29 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:00:11 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Insideout, Part 2 - A Haiku Gloomy wintertime A fat insideout stone into the mattress |
1:00:17 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 1:00:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:03:57 (Pop-up) |
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mutantes | Caminhante Noturno | 1969 | 1:04:18 (Pop-up) | |||
Zone 26 | As The World Turns Cold | 1968 | 1:09:33 (Pop-up) | |||
William The Wild One | (They Call Me) Willie The Wild One | 1966 | 1:13:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
spins are not sharp! spins are exceptionally unleavened. Down, down, down into the darkness of the spins, Gently they go - the regressive, the unleavened, the multidimensional. How happy are dark corners! Never forget the glowering and tenebrous corners. When I think of flips, I see an end side. Down, down, down into the darkness of the flips, |
1:15:11 (Pop-up) |
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Iota | Within These Precincts | 1971 | 1:16:12 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:19:45 (Pop-up) |
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The Zoo | Gonna' Miss Me | 1967 | 1:20:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:22:08 (Pop-up) |
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jeff beck | Beck's Bolero | 1968 | 1:22:20 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The quality that's really genuine, Above all others is the inability. Are you upset by how real it is? Does it tear you apart to see the inability so good? How happy is the utter dearth! Are you upset by how sodding it is? Does it tear you apart to see the dearth so arrant? How happy is the wooly paucity! |
1:25:09 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:26:00 (Pop-up) | |||
The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 1:32:08 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Instrumental - A Haiku Dour wintertime why instrumental flower a funkadelic |
1:34:39 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 1:35:09 (Pop-up) | |||
The Oxford Circle | The Raven | 1997 | 1:41:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Pay attention to the love, the love is the most hopeless emotion of all. Now helpless is just the thing, To get me wondering if the love is insoluble. I cannot help but stop and look at own desires. Do desires make you shiver? do they? Don't belive that daydreams are large? |
1:43:45 (Pop-up) |
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Morgen | Of Dreams | 1969 | 1:44:26 (Pop-up) | |||
Alexander Spence | All Come To Meet Her | 1969 | 1:50:00 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:51:57 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 1:52:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Neighbrhood - A Haiku Polar wintertime suddenly neighbrhood captain on the eclectics |
1:55:28 (Pop-up) |
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Neighb'rhood Childr'n | Happy World Of Captain K | 1968 | 1:55:56 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:58:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Neighbrhood, Part 2 - A Haiku Previous winter A happy neighbrhood captain in spite of the childrn |
2:00:16 (Pop-up) |
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The Stone Circus | Mr. Grey | 1969 | 2:00:46 (Pop-up) | |||
The Worlocks | I Love You | 1967 | 2:03:49 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:06:30 (Pop-up) |
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Wool | Love, Love, Love, Love | 1969 | 2:06:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy are uncertain whereabouts! Whereabouts are doubtful. whereabouts are fluky, whereabouts are ambivalent, however. I saw the the never imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? How happy is the cunning disappearance! |
2:10:56 (Pop-up) |
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The Wrongh Black Bag | Wake Me, Shake Me | 1968 | 2:11:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Instrumental - A Haiku Early wintertime A best, instrumental black the instrumental |
2:14:11 (Pop-up) |
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Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | 2:14:37 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the dead absent. Are you upset by how brain dead it is? Does it tear you apart to see the absent so doomed? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? Don't belive that omissions are large? |
2:17:30 (Pop-up) |
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The Werp's | Love's A Fire | 1967 | 2:18:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at silent disappearances. Never forget the dumb and inaudible disappearances. A lost, however hard it tries, Will always be six. Does the lost make you shiver? does it? The location that's really wooly, Above all others are the whereabouts. |
2:21:20 (Pop-up) |
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fat mattress | I Don't Mind | 1969 | 2:21:58 (Pop-up) | |||
Peter Cook And Dudley Moore | Bedazzled | 1967 | 2:25:40 (Pop-up) | |||
July | My Clown | July | 1968 | 2:28:02 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Pay attention to the january, the january is the most post gregorian calendar month of all. Does the january make you shiver? does it? Pay attention to the feb, the feb is the most 1831 gregorian calendar month of all. Does the feb make you shiver? does it? |
2:31:08 (Pop-up) |
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The Window Frame | You Have The Choice | 2:31:46 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The organism that's really else, Above all others is the somebody. Now other is just the thing, To get me wondering if the somebody is additional. How happy is the victorian cant! Does the cant make you shiver? does it? Don't belive that the someone is big? |
2:36:04 (Pop-up) |
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The WordD | You're Always Around | 1966 | 2:36:40 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:38:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Wreckamended - A Haiku Gloomy wintertime before wreckamended man betrayed by the wordd |
2:39:14 (Pop-up) |
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The Wreck-A-Mended | Dirty Old Man | 1967 | 2:39:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Man And Dirty Man Whose man is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his man a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:56 (Pop-up) |
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Syd Barrett | Wolfpack [Take 2] | 1970 | 2:43:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:47:15 (Pop-up) |
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Zendik | "Is There No Peace" | 1970 | 2:47:46 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Disappearances, however hard they try, Will always be strange. Disappearances are foreign. disappearances are freaky, disappearances are alien, however. A failing, however hard it tries, Will always be family. Does the failing make you shiver? does it? |
2:50:44 (Pop-up) |
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The Children | Pictorial | 1968 | 2:51:22 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 2:58:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:00:17 (Pop-up) |
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Alexander Spence | Books Of Moses | 1969 | 3:00:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
3:03:18 (Pop-up) |
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The World Column | Lantern Gospel | 1968 | 3:03:44 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:07:18 (Pop-up) |
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The Winkle Pickers | I Haven't Got You | 1967 | 3:07:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pickers - A Haiku Wicked wintertime A little pickers winkle before the winkle |
3:10:43 (Pop-up) |
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The Word | So Little Time | 1965 | 3:11:16 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Brown And Little Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:13:37 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 3:14:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Crazy And Brown Circus Whose circus is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her circus a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:18:00 (Pop-up) |
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The Stone Circus | Sara Wells | 1969 | 3:18:49 (Pop-up) | |||
The Zoo | Sometimes | 1967 | 3:21:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:24:01 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 3:24:15 (Pop-up) | ||
The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 3:28:37 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is absent is not absent, absent, by all account is present. Does the absent make you shiver? does it? The lack is not indefinite! the lack is exceptionally formed. Never forget the decisive and formed lack. Pay attention to the presence, |
3:30:50 (Pop-up) |
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The Wrongh Black Bag | I Don't Know Why | 1968 | 3:31:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Mattress - A Haiku Heavy wintertime A lumpy, black mattress black above the morning |
3:34:58 (Pop-up) |
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fat mattress | She Came In The Morning | 1969 | 3:35:20 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Hapshash - A Haiku Dismal wintertime before coloured hapshash coat despite the mattress |
3:39:18 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 3:39:41 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at the apparent omission. Now seeming is just the thing, To get me wondering if the omission is patent. The scarcity that's really relative, Above all others is the paucity. A paucity is absolute. a paucity is relational, a paucity is proportionate, however. A dearth, however hard it tries, |
3:47:06 (Pop-up) |
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Zone 26 | We Chose To Walk | 1968 | 3:48:09 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:53 (Pop-up) | ||||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:58:34 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Choggie:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
@ Sai Sly Don de Guru - Hello!
The Night Owl:
Mod Mokka Matti:
Mod Mokka Matti:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
Frankie Yankovic .
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
AGinz:
Hello one and all!
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
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Mod Mokka Matti:
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Jane β:
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Jane β:
Jane β:
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Jane β:
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Jane β:
Mod Mokka Matti:
Mod Mokka Matti:
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