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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Approx. start time |
---|---|---|---|---|
Ron Carter | Willow Weep For Me | Herbie Hancock, Ron Carter, Billy Cobham – World Of Rhythm Live (Lugano) | Recorded live at Palazzo dei Congressi, Lugano, Switzerland, 26 January 1983. | 0:00:00 (Pop-up) |
DJ Sez: | 0:07:44 (Pop-up) | |||
Sharon Jones & The Dap-Kings | Sail On! (Listen: Pop-up) | Soul Of A Woman | Bass – Bosco Mann Drums – Homer Steinweiss Drums [Showband] – Brian Wolfe (2) Percussion – Fernando Velez Saxophone – Cochemea Gastelum Tenor Saxophone – Neal Sugarman Trumpet – Chris Davis Recorded At – Daptone's House of Soul 2017 | 0:10:08 (Pop-up) |
Lula Reed | Puddentane (Listen: Pop-up) | R&B Hipshakers, Vol. 2: Scratch That Itch | Federal – 45-12416 Vinyl, 7", 45 RPM, 1961 | 0:12:57 (Pop-up) |
Chips | You Make Me Feel So Good (Listen: Pop-up) | The Complete Stax Volt Singles 1959-1968 (Discs 1-3) - Disc 1 | 7” Satellite (2) – S-105 Jan 1961 | 0:15:07 (Pop-up) |
Jeanie Greene | Sure as Sin (Listen: Pop-up) | Back to the River: More Southern Soul Stories 1961-1978 | discogs: She sang some as Elvis Presley's backup, and had worked as Mary Johnson (Sun Records), Mary Elizabeth Lee, Mary Greene, and as Jeanie Johnson, Jeanie Fortune & Jeanie Greene on recordings as solo artist. She continued to work as a backup singer through the 1970s and 1980s. | 0:17:16 (Pop-up) |
Sharon Jones & The Dap Kings | Rumors (Listen: Pop-up) | Soul of a Woman | Bass – Bosco Mann Drums – Homer Steinweiss Drums [Showband] – Brian Wolfe (2) Percussion – Fernando Velez Saxophone – Cochemea Gastelum Tenor Saxophone – Neal Sugarman Recorded At – Daptone's House of Soul 2017 | 0:20:08 (Pop-up) |
Os Rebeldes | Murder By Contact (Mozambique) (Listen: Pop-up) | Cazumbi - African Sixties Garage Vol. 1 |  | 0:22:37 (Pop-up) |
The Soul Providers | Steam Train (feat. Lee Fields) (Listen: Pop-up) | Soul Tequila | Bass – Bosco "Bass" Mann* Drums – Clive Wilson Guitar – Scott Mann (2) Keyboards – John Freund Saxophone [Tenor] – Joe Hrbek Trombone, Guitar – Don Bonus Vocals – Lee Fields, Rhett Clarke, Sharon Jones Released: 25 Feb 1997 | 0:24:42 (Pop-up) |
Sharon Jones & The Dap Kings | Give it back (Listen: Pop-up) | I Learned The Hard Way | Backing Vocals – Kevin Keys Bass – Bosco Mann Bongos – Fernando Velez Cello – Alex Kadvan, Anja Wood Flute – Ian Hendrickson-Smith Guitar – Binky Griptite Piano – Sam Boncon Tenor Saxophone – Leon Michels Timpani – Brian Floody Trombone – Aaron Johnson Trumpet – Dave Guy Vibraphone – Violin – Antoine Silverman, Chris Cardona, Entcho Todorov , Matt Lehmann Written-By – Bosco Mann Recorded At – Daptone's House of Soul Released: 06 Apr 2010 | 0:27:42 (Pop-up) |
DJ Klutzy Kreme Krashes in | (Listen: Pop-up) | 0:30:58 (Pop-up) | ||
Miriam Makeba | Malaika (Listen: Pop-up) | Return To The Mothers' Garden More Funky Sounds Of Female Africa 1971 - 1982 (VA) | Arranged By – M. Makeba* Written-By – Folklore Tanzanie* 1980 | 0:36:25 (Pop-up) |
Oby Onyioha | Enjoy Your Life | Return To The Mothers' Garden More Funky Sounds Of Female Africa 1971 - 1982 (VA) | Arranged By [Horns & Trumpet], Trumpet – Luke Tunney Arranged By, Producer, Keyboards, Percussion – Lemmy Jackson Backing Vocals, Guitar – Morris Michael Bass – Soul Drums – Laolu Akins Guitar – George Achini Lead Vocals – Oby Onyioha Percussion – Francis Igboke, Igwe Ede, Keni St. George Saxophone – Gary Barnacle Strings – The Locrian String Ensemble* Trombone – Annie Whitehead 1981 | 0:41:44 (Pop-up) |
El Rego | E Nan Mian Nuku (Listen: Pop-up) | Daptone Records Singles Collection Volume 3 | Daptone Records – DAP-1056, Format: Vinyl, 7", 45 RPM, Single, Reissue Released: 2011 | 0:47:45 (Pop-up) |
Diane Solo | N Ziketio (Listen: Pop-up) | Return To The Mothers' Garden More Funky Sounds Of Female Africa 1971 - 1982 (VA) | Singer from the Ivory Coast. Born 1960 in Lakota. Alto Saxophone – Moro Maurice Beya Arranged By, Bass Guitar, Guitar [Solo], Piano, Synthesizer, Organ, Percussion, Congas [Tumba], Backing Vocals, Engineer [Assistance] – Houon Pierre Backing Vocals – Chantal Taiba, Nayanka Bell, Paul Nemlin Drums – Tiaco Ander* Guitar [Accompaniment] – Patrice Klaco Lead Vocals, Backing Vocals, Written-By, Composed By, Liner Notes – Diane Solo Percussion – Tiacco Anderson AS Records – AS 012 Released: 1982 | 0:52:15 (Pop-up) |
Nana Love | Talking About Music (Listen: Pop-up) | Return To The Mothers' Garden More Funky Sounds Of Female Africa 1971 - 1982 (VA) | Alto Saxophone, Flute – Humphrey Okoh-Turner Bass – Grek Haywood Clavinet, Synthesizer – Adrian S. Bennette* Drums – Tony Martin (15) Engineer – Dave Hunt, Dennis Bovell Lead Guitar – Paul Pryce Lead Guitar, Trumpet, Saxophone [Extra] – Harry Mosco Percussion – Ayindi Piano – Richard Reid (2) Rhythm Guitar – Les Forrest Written-By, Composed By – Nana Love Recorded in London, 1978 | 0:57:54 (Pop-up) |
Fela Kuti & Afrika 70 | Zombie (Listen: Pop-up) | Zombie | Arranged By, Composed By, Producer – Fela Aníkúlápó Kuti* Baritone Saxophone – 'Lekan Animashaun* Bass Guitar – Nweke Atifoh Congas [1st Konga] – Oladeinde Koffi Congas [2nd Konga] – Addo Nettey Congas [3rd Konga] – Shina Abiodun Guitar [1st] – 'Leke Benson* Guitar [3rd] – Okalue Ojeah Guitar [Tenor] – Oghene Kologbo Leader, Drums – 'Ladi (Tony) Alabi (Tony Allen)* Maracas – Babajide Olaleye Percussion [Sticks] – Ayoola Abayomi Supervised By [Spiritual Chief Supervisor] – Francis Kertekian Tenor Saxophone, Alto Saxophone, Piano, Vocals – Fela Aníkúlápó Kuti* Trumpet [1st] – 'Tunde Williams* Trumpet [2nd] – Nwokoma Ukem Trumpet [Solo] – Tunde Williams Vocals [Singers] – Bose Osuhor, Folake Oladeinde, Folake Oladejo, Kewe Oghomienor, Omolola Osaeti, Ronke Edason, Shade Komolafe, Tejumade Adebiyi Written-By, Composed By – Fela Anikulapo Kuti* Recorded 1976-1977. | 1:01:31 (Pop-up) |
DJ Buxtehude sways your way | (Listen: Pop-up) | 1:13:55 (Pop-up) | ||
David McIvor | Closing My Eyes (Listen: Pop-up) | Tea & Symphony: The English Baroque Sound 1968-1974 | David McIvor Closing My Eyes A compilation with an intentionally similar theme to Various - Tea & Symphony (The English Baroque Sound 1967-1974). | 1:20:52 (Pop-up) |
Scott Walker | Such A Small Love | Scott | 0:00:00 (Pop-up) | |
Rosemary Clooney | The Man That Got Away (Listen: Pop-up) | Rosemary Clooney Sings the Lyrics of Ira Gershwin | Bass – Chris Amberger Cornet, Flugelhorn – Warren Vaché Written by Harold Arlen and George Gershwin Drums – Jeff Hamilton Flute – Roger Glenn Guitar – Cal Collins Piano – Nat Pierce Tenor Saxophone – Scott Hamilton 1980 | 1:30:41 (Pop-up) |
Frank Sinatra | Deep in a Dream | In the Wee Small Hours | Songwriters: Eddie De Lange / Jimmy Van Heusen | 1:36:57 (Pop-up) |
Helen Merrill & Dick Katz | Spring Can Really Hang You Up The Most (Listen: Pop-up) | A Shade Of Difference | Helen Merrill-vocals Dick Katz-piano, arranger Gary Bartz-alto saxophone Hubert Laws-flute Thad Jones-flugelhorn Jim Hall-guitar Ron Carter-bass Elvin Jones-drums 1968 lyrics by Fran Landesman, "the poet laureate of lovers and losers," set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, "April is the cruellest month" | 1:39:17 (Pop-up) |
Mel Tormé | Till The Clouds Roll By (Listen: Pop-up) | It's A Blue World | Written-By – Guy Bolton, Jerome Kern, P.G. Wodehouse Recorded NYC, Aug. 28-30, 1955 | 1:45:53 (Pop-up) |
DJ Pitter Patter | (Listen: Pop-up) | 1:48:45 (Pop-up) | ||
Back Merda | Windsong (Listen: Pop-up) | Back Merda | Bass – Veesee L. Veasey Drums – Tyrone Hite Guitar – Charles Hawkins Guitar [1st] – Anthony Hawkins (2) 1967 - Chess | 1:54:09 (Pop-up) |
Love | A House Is Not A Motel (Listen: Pop-up) | Comes In Colours | 1:58:23 (Pop-up) | |
Erasmus Chorum | Mary Jane (Listen: Pop-up) | Tea & Symphony: The English Baroque Sound 1968-1974 | Chapter 1 – SCH 173 Format: Vinyl, 7", 45 RPM, Single, Promo Country: UK Released: 07 Jul 1972 | 2:01:43 (Pop-up) |
Stockholm Monsters | Fairy tales (demo version) (Listen: Pop-up) | Tim Peaks: Songs for a Late Night Diner | John Rhodes,, Karl France, Lindsay Anderson (Shan Hira, Tony France Band from Burnage, Manchester, founded in the summer of 1980, initially around the core of vocalist Tony France, bassist Ged Duffy and drummer Shan Hira. Their unusual name represents a combination of Bowie's then-current Scary Monsters album and a pleasant-sounding Eurocity. Other members included Lita Hira on keyboards, Lindsay Anderson on trumpet, Karl France, John Rhodes. They signed to Factory Records and many releases were produced by Peter Hook of New Order. The band split up in 1987. | 2:08:05 (Pop-up) |
The Clean | Big Soft Punch (Listen: Pop-up) | Vehicle | David Kilgour - guitar; Hamish Kilgour- drums; Robert Scott - bass Recorded at Blackwing Studios, London, July 18-21 1989 | 2:12:09 (Pop-up) |
The Go-Betweens | Two Step, Step Out (Listen: Pop-up) | Before Hollywood | Bass – Grant McLennan Drums, Backing Vocals – Lindy Morrison Guitar – Grant McLennan, Robert Forster Organ, Piano – Bernard Clarke Vocals – Grant McLennan, Robert Forster Recorded at I.C.C. Studios, Eastbourne, England October 1982 | 2:14:35 (Pop-up) |
RVG | Little Sharkie & the White Pointer Sisters (Listen: Pop-up) | Feral | (The Romy Vager Group) Bass – Angus Belle* Drums, Percussion – Marc Nolte Guitar, Keyboards, Cello – Reuben Bloxham Guitar, Vocals – Romy Vager Written-By – Romy Vager From Melbourne Australia This record was written and recorded on land belonging to the Wurundjeri people of the Kulin nation. Sovereignty has never been ceded. | 2:17:57 (Pop-up) |
Well, La-Dee-Jay! | (Listen: Pop-up) | 2:20:24 (Pop-up) | ||
Sharon Jones & The Dap-Kings | People Don't Get What They Deserve (Listen: Pop-up) | Give the People What They Want | 2:26:23 (Pop-up) | |
Jackie Mittoo | Grand Funk (Listen: Pop-up) | Wishbone | Recorded circa 1971 at Estern Sound, Toronto, Canada. Originally released on Summus Records (SUS 50 002). | 2:29:37 (Pop-up) |
The Mar-Keys | Bush Bash (Listen: Pop-up) | The Complete Stax Volt Singles 1959-1968 | Released: 1964 Written-By – Jones, Newman, Caple | 2:32:29 (Pop-up) |
Naomi Shelton, Cliff Driver | Talkin' Bout a Good Thing (Listen: Pop-up) | Daptone Records Singles Collection Volume 3 | Naomi Shelton – Wind Your Clock Label: Daptone Records – DAP-1044 Format: Vinyl, 7", 45 RPM, Single Country: US Released: 2009 Genre: Funk / Soul Style: Funk Tracklist Hide Credits A –Naomi Shelton Featuring Cliff Driver Wind Your Clock Written-By – B. Mann* B –Naomi Shelton Featuring Cliff Driver Talkin' About A Good Thing Written-By – B. Mann, C. Driver, M. Wagner, N. Shelton, P. Lehman | 2:34:50 (Pop-up) |
Hank Ballard | Broadway (Listen: Pop-up) | R&B Hipshakers, Volume 1: Teach Me to Monkey | King Records (3) – 45-5593 Vinyl, 7", Single Released: 1962 | 2:39:20 (Pop-up) |
Sharon Jones & The Dap Kings | Without a Heart (Listen: Pop-up) | I Learned The Hard Way | 2:42:32 (Pop-up) | |
CHARLES BRADLEY, Menahan Street Band | The Telephone Song (Listen: Pop-up) | Daptone Records Singles Collection Volume 3 | Dunham – DUN-103 Vinyl, 7", 45 RPM, Single Released: Sep 2008 | 2:45:09 (Pop-up) |
Jeff Beck | Morning Dew (Listen: Pop-up) | Truth | Bass – Jeff Beck (tracks: 5), Ron Wood Drums – Mick Waller Guitar – Jeff Beck Producer – Mickie Most Vocals – Rod Stewart | 2:48:51 (Pop-up) |
Otis Redding | That's What My Heart Needs (Listen: Pop-up) | The Complete Stax Volt Singles 1959-1968 (Discs 1-3) - Disc 2 | 1963 | 2:53:28 (Pop-up) |
Sharon Jones & The Dap-Kings | How Long Do I Have to Wait for You (Victor Axelrod Production) (Listen: Pop-up) | Daptone Records – DAP-1040 Vinyl, 7", 45 RPM, Single Oct 2008 | 2:55:59 (Pop-up) | |
DJ Time and a Half rakes it in | (Listen: Pop-up) | 2:59:21 (Pop-up) | ||
The Soul Providers | Switchblade (feat. Sharon Jones) (Listen: Pop-up) | Soul Tequila | 3:03:23 (Pop-up) | |
Mickey Baker | Steam Roller (Listen: Pop-up) | R&B Hipshakers, Vol. 2: Scratch That Itch | King Records (3) – 45-5951 Vinyl, 7", 45 RPM Country: US Released: 1964 | 3:06:56 (Pop-up) |
The Stereos | Stereo Freeze (Listen: Pop-up) | Chicago Soul | Hyde Records – 101 Vinyl, 7", 45 RPM, Single | 3:09:04 (Pop-up) |
African Fiesta | Eh Bien Mon Ami (Congo) (Listen: Pop-up) | Cazumbi - African Sixties Garage Vol. 1 | After the creation of l'Orchestre African Fiesta in 1963 by Tabu Ley Rochereau and Dr. Nico Kassanda, the tension between Rochereau and Nico led to a split in 1965, with Rochereau, renaming the band " L'Orchestre African Fiesta National Le Peuple " then Orchestre Afrisa L'International. Meanwhile, Dr. Nico decided to play under the moniker L'Orchestre African Fiesta Sukisa through his own Sukisa (2) label. This update is to dissociate Orchestre African Fiesta (1963-1965) and their following names after 1965. | 3:11:50 (Pop-up) |
Sharon Jones & The Dap-Kings | Making Up And Breaking Up (Listen: Pop-up) | Give The People What They Want | 3:14:40 (Pop-up) | |
The Canes | Why Should I Suffer With The Blues (Listen: Pop-up) | The Complete Stax Volt Singles 1959-1968 | 3:16:53 (Pop-up) | |
Barbara Stephens | Wait A Minute (Listen: Pop-up) | Stax – S-118 | Stax – S-118 Format: Vinyl, 7", 45 RPM, Single Country: US Released: Jan 1962 | 3:19:46 (Pop-up) |
Ike & Tina Turner | Shake A Hand (Listen: Pop-up) | Sexy-Seductive-Provocative | Paula Records – PCD-9008 | 3:21:58 (Pop-up) |
Sharon Jones & the Dap-Kings | Pick It Up, Lay It in the Cut (Listen: Pop-up) | Dap Dippin' with Sharon Jones & the Dap Kings | 3:25:36 (Pop-up) | |
DJ Must Funk Off | C U laters - this was scrumptious!! (Listen: Pop-up) | 3:29:37 (Pop-up) | ||
Paul Chambers & Art Blakey | What Is This Thing Called Love (Listen: Pop-up) | Mosaic Select | Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 29, 1959 “I’ve Got My Love To Keep Me” was originally issued on the compilation BLUE BERLIN (CD 7-99095-2). Both selections were issued on Art Blakey - Drums Around The Corner (CD 5-21455-2). | 3:33:58 (Pop-up) |
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Listener comments!
Wolfgang:
chresti:
Wolfgang:
fred:
TDK60:
DJpeterDE:
Doug Schulkind:
TDK60:
Wolfgang:
fleep on app:
doctorjazz:
Irene Trudel:
DJpeterDE:
Wolfgang:
chresti:
StringOFperils:
TDK60:
Wolfgang:
Wolfgang:
Irene Trudel:
Doug Schulkind:
Which country?
fleep on app:
Jeff Golick:
TDK60:
Wolfgang:
VT Knit Girl:
Wolfgang:
fleep:
fred:
Wolfgang:
melinda:
TDK60:
Wolfgang:
DJpeterDE:
TDK60:
Jeff g. via app:
fleep:
Wolfgang:
Doug Schulkind:
My apologies. I know not why that would happen. No one is deleted unless by request. Email me personally the email address to include on the mailing list and I will add it.
DJpeterDE:
DJpeterDE:
TDK60:
Wolfgang:
northguineahills:
northguineahills:
Wolfgang:
Wolfgang:
WR:
Wolfgang:
Mayuko:
Wolfgang:
Sem:
Wolfgang:
Mayuko:
fred:
Wolfgang:
fleep:
Wolfgang:
Doug Schulkind:
Jeff g. via app:
chresti:
Sem:
fred:
Wolfgang:
Mayuko:
Mayuko:
chresti:
Wolfgang:
Profile:
Beninese band originally formed by Théophile Do-Rego in Cotonou, Dahomey (now Benin) in 1963 as The Jets (8). It was renamed to Los Paras, in 1964, then to Los Commandos in 1965 and finally to El Rego Et Ses Commandos in 1966.
Jeff g. via app:
Sem:
ParUbi:
chresti:
Doug Schulkind:
Mayuko:
Wolfgang:
ParUbi:
Wolfgang:
Wolfgang:
chresti:
Granny Spicy Tuna (e/em):
Doug Schulkind:
Wolfgang:
chresti:
chresti:
Wolfgang:
fred:
chresti:
chresti:
fred:
coelacanth∅:
chresti:
chresti:
Granny Spicy Tuna (e/em):
Doug Schulkind:
Granny Spicy Tuna (e/em):
Wolfgang:
Granny Spicy Tuna (e/em):
Doug Schulkind:
Wolfgang:
fred:
Sem:
Listener Gregory:
Wolfgang:
Granny Spicy Tuna (e/em):
these pronouns have a fascinating history, they were developed by a mathematician for academic writing
Granny Spicy Tuna (e/em):
Doug Schulkind:
fred:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
fred:
Listener Gregory:
Listener Gregory:
Granny Spicy Tuna (e/em):
Doug Schulkind:
Shhhhhh!
Granny Spicy Tuna (e/em):
Listener Gregory:
Leonardo:
Sem:
Ortley:
fred:
Wolfgang:
Granny Spicy Tuna (e/em):
Sem:Argentina is making great progress in using neutral Spanish, with the president and courts participation!
Linda Lee:
Granny Spicy Tuna (e/em):
Linda Lee:
Wolfgang:
Wolfgang:
Doug Schulkind:
Linda Lee:
TDK60:
Granny Spicy Tuna (e/em):
northguineahills:
chresti:
fred:
Franco Twinkie:
northguineahills:
TDK60:
Wolfgang:
Sem:
Linda Lee:
Wolfgang:
Wolfgang:
northguineahills:
TDK60:
TDK60:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
fred:
TDK60:
Granny Spicy Tuna (e/em):
doctorjazz:
StringOFperils:
Granny Spicy Tuna (e/em):
Wolfgang:
Jeff g. via app:
Granny Spicy Tuna (e/em):
TDK60:
StringOFperils:
Linda Lee:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
TDK60:
Linda Lee:
StringOFperils:
Dean:
StringOFperils:
Linda Lee:
StringOFperils:
TDK60:
Granny Spicy Tuna (e/em):
fred:
Wolfgang:
TDK60:
Wolfgang:
TDK60:
TDK60:
TDK60:
Sem:
Thanks for the show today, Stork, bitchin' music and good talk. Later, Maven of Münster.
fred:
chresti:
TDK60:
Wolfgang:
Doug Schulkind:
chresti:
WR:
Granny Spicy Tuna (e/em):
melinda:
Jeff g. via app:
StringOFperils:
Granny Spicy Tuna (e/em):
StringOFperils:
northguineahills:
Doug Schulkind:
Granny Spicy Tuna (e/em):
Doug Schulkind:
StringOFperils:
Granny Spicy Tuna (e/em):
doctorjazz:
(Loving the Canes, and this set!)
Thanks, Stork
fred:
Doug Schulkind:
afropop.org...
StringOFperils:
Granny Spicy Tuna (e/em):
doctorjazz:
www.royalalberthall.com...
Wolfgang:
Wolfgang:
TDK60:
StringOFperils:
Wolfgang:
WR:
doctorjazz:
Granny Spicy Tuna (e/em):
Wolfgang:
WR:
doctorjazz:
WR:
StringOFperils:
Granny Spicy Tuna (e/em):
TDK60:
Doug Schulkind:
doctorjazz:
chresti:
Thanks again, Stork!
coelacanth∅:
coelacanth∅:
Wolfgang:
WR:
Wolfgang:
doctorjazz:
Wolfgang:
doctorjazz: