WFMU: The Stork Club with Stork: Playlist from June 21, 2020

The Stork Club with Stork: Playlist from June 21, 2020

With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.

Sunday Noon - 3pm (EDT) | On WFMU's Give the Drummer Radio
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June 21, 2020: Lalo's Eighty-Eight
An unannounced wing-ding for Argentinian composer, pianist, arranger, and conductor Lalo Schifrin, celebrating his 88th birthday today. A look at his childhood in Buenos Aires as a prodigy, his miraculous exit to Paris to study at the Consevatoire, his triumphant return to Argentina, and subsequent emigration to New York. Schifrin made his mark in film music, but is perhaps lesser known as a jazz musician and composer who wrote a masterwork for Dizzy Gillespie - we'll hear the whole Suite! Sweet!!

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	WFMU's Give the Drummer Radio and The Stork Club denounces explicit and implicit racism. We condemn the culture of white supremacy, which enables the brutalization of black people and other communities of color. We support Black Lives Matter and the movement it stands for.

Artist	Track	Album	Comments	Approx. start time
Mission Impossible - opening (1967)	This Tape Will Self-Destruct in Five Seconds			0:00:00 (Pop-up)
The DJ You Have	"The DJ You Have"			0:02:01 (Pop-up)
Lalo Schifrin	Peanut Vendor "Peanut Vendor" by "Lalo Schifrin"	Jazz Meets The Symphony 6 - Kaleidoscope	Bass – Christian McBride Drums – Gordon Rytmeister Executive-Producer – Donna Schifrin Orchestra – The Sydney Symphony Orchestra Piano, Conductor, Producer – Lalo Schifrin Trombone – James Morrison Recorded live at the Sydney Opera House, Concert Hall, in Sydney, Australia, February 17, 18 and 19, 2005.	0:03:41 (Pop-up)
Lalo Schifrin	The Wig "The Wig" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	0:12:55 (Pop-up)
Lalo Schifrin	Poema Do Adeus "Poema Do Adeus" by "Lalo Schifrin"	Bossa Nova New Brazilian Jazz	Lalo Schifrin - piano, arranger • Leo Wright - flute • Christopher White - bass • Rudy Collins - drums • Jose Paulo, Carmen Costa - Latin percussion Recorded in New York City in June 1962	0:15:34 (Pop-up)
Lalo Schifrin	Theme from Mannix "Theme from Mannix" by "Lalo Schifrin"	Maxxix TV Sdtrk.	1968	0:18:45 (Pop-up)
Lalo Schifrin	Calliope of Death (theme)	Rollercoaster sdtrk.	1977 A Jennings Lang Production - starring George Segal, Richard Widmark, Timmothy Bottoms, Harry Guardino, Susan Strasberg and Henry Fonda in "Rollercoaster". Screenplay by Richard Levinson & William Link. Story by Sanford Sheldon and Richard Levinson & William Link. Music by Lalo Schifrin. Directed by James Goldstone, Produced by Jennings Lang. A Universal Picture. Technicolor. Panavision.	0:23:04 (Pop-up)
Lalo Schifrin	Jaws "Jaws" by "Lalo Schifrin"	Black Widow	• Lalo Schifrin - piano, keyboards, arranger, conductor • Jon Faddis - trumpet • Wayne Andre, Billy Campbell, Barry Rogers - trombone • Dave Taylor - bass trombone • Pepper Adams - baritone saxophone • Joe Farrell - alto saxophone, flute • Jerry Dodgion, Hubert Laws, George Marge - flute • Clark Spangler - keyboards • Eric Gale, Jerry Friedman, John Tropea - guitar • Anthony Jackson - bass • Andy Newmark - drums • Don Alias, Carter Collins, Sue Evans, Carlos Martin - percussion • Patti Austin - vocals • Max Ellen, Paul Gershman, Emanuel Green, Harold Kohon, Charles Libove, Harry Lookofsky, David Nadien, Matthew Raimondi - violin Recorded at Mediasound Studios in New York City on March 29 & 30, 1976	0:25:04 (Pop-up)
DJ Shutmeup	"DJ Shutmeup"			0:32:12 (Pop-up)
Lalo Schifrin	Machinations "Machinations" by "Lalo Schifrin"	There's A Whole Lalo Schifrin Goin' On	Lalo Schifrin - piano, synthesizer, arranger, conductor • Tony Terran, John Audino - trumpet • Lloyd Ulyate, Barrett O'Hara - trombone • John Johnson - tuba • Vincent DeRosa - horn • Bud Shank, Ronnie Lang, Sam Most - reeds • Arnold Kobentz - oboe, English horn • Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards • Paul Beaver - keyboards, synthesizer, stereo harp • Carl Fortina - accordion • Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar • James Bond, Ray Brown - bass • Carol Kaye, Max Bennett - electric bass • Shelly Manne - drums, percussion • Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion • Milt Holland - tabla • Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin • Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola • Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello • Catherine Gotthoffer - harp	0:41:53 (Pop-up)
Lalo Schifrin	Finding McB (from The Beguiled - Previously Unreleased)	Lalo Schifrin: My Life in Moveis	The Beguiled is a 1971 American Southern Gothic film directed by Don Siegel, starring Clint Eastwood and Geraldine Page. The script was written by Albert Maltz and is based on the 1966 novel written by Thomas P. Cullinan, originally titled A Painted Devil. The film marks the third of five collaborations between Siegel and Eastwood, following Coogan's Bluff (1968) and Two Mules for Sister Sara (1970), and continuing with Dirty Harry (1971) and Escape from Alcatraz (1979).[2]	0:44:32 (Pop-up)
Lalo Schifrin	Tar Sequence "Tar Sequence" by "Lalo Schifrin"	Cool Hand Luke - OST	1967	0:47:15 (Pop-up)
Paul Newman	Plastic Jesus "Plastic Jesus" by "Paul Newman"	Oringal film soundtrack		0:50:04 (Pop-up)
Lalo Schifrin	Joe Kidd - Main Title	Lalo Schifrin: My Life in Film	Joe Kidd is a 1972 American Technicolor Western film in Panavision starring Clint Eastwood and Robert Duvall, written by Elmore Leonard and directed by John Sturges. The film is about an ex-bounty hunter hired by a wealthy landowner named Frank Harlan to track down Mexican revolutionary leader Luis Chama, who is fighting for land reform. It forms part of the Revisionist Western genre. • Clint Eastwood as Joe Kidd • Robert Duvall as Frank Harlan • John Saxon as Luis Chama • Don Stroud as Lamarr Simms • Stella Garcia as Helen Sanchez • James Wainwright as Olin Mingo • Paul Koslo as Roy Gannon • Gregory Walcott as Sinola County Sheriff Bob Mitchell • Dick Van Patten as Hotel manager • Lynne Marta as Elma • John Carter as Judge • Pepe Hern as Priest • Joaquín Martínez as Manolo • Ron Soble as Ramon • Pepe Callahan as Naco • Clint Ritchie as Deputy Calvin	0:52:13 (Pop-up)
Lalo Schifrin	Les Felins - Main Title	My Life in Movies	1964	0:55:23 (Pop-up)
Lalo Schifrin	The Fox - Main Title	The Fox sdtrk	The Fox is a 1967 Canadian drama film directed by Mark Rydell. The screenplay by Lewis John Carlino and Howard Koch is loosely based on the 1923 novella of the same title by D. H. Lawrence. The film marked Rydell's feature film directorial debut. • Sandy Dennis as Jill Banford • Anne Heywood as Ellen March • Keir Dullea as Paul Grenfel 1967	0:58:43 (Pop-up)
Lalo Schifrin	Marquis de Sade "Marquis de Sade" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	• Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	1:03:47 (Pop-up)
Lalo Schifrin	The Marquis is Back	Return of The Marquis De Sade	Bass – Brian Bromberg (tracks: 1 to 6), Ray Brown (tracks: 7 to 9) Cello – David Shamban (tracks: 1 to 6) Composed By, Piano, Harpsichord, Conductor – Lalo Schifrin Drums – Jeff Hamilton (tracks: 1 to 6) Drums, Percussion – Grady Tate (tracks: 7 to 9) Guitar – Dennis Budimir (tracks: 1 to 6) Harp – Marcia Dickstein (tracks: 1 to 6) Liner Notes – Nick Redman Orchestra – The London Philharmonic Orchestra (tracks: 7 to 9) Saxophone, Flute – Tom Scott (tracks: 1 to 6) Trumpet – James Morrison (tracks: 9) Viola – Harry Shirinian (tracks: 1 to 6) Violin – Charlie Bisharat (tracks: 1 to 6), Murray Adler (tracks: 1 to 6) Vocals – Edie Lehmann (tracks: 1 to 6) Recorded at Capitol Records, August, 2001	1:06:33 (Pop-up)
DJ Luke Fishy	"DJ Luke Fishy"			1:12:28 (Pop-up)
Dizzy Gillespie And His Orchestra	01 Prelude	Gillespiana	Bass – Art Davis; Bass Trombone – Paul Faulise; Bongos – Jack Del Rio; Composed By –Lalo Schifrin; Congas – Candido Camero; Drums – Chuck Lampkin; Flute, Alto Saxophone – Leo Wright; French Horn – Al Richman; Gunther Schuller, James Buffington John Julius Watkins (tracks: 1 to 5), Morris Scott (tracks: 4, 5),William Lister (tracks: 4, 5) Piano, Arranged By – Lalo Schifrin Producer [Original Recordings] – Norman Granz Timbales – Willie Rodriguez Trombone – Britt Woodman, Frank Rehak (tracks: 1 to 5), , Urbie Green Trumpet – Carl Warwick Clark Terry, Dizzy Gillespie, Ernie Royal Tuba – Don Butterfield Gillespiana is an album by trumpter Dizzy Gillespie featuring compositions by Lalo Schifrin recorded in 1960 and released on the Verve label.[2] The album features Schifrin's suite written to feature Gillespie and his orchestra. Recorded November 14 and 15, 1960 in New York	1:28:04 (Pop-up)
Dizzy Gillespie And His Orchestra	02 Blues	Gillespiana		1:34:04 (Pop-up)
Dizzy Gillespie And His Orchestra	03 Panamericana	Gillespiana		1:45:16 (Pop-up)
Dizzy Gillespie And His Orchestra	04 Africana	Gillespiana		1:49:52 (Pop-up)
Dizzy Gillespie And His Orchestra	05 Toccata	Gillespiana		1:57:26 (Pop-up)
DJ Busschienenersatz	"DJ Busschienenersatz"			2:09:25 (Pop-up)
Lalo Schifrin	The School Bus (Alternate)	Dirty Harry OST	1971	2:13:19 (Pop-up)
Lalo Schifrin	Enter the Dragon - Main Title 7"	Warner Bros. Records ‎– WB 7735	1973	2:15:16 (Pop-up)
Lalo Schifrin	Bullitt (Main Title)	Bullitt OST	◦ Lalo Schifrin – arranger, conductor ◦ John Audino, Bud Brisbois, Tony Terran – trumpet, flugelhorn ◦ Milt Bernhart, Dick Noel, Lloyd Ulyate, Lew McCreary – trombone ◦ Bud Shank, Ronnie Lang, Gene Cipriano, Bill Perkins, Jack Nimitz – reeds ◦ Mike Melvoin – piano, organ ◦ Mike Deasy, Howard Roberts, Bob Bain – guitar ◦ Ray Brown – bass ◦ Carol Kaye, Max Bennett – electric bass ◦ Stan Levey – drums ◦ Larry Bunker – percussion ◦ Unknown strings Recorded in Hollywood, California on December 6 and 7, 1968.	2:17:34 (Pop-up)
Lalo Schifrin	The Blues for Johann Sebastian	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	• Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	2:19:36 (Pop-up)
Lalo Schifrin	Renaissance "Renaissance" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade		2:23:07 (Pop-up)
Lalo Schifrin	How To Open At Will The Most Beautiful Window	There's A Whole Lalo Schifrin Goin' On	Lalo Schifrin - piano, synthesizer, arranger, conductor • Tony Terran, John Audino - trumpet • Lloyd Ulyate, Barrett O'Hara - trombone • John Johnson - tuba • Vincent DeRosa - horn • Bud Shank, Ronnie Lang, Sam Most - reeds • Arnold Kobentz - oboe, English horn • Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards • Paul Beaver - keyboards, synthesizer, stereo harp • Carl Fortina - accordion • Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar • James Bond, Ray Brown - bass • Carol Kaye, Max Bennett - electric bass • Shelly Manne - drums, percussion • Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion • Milt Holland - tabla • Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin • Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola • Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello • Catherine Gotthoffer - harp	2:26:33 (Pop-up)
Johnny Hodges	Dreary Days "Dreary Days" by "Johnny Hodges"	Buenos Aires Blues	Johnny Hodges (as), Lalo Schifrin (p), and written by, Barry Galbraith (g), George Duvivier (b) Dave Bailey (d) Recorded in New York, on May 26, 1963	2:29:29 (Pop-up)
Paul Horn	Agnus Dei (from Jazz Mass)	Jazz Suite On The Mass Texts	Bass – Bill Plummer Choir – Betty Allen, Evangeline Carmichael, Loulie Jean Norman, Marie Vernon, Marilyn Powell, Sara Jane Tallman, Vern Rowe, William Cole* Composed By, Arranged By, Conductor – Lalo Schifrin Drums – Larry Bunker Flute, Clarinet, Alto Saxophone – Paul Horn French Horn – Vincent DeRosa Harp – Ann Mason Stockton*, Dorothy Remsen Percussion – Emil Richards, Frank Flynn, Ken Watson, Milt Holland Producer – Al Schmitt Trombone – Frank Rosolino Trumpet – Al Porcino, Conte Candoli Tuba – Red Callender Vibraphone – Lynn Blessing 1965	2:32:38 (Pop-up)
DJ de Jour	"DJ de Jour"			2:37:45 (Pop-up)
Lalo Schifrin	Slaughter on Tenth Avenue	Jazz Meets The Symphony 6 - Kaleidoscope	Bass – Christian McBride Drums – Gordon Rytmeister Engineer – Richard Lush Executive-Producer – Donna Schifrin Liner Notes – Richard Palmer (5) Orchestra – The Sydney Symphony Orchestra Photography – John Marmaras Piano, Conductor, Producer – Lalo Schifrin Trumpet, Trombone – James Morrison Recorded live at the Sydney Opera House, Concert Hall, in Sydney, Australia, February 17, 18 and 19, 2005	2:42:04 (Pop-up)
Lalo Schifrin	Cabello Rojo "Cabello Rojo" by "Lalo Schifrin"	Two Argentinians in Paris	Bass – Pierre Michelot Drums – Jean-Louis Viale Percussion – Jack Del Rio Piano – Lalo Schifrin All tracks recorded in Paris, 1955	2:46:01 (Pop-up)
Lalo Schifrin / Bob Brookmeyer	Just One of Those Things	Samba Para Dos	Lalo Schifrin - piano, arranger • Bob Brookmeyer - valve trombone • Frank Rehak - trombone • Leo Wright - alto saxophone, flute • Phil Woods, Jerome Richardson - alto saxophone • Zoot Sims, Al Cohn - tenor saxophone • Romeo Penque - bass clarinet • Danny Bank - baritone saxophone • Jimmy Raney - guitar • Ben Tucker - bass • Dave Bailey - drums • Jose Paulo - percussion • Carmelita Koehler - cello Recorded Feb. 7, 1963, in New York City.	2:48:55 (Pop-up)
Dizzy Gillespie Big Band	Ool Ya Koo [Live]	Carnegie Hall Concert	Vocals – Dizzy Gillespie Joe Carroll Composed By – Chano Pozo Walter Gil Fuller, John Birks Gillespie Congas – Candido Camero* (tracks: 1 to 5) Drums – Chuck Lampkin Flute, Alto Saxophone – Leo Wright French Horn – Gunther Schuller, James Buffington* John Barrows , Richard Berg Liner Notes – John McDonough (3) Mastered By – Suha Gur Percussion – Jose Mangual Julio Collazo Ray Barretto Piano, Arranged By – Lalo Schifrin Trombone – Arnet Sparrow* (tracks: 6 to 10), Britt Woodman, Frank Rehak (tracks: 1 to 5), George Matthews (2) (tracks: 6 to 10), Paul Faulise (tracks: 6 to 10), Urbie Green (tracks: 1 to 5) Trumpet – Carl Warwick Clark Terry, , John Frosk, Nick Travis Tuba – Don Butterfield Vocals – Dizzy Gillespie Joe Carroll	2:52:20 (Pop-up)
Lalo Schifrin	Mission: Impossible theme	Mission: Anthology	1967	2:57:44 (Pop-up)
Auf wiederhören !!!	"Auf wiederhören !!!"		Thank you, Stork Club fam-fam!! Go well!!!	3:00:14 (Pop-up)

Listener comments!
	♥ 11:59am Wolfgang: Hello, Dear Clubbies! And thank you Jeff for the music and the words.
	♥ 11:59am hyde: ooh, this looks promising!
	♥ 12:02pm Granny Spicy Tuna (e/em): Hey, Stork! Hey folx! Which way to the buffet?
	🥁 ♥ 12:02pm Jeff Golick: Thanks, @Stork! Sorry if I went over!
	♥ 12:04pm TDK60: Hi Wolfgang. Yeah, let me follow Granny to the cut carrots, celery and dip.
	♥ 12:04pm coelacanth∅: you know, that mission sounds pretty much impossible
	🥁 ♥ 12:04pm WR: Hi fellow idiots
	♥ 12:05pm hyde: I bought the first three seasons of Mission Impossible on DVD awhile back. That theme song just never gets old, no matter how much I watch
	🥁 ♥ 12:08pm doctorjazz: Hi Stork and clubbers!
	♥ 12:09pm Wolfgang: Is it the best show ever, Hyde?! The intro features IBM punch-cards!! HELLO ALL, BTW!!! LOTSA GREAT SOUNDS A-COMIN, METHINKS!!
	♥ 12:12pm Wolfgang: Let me roll your honor: drJ! hyde!! WR! coel! TDK60 (always beter sound quality than those stinky 90's!!), JeffG, GrannyGrannyGranny!! Let's get this bartender started!!
	♥ 12:12pm coelacanth∅: hyde that must be among the very best tv theme musics
	12:14pm fleep: Greetings from June gloomy L.A.
	12:15pm fleep: Salutations to all males with offspring.
	♥ 12:15pm Wolfgang: fleep!
	♥ 12:15pm Doug Schulkind: Too bad Lol Coxhill never did an album of Lalo covers.
	♥ 12:16pm hyde: MI is maybe not the best show ever, but it's pretty entertaining. also Martin Landau is a genius actor.
	12:16pm Dean: LOL
	♥ 12:16pm hyde: @coel i think it is the best tv theme ever
	♥ 12:17pm Listener Gregory: I remember hearing that the first MI movie was held up for a long time, as the producers didn't want to pay much for use of the TV theme. They finally decided that the movie could not go forward without that theme. Correct!
	12:19pm wendy del formaggio: Hey Stork! I’m loving this Lalo stuff.
	♥ 12:20pm Your Ace From Exchange Place: Hey Stork! Hey Wendy! Hey Everybody!
	♥ 12:20pm Doug Schulkind: Mannix! The best! (Actually, my favorite TV show theme is the theme to the Barney Miller show.)
	12:22pm βrian: Where's Gail Fisher?
	♥ 12:22pm Wolfgang: Barney Miller forever and always!!
	12:23pm wendy del formaggio: @Doug: I agree. The Barney Miller theme is fabulous and totally of its era. As is the theme from “Taxi.”
	12:25pm wendy del formaggio: “Calliope” and “death” aren’t words I’d ever think of combining.
	12:26pm marcury: Hey Stork! Long time!!!
	12:26pm Dean: I think my parents met Harry Guardino at Dino's on Sunset Blvd. Or am I confused by the faint eponym?
	12:27pm Dean: Andy Newmark was working with Roxy Music around the time he recorded this.
	♥ 12:28pm Doug Schulkind: My high school jazz band made a real showpiece out of the Barney Miller theme. I had a drum solo. All very exciting.
	♥ 12:29pm Wolfgang: marcury!! hail to thee!!
	♥ 12:30pm Wolfgang: Dougie, let me die and be reborn to go witness that. Then I can die again.
	12:30pm Dean: Correction: He was working with Rod Stewart, Bob James, George Benson, Hank Crawford, and a bunch of other folks. Landed with Roxy Music by 1980.
	♥ 12:31pm Wolfgang: Good stuff, Dean, thanks!
	♥ 12:31pm Granny Spicy Tuna (e/em): Someone call me?
	12:34pm Dean: Flute solo was Hubert Laws, per Discogs.
	♥ 12:36pm Granny Spicy Tuna (e/em): I have a fairy goddessdaughter named Calliope. She can shriek on key. When she was a 'tween taking piano lessons, i introduced her to the music of Diamanda Galas. Her mother may forgive me someday…
	12:37pm Dean: When my daughter was a toddler, I routinely referred to her as "my little Diamanda Galas."
	12:42pm Dean: The cover of the second CTI album in that Schifrin two-fer, Towering Toccata looks suspiciously like another CTI album cover, Allan Holdsworth's Velvet Darkness: https://www.discogs.com/Allan-Holdsworth-Velvet-Darkness-/master/18396 Records appeared one year apart.
	♥ 12:43pm Wolfgang: John Newcombe’s doc - first half: www.youtube.com...
	🥁 ♥ 12:45pm doctorjazz: Almost time to eat....(on 16 hour intermittent fasting program...), ready!
	♥ 12:49pm Doug Schulkind: ABC News used this for years during broadcasts.
	♥ 12:51pm Wolfgang: Eyewitness News, in fact!!
	♥ 12:51pm Doug Schulkind: Definitely used by the local affiliates. Not sure if the network broadcast used it. What an all-time great soundtrack.
	12:56pm Dean: Two of the musicians on the "Machinations" track, Paul Shure and Eleanor Slatkin, were half of the acclaimed Hollywood String Quartet.
	12:56pm Leonardo: Whole lot of high end radio broadcasting going on here.
	12:58pm Dean: Eleanor and hubby Felix Slatkin, who was first violin for HSQ, were conductor Leonard's parents.
	♥ 1:03pm Wolfgang: Leonardo and Dean - get you a drink? Need somebody whacked? (I'm whacked, but that's not exactly what I mean)
	♥ 1:05pm coelacanth∅: (i'm having tea. i'll catch up)
	♥ 1:07pm Granny Spicy Tuna (e/em): enjoying this music while sipping a lovely rose oolong and puerh blend
	♥ 1:11pm Wolfgang: Has ever a harpsichord been so rocked?
	♥ 1:13pm Doug Schulkind: I played an Albert Ayler track on Friday with harpsichord. But it did not rock such as that.
	1:13pm Dean: In fact, yes, the harpsichord is rocked more frequently than you'd imagine. See, e.g., the recordings on Finlandia by Jukka Tiensuu. Then there's the 34CD Scott Ross traversal of Scarlatti's sonatas, some of which most definitely rock.
	1:16pm Dean: Did Schifrin score this music for Peter Weiss's play, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade?
	♥ 1:17pm TDK60: Dean, You won't believe it. I saw Marat Sade when a young teen. I was pleasantly shocked.
	1:18pm Dean: The stage play or the movie? Wish I'd seen the play. Best I could do was read the script.
	♥ 1:20pm TDK60: The play here in NYC. 1965, I think?
	1:23pm Dean: Wow. Dang. Musta been formative. Here's György Ligeti's "Hungarian Rock," not performed by Tiensuu, but you get the picture: https://www.youtube.com/watch?v=QUhj6tPdoI4
	♥ 1:25pm TDK60: Just another one of those '60s experiences that ruined me, y'know?
	1:26pm Dean: Headline in the NYT Dec. 29, 1965, of the review by Walter Kerr: 'Marat Sade' Lacks Moral Perspective.
	🥁 ♥ 1:28pm Sem: Good afternoon, Storkmeister, Storkmeister folk, and normal folk. Lalo afternoon, multiple thumbs up, thank you.
	♥ 1:29pm Wolfgang: Just in case anyone missed the link - and if you know where to get the 2nd of of this, please post!! John Newcombe’s doc - first half: www.youtube.com...
	🥁 ♥ 1:33pm doctorjazz: Love this! (Pretty much any Diz, of course).
	♥ 1:33pm Wolfgang: Sem - welcome, already!!
	♥ 1:34pm Wolfgang: drj is gonna be happy for the next half-hour or so.
	♥ 1:35pm hyde: loving this show!
	1:36pm Martinibomb: Heya Stork!
	1:39pm Jeff g. via app: And here I’ve been trying to reduce my moral perspective for years.
	♥ 1:39pm Wolfgang: Lovin yer lovin, Hyde!
	♥ 1:41pm Wolfgang: Boom! It's the M-Bomb! Hey, sit where one genreally sits who carries explosives - wherever the f-ya want!
	1:46pm Martinibomb: Hola Wolfey!
	1:46pm Martinibomb: Clear the room there's a bomb!
	1:57pm Dean: Who said this, not of Marat/Sade, but of a contemporaneous British "drama of cruelty"? (Hint: Hitchens wrote about it many years later.) "The theater is concerned, whether in the deepest tragedy or the lightest comedy...with the study, understanding and recognition of that most dreaded and dangerous eccentricity in the human design, the tripartite conspiracy between the sexual, the excretory and the cruel."
	1:59pm Dean: It was an apologia for a scandalous play, Edward Bond's Saved.
	♥ 2:01pm StringOFperils: Hello Stork and storklings. Back from all the whatever...
	♥ 2:03pm Wolfgang: Willkommen zurück, StingO!!
	♥ 2:05pm Wolfgang: Dizzy is melting the walls
	♥ 2:06pm StringOFperils: Heh. Funny that someone would point out that a play within a play, directed by the Marquis de Sade lacked moral perspective. What was expected, that everything be the opposite of what it is....actually I guess that's the answer.
	2:06pm Dean: Sir Laurence Olivier.
	♥ 2:06pm StringOFperils: We want a revolution NOW.
	2:07pm Dean: The review itself was intelligent, not objectionable. The headline, though, sheesh.
	🥁 ♥ 2:12pm doctorjazz: Dizzy would ALWAYS melt the walls!
	🥁 ♥ 2:13pm WR: Wow. That was killer!
	🥁 ♥ 2:14pm Sem: ^. Agreed.
	♥ 2:15pm StringOFperils: This is where Harry Callaghan runs down the psycho who's made off with a school bus full of kids and demonstrates that he is definitely not lucky.
	♥ 2:18pm StringOFperils: I'll have to go back to the archive for this show, to listen to it from the top. I've always liked Lalo Schifrin's music. TV. Same as everyone.
	♥ 2:21pm TDK60: Never knew about this Dissection album. Great title, heh..
	2:29pm Dean: From the Jan. 22, 1967, review of the Dissection record by Louise D. Stone in WaPo: Schifrin "proves one thing with this record. Music doesn't have to be psychedelic, 'by chance' or '12-tone' to be interesting or exciting!"
	♥ 2:35pm Wolfgang: Good one, Dean!!
	♥ 2:38pm hyde: i'm down an internet rabbit hole reading about the harpists on some of these records. Ann Mason Stockton played on 800 soundtracks and is on Beach Boys records, but Catherine Gotthoffer is on over 2000 recordings including the Singin' in the Rain soundtrack and records by Julie London and Glen Campbell
	♥ 2:42pm hyde: wait, no it was Dorothy Remsen who played with the Beach Boys. I deeply regret the harpist misinformation i have conveyed
	♥ 2:44pm Wolfgang: Hyde, I wanna follow you down that bunny-hole! Sounds alluring!!
	2:45pm Dean: Dissection was nominated for a Grammy in '67 for Best Original Jazz Composition. Assuming it didn't win...
	♥ 2:48pm Stanley: I think I'll take up smoking the pipe and call myself Donald Twain
	♥ 2:49pm StringOFperils: If...you take the D. Twain...you won't end up....in Harlem...
	2:50pm Dean: That same year Brookmeyer's ABC Blues was nominated in the same category.
	♥ 2:50pm TDK60: It's been a fun birthday party to stumble into, had no idea. Happy 88th Lalo.
	2:51pm Dean: As I figured, Ellington won in '67, but Schifrin won in the same category in '65 and '66!
	🥁 ♥ 2:53pm doctorjazz: Always liked Brookmeyer a lot.
	🥁 ♥ 2:54pm WR: StringOFperils @2:49. Noted.
	🥁 ♥ 2:54pm Sem: As long as you keep the same avatar, Stanley, go for it.
	♥ 2:55pm Wolfgang: Thanks everybody in the Club esta noche. It was really fun to research and prepare this baby. What a truly extraordinary writing talent, and fascinating life-story. Thanks,
	♥ 2:56pm Wolfgang: DrJ: Brookmeyer a double threat - piano player who sometimes played prepared
	♥ 2:57pm Wolfgang: This one scrambles my tiny brain
	🥁 ♥ 2:57pm Sem: Thanks, Wolfgang. Enjoyed the afternoon thoroughly, see you next time.
	🥁 ♥ 2:57pm doctorjazz: Saw the Gillespie Orch once (closed a jazz Festival), was great! Thanks, Stork! Until next time!
	🥁 ♥ 2:58pm WR: Thank you Stork. Excellent program!
	♥ 2:58pm hyde: yay!
	♥ 2:58pm hyde: thanks a lot. this was great.
	3:00pm Dean: Speaking of rocking harpsichords, 1967 was the year of the debut release of Mariano & the Unbelievables.
	♥ 3:00pm StringOFperils: NIce job Stork ! Thank you.
	♥ 3:02pm coelacanth∅: Thanks Stork!
	♥ 3:03pm coelacanth∅: hapbday Llo
	♥ 3:04pm Wolfgang: Thanks to UUUUU, StringO!! coel, hyde, WR, DrJ, Sem Granny, Dean, and I in't done, but i gotta fly - next week - same same!!

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Artist	Track	Album	Comments	Approx. start time
Mission Impossible - opening (1967)	This Tape Will Self-Destruct in Five Seconds			0:00:00 (Pop-up)
The DJ You Have	"The DJ You Have"			0:02:01 (Pop-up)
Lalo Schifrin	Peanut Vendor "Peanut Vendor" by "Lalo Schifrin"	Jazz Meets The Symphony 6 - Kaleidoscope	Bass – Christian McBride Drums – Gordon Rytmeister Executive-Producer – Donna Schifrin Orchestra – The Sydney Symphony Orchestra Piano, Conductor, Producer – Lalo Schifrin Trombone – James Morrison Recorded live at the Sydney Opera House, Concert Hall, in Sydney, Australia, February 17, 18 and 19, 2005.	0:03:41 (Pop-up)
Lalo Schifrin	The Wig "The Wig" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	0:12:55 (Pop-up)
Lalo Schifrin	Poema Do Adeus "Poema Do Adeus" by "Lalo Schifrin"	Bossa Nova New Brazilian Jazz	Lalo Schifrin - piano, arranger • Leo Wright - flute • Christopher White - bass • Rudy Collins - drums • Jose Paulo, Carmen Costa - Latin percussion Recorded in New York City in June 1962	0:15:34 (Pop-up)
Lalo Schifrin	Theme from Mannix "Theme from Mannix" by "Lalo Schifrin"	Maxxix TV Sdtrk.	1968	0:18:45 (Pop-up)
Lalo Schifrin	Calliope of Death (theme)	Rollercoaster sdtrk.	1977 A Jennings Lang Production - starring George Segal, Richard Widmark, Timmothy Bottoms, Harry Guardino, Susan Strasberg and Henry Fonda in "Rollercoaster". Screenplay by Richard Levinson & William Link. Story by Sanford Sheldon and Richard Levinson & William Link. Music by Lalo Schifrin. Directed by James Goldstone, Produced by Jennings Lang. A Universal Picture. Technicolor. Panavision.	0:23:04 (Pop-up)
Lalo Schifrin	Jaws "Jaws" by "Lalo Schifrin"	Black Widow	• Lalo Schifrin - piano, keyboards, arranger, conductor • Jon Faddis - trumpet • Wayne Andre, Billy Campbell, Barry Rogers - trombone • Dave Taylor - bass trombone • Pepper Adams - baritone saxophone • Joe Farrell - alto saxophone, flute • Jerry Dodgion, Hubert Laws, George Marge - flute • Clark Spangler - keyboards • Eric Gale, Jerry Friedman, John Tropea - guitar • Anthony Jackson - bass • Andy Newmark - drums • Don Alias, Carter Collins, Sue Evans, Carlos Martin - percussion • Patti Austin - vocals • Max Ellen, Paul Gershman, Emanuel Green, Harold Kohon, Charles Libove, Harry Lookofsky, David Nadien, Matthew Raimondi - violin Recorded at Mediasound Studios in New York City on March 29 & 30, 1976	0:25:04 (Pop-up)
DJ Shutmeup	"DJ Shutmeup"			0:32:12 (Pop-up)
Lalo Schifrin	Machinations "Machinations" by "Lalo Schifrin"	There's A Whole Lalo Schifrin Goin' On	Lalo Schifrin - piano, synthesizer, arranger, conductor • Tony Terran, John Audino - trumpet • Lloyd Ulyate, Barrett O'Hara - trombone • John Johnson - tuba • Vincent DeRosa - horn • Bud Shank, Ronnie Lang, Sam Most - reeds • Arnold Kobentz - oboe, English horn • Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards • Paul Beaver - keyboards, synthesizer, stereo harp • Carl Fortina - accordion • Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar • James Bond, Ray Brown - bass • Carol Kaye, Max Bennett - electric bass • Shelly Manne - drums, percussion • Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion • Milt Holland - tabla • Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin • Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola • Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello • Catherine Gotthoffer - harp	0:41:53 (Pop-up)
Lalo Schifrin	Finding McB (from The Beguiled - Previously Unreleased)	Lalo Schifrin: My Life in Moveis	The Beguiled is a 1971 American Southern Gothic film directed by Don Siegel, starring Clint Eastwood and Geraldine Page. The script was written by Albert Maltz and is based on the 1966 novel written by Thomas P. Cullinan, originally titled A Painted Devil. The film marks the third of five collaborations between Siegel and Eastwood, following Coogan's Bluff (1968) and Two Mules for Sister Sara (1970), and continuing with Dirty Harry (1971) and Escape from Alcatraz (1979).[2]	0:44:32 (Pop-up)
Lalo Schifrin	Tar Sequence "Tar Sequence" by "Lalo Schifrin"	Cool Hand Luke - OST	1967	0:47:15 (Pop-up)
Paul Newman	Plastic Jesus "Plastic Jesus" by "Paul Newman"	Oringal film soundtrack		0:50:04 (Pop-up)
Lalo Schifrin	Joe Kidd - Main Title	Lalo Schifrin: My Life in Film	Joe Kidd is a 1972 American Technicolor Western film in Panavision starring Clint Eastwood and Robert Duvall, written by Elmore Leonard and directed by John Sturges. The film is about an ex-bounty hunter hired by a wealthy landowner named Frank Harlan to track down Mexican revolutionary leader Luis Chama, who is fighting for land reform. It forms part of the Revisionist Western genre. • Clint Eastwood as Joe Kidd • Robert Duvall as Frank Harlan • John Saxon as Luis Chama • Don Stroud as Lamarr Simms • Stella Garcia as Helen Sanchez • James Wainwright as Olin Mingo • Paul Koslo as Roy Gannon • Gregory Walcott as Sinola County Sheriff Bob Mitchell • Dick Van Patten as Hotel manager • Lynne Marta as Elma • John Carter as Judge • Pepe Hern as Priest • Joaquín Martínez as Manolo • Ron Soble as Ramon • Pepe Callahan as Naco • Clint Ritchie as Deputy Calvin	0:52:13 (Pop-up)
Lalo Schifrin	Les Felins - Main Title	My Life in Movies	1964	0:55:23 (Pop-up)
Lalo Schifrin	The Fox - Main Title	The Fox sdtrk	The Fox is a 1967 Canadian drama film directed by Mark Rydell. The screenplay by Lewis John Carlino and Howard Koch is loosely based on the 1923 novella of the same title by D. H. Lawrence. The film marked Rydell's feature film directorial debut. • Sandy Dennis as Jill Banford • Anne Heywood as Ellen March • Keir Dullea as Paul Grenfel 1967	0:58:43 (Pop-up)
Lalo Schifrin	Marquis de Sade "Marquis de Sade" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	• Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	1:03:47 (Pop-up)
Lalo Schifrin	The Marquis is Back	Return of The Marquis De Sade	Bass – Brian Bromberg (tracks: 1 to 6), Ray Brown (tracks: 7 to 9) Cello – David Shamban (tracks: 1 to 6) Composed By, Piano, Harpsichord, Conductor – Lalo Schifrin Drums – Jeff Hamilton (tracks: 1 to 6) Drums, Percussion – Grady Tate (tracks: 7 to 9) Guitar – Dennis Budimir (tracks: 1 to 6) Harp – Marcia Dickstein (tracks: 1 to 6) Liner Notes – Nick Redman Orchestra – The London Philharmonic Orchestra (tracks: 7 to 9) Saxophone, Flute – Tom Scott (tracks: 1 to 6) Trumpet – James Morrison (tracks: 9) Viola – Harry Shirinian (tracks: 1 to 6) Violin – Charlie Bisharat (tracks: 1 to 6), Murray Adler (tracks: 1 to 6) Vocals – Edie Lehmann (tracks: 1 to 6) Recorded at Capitol Records, August, 2001	1:06:33 (Pop-up)
DJ Luke Fishy	"DJ Luke Fishy"			1:12:28 (Pop-up)
Dizzy Gillespie And His Orchestra	01 Prelude	Gillespiana	Bass – Art Davis; Bass Trombone – Paul Faulise; Bongos – Jack Del Rio; Composed By –Lalo Schifrin; Congas – Candido Camero; Drums – Chuck Lampkin; Flute, Alto Saxophone – Leo Wright; French Horn – Al Richman; Gunther Schuller, James Buffington John Julius Watkins (tracks: 1 to 5), Morris Scott (tracks: 4, 5),William Lister (tracks: 4, 5) Piano, Arranged By – Lalo Schifrin Producer [Original Recordings] – Norman Granz Timbales – Willie Rodriguez Trombone – Britt Woodman, Frank Rehak (tracks: 1 to 5), , Urbie Green Trumpet – Carl Warwick Clark Terry, Dizzy Gillespie, Ernie Royal Tuba – Don Butterfield Gillespiana is an album by trumpter Dizzy Gillespie featuring compositions by Lalo Schifrin recorded in 1960 and released on the Verve label.[2] The album features Schifrin's suite written to feature Gillespie and his orchestra. Recorded November 14 and 15, 1960 in New York	1:28:04 (Pop-up)
Dizzy Gillespie And His Orchestra	02 Blues	Gillespiana		1:34:04 (Pop-up)
Dizzy Gillespie And His Orchestra	03 Panamericana	Gillespiana		1:45:16 (Pop-up)
Dizzy Gillespie And His Orchestra	04 Africana	Gillespiana		1:49:52 (Pop-up)
Dizzy Gillespie And His Orchestra	05 Toccata	Gillespiana		1:57:26 (Pop-up)
DJ Busschienenersatz	"DJ Busschienenersatz"			2:09:25 (Pop-up)
Lalo Schifrin	The School Bus (Alternate)	Dirty Harry OST	1971	2:13:19 (Pop-up)
Lalo Schifrin	Enter the Dragon - Main Title 7"	Warner Bros. Records ‎– WB 7735	1973	2:15:16 (Pop-up)
Lalo Schifrin	Bullitt (Main Title)	Bullitt OST	◦ Lalo Schifrin – arranger, conductor ◦ John Audino, Bud Brisbois, Tony Terran – trumpet, flugelhorn ◦ Milt Bernhart, Dick Noel, Lloyd Ulyate, Lew McCreary – trombone ◦ Bud Shank, Ronnie Lang, Gene Cipriano, Bill Perkins, Jack Nimitz – reeds ◦ Mike Melvoin – piano, organ ◦ Mike Deasy, Howard Roberts, Bob Bain – guitar ◦ Ray Brown – bass ◦ Carol Kaye, Max Bennett – electric bass ◦ Stan Levey – drums ◦ Larry Bunker – percussion ◦ Unknown strings Recorded in Hollywood, California on December 6 and 7, 1968.	2:17:34 (Pop-up)
Lalo Schifrin	The Blues for Johann Sebastian	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade	• Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals Recorded April 27 and 28, 1966	2:19:36 (Pop-up)
Lalo Schifrin	Renaissance "Renaissance" by "Lalo Schifrin"	The Dissection and Reconstruction of Music from the Past as Performed by the Inmates of Lalo Schifrin's Demented Ensemble as a Tribute to the Memory of the Marquis De Sade		2:23:07 (Pop-up)
Lalo Schifrin	How To Open At Will The Most Beautiful Window	There's A Whole Lalo Schifrin Goin' On	Lalo Schifrin - piano, synthesizer, arranger, conductor • Tony Terran, John Audino - trumpet • Lloyd Ulyate, Barrett O'Hara - trombone • John Johnson - tuba • Vincent DeRosa - horn • Bud Shank, Ronnie Lang, Sam Most - reeds • Arnold Kobentz - oboe, English horn • Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards • Paul Beaver - keyboards, synthesizer, stereo harp • Carl Fortina - accordion • Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar • James Bond, Ray Brown - bass • Carol Kaye, Max Bennett - electric bass • Shelly Manne - drums, percussion • Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion • Milt Holland - tabla • Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin • Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola • Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello • Catherine Gotthoffer - harp	2:26:33 (Pop-up)
Johnny Hodges	Dreary Days "Dreary Days" by "Johnny Hodges"	Buenos Aires Blues	Johnny Hodges (as), Lalo Schifrin (p), and written by, Barry Galbraith (g), George Duvivier (b) Dave Bailey (d) Recorded in New York, on May 26, 1963	2:29:29 (Pop-up)
Paul Horn	Agnus Dei (from Jazz Mass)	Jazz Suite On The Mass Texts	Bass – Bill Plummer Choir – Betty Allen, Evangeline Carmichael, Loulie Jean Norman, Marie Vernon, Marilyn Powell, Sara Jane Tallman, Vern Rowe, William Cole* Composed By, Arranged By, Conductor – Lalo Schifrin Drums – Larry Bunker Flute, Clarinet, Alto Saxophone – Paul Horn French Horn – Vincent DeRosa Harp – Ann Mason Stockton*, Dorothy Remsen Percussion – Emil Richards, Frank Flynn, Ken Watson, Milt Holland Producer – Al Schmitt Trombone – Frank Rosolino Trumpet – Al Porcino, Conte Candoli Tuba – Red Callender Vibraphone – Lynn Blessing 1965	2:32:38 (Pop-up)
DJ de Jour	"DJ de Jour"			2:37:45 (Pop-up)
Lalo Schifrin	Slaughter on Tenth Avenue	Jazz Meets The Symphony 6 - Kaleidoscope	Bass – Christian McBride Drums – Gordon Rytmeister Engineer – Richard Lush Executive-Producer – Donna Schifrin Liner Notes – Richard Palmer (5) Orchestra – The Sydney Symphony Orchestra Photography – John Marmaras Piano, Conductor, Producer – Lalo Schifrin Trumpet, Trombone – James Morrison Recorded live at the Sydney Opera House, Concert Hall, in Sydney, Australia, February 17, 18 and 19, 2005	2:42:04 (Pop-up)
Lalo Schifrin	Cabello Rojo "Cabello Rojo" by "Lalo Schifrin"	Two Argentinians in Paris	Bass – Pierre Michelot Drums – Jean-Louis Viale Percussion – Jack Del Rio Piano – Lalo Schifrin All tracks recorded in Paris, 1955	2:46:01 (Pop-up)
Lalo Schifrin / Bob Brookmeyer	Just One of Those Things	Samba Para Dos	Lalo Schifrin - piano, arranger • Bob Brookmeyer - valve trombone • Frank Rehak - trombone • Leo Wright - alto saxophone, flute • Phil Woods, Jerome Richardson - alto saxophone • Zoot Sims, Al Cohn - tenor saxophone • Romeo Penque - bass clarinet • Danny Bank - baritone saxophone • Jimmy Raney - guitar • Ben Tucker - bass • Dave Bailey - drums • Jose Paulo - percussion • Carmelita Koehler - cello Recorded Feb. 7, 1963, in New York City.	2:48:55 (Pop-up)
Dizzy Gillespie Big Band	Ool Ya Koo [Live]	Carnegie Hall Concert	Vocals – Dizzy Gillespie Joe Carroll Composed By – Chano Pozo Walter Gil Fuller, John Birks Gillespie Congas – Candido Camero* (tracks: 1 to 5) Drums – Chuck Lampkin Flute, Alto Saxophone – Leo Wright French Horn – Gunther Schuller, James Buffington* John Barrows , Richard Berg Liner Notes – John McDonough (3) Mastered By – Suha Gur Percussion – Jose Mangual Julio Collazo Ray Barretto Piano, Arranged By – Lalo Schifrin Trombone – Arnet Sparrow* (tracks: 6 to 10), Britt Woodman, Frank Rehak (tracks: 1 to 5), George Matthews (2) (tracks: 6 to 10), Paul Faulise (tracks: 6 to 10), Urbie Green (tracks: 1 to 5) Trumpet – Carl Warwick Clark Terry, , John Frosk, Nick Travis Tuba – Don Butterfield Vocals – Dizzy Gillespie Joe Carroll	2:52:20 (Pop-up)
Lalo Schifrin	Mission: Impossible theme	Mission: Anthology	1967	2:57:44 (Pop-up)
Auf wiederhören !!!	"Auf wiederhören !!!"		Thank you, Stork Club fam-fam!! Go well!!!	3:00:14 (Pop-up)

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Listener comments!
	♥ 11:59am Wolfgang: Hello, Dear Clubbies! And thank you Jeff for the music and the words.
	♥ 11:59am hyde: ooh, this looks promising!
	♥ 12:02pm Granny Spicy Tuna (e/em): Hey, Stork! Hey folx! Which way to the buffet?
	🥁 ♥ 12:02pm Jeff Golick: Thanks, @Stork! Sorry if I went over!
	♥ 12:04pm TDK60: Hi Wolfgang. Yeah, let me follow Granny to the cut carrots, celery and dip.
	♥ 12:04pm coelacanth∅: you know, that mission sounds pretty much impossible
	🥁 ♥ 12:04pm WR: Hi fellow idiots
	♥ 12:05pm hyde: I bought the first three seasons of Mission Impossible on DVD awhile back. That theme song just never gets old, no matter how much I watch
	🥁 ♥ 12:08pm doctorjazz: Hi Stork and clubbers!
	♥ 12:09pm Wolfgang: Is it the best show ever, Hyde?! The intro features IBM punch-cards!! HELLO ALL, BTW!!! LOTSA GREAT SOUNDS A-COMIN, METHINKS!!
	♥ 12:12pm Wolfgang: Let me roll your honor: drJ! hyde!! WR! coel! TDK60 (always beter sound quality than those stinky 90's!!), JeffG, GrannyGrannyGranny!! Let's get this bartender started!!
	♥ 12:12pm coelacanth∅: hyde that must be among the very best tv theme musics
	12:14pm fleep: Greetings from June gloomy L.A.
	12:15pm fleep: Salutations to all males with offspring.
	♥ 12:15pm Wolfgang: fleep!
	♥ 12:15pm Doug Schulkind: Too bad Lol Coxhill never did an album of Lalo covers.
	♥ 12:16pm hyde: MI is maybe not the best show ever, but it's pretty entertaining. also Martin Landau is a genius actor.
	12:16pm Dean: LOL
	♥ 12:16pm hyde: @coel i think it is the best tv theme ever
	♥ 12:17pm Listener Gregory: I remember hearing that the first MI movie was held up for a long time, as the producers didn't want to pay much for use of the TV theme. They finally decided that the movie could not go forward without that theme. Correct!
	12:19pm wendy del formaggio: Hey Stork! I’m loving this Lalo stuff.
	♥ 12:20pm Your Ace From Exchange Place: Hey Stork! Hey Wendy! Hey Everybody!
	♥ 12:20pm Doug Schulkind: Mannix! The best! (Actually, my favorite TV show theme is the theme to the Barney Miller show.)
	12:22pm βrian: Where's Gail Fisher?
	♥ 12:22pm Wolfgang: Barney Miller forever and always!!
	12:23pm wendy del formaggio: @Doug: I agree. The Barney Miller theme is fabulous and totally of its era. As is the theme from “Taxi.”
	12:25pm wendy del formaggio: “Calliope” and “death” aren’t words I’d ever think of combining.
	12:26pm marcury: Hey Stork! Long time!!!
	12:26pm Dean: I think my parents met Harry Guardino at Dino's on Sunset Blvd. Or am I confused by the faint eponym?
	12:27pm Dean: Andy Newmark was working with Roxy Music around the time he recorded this.
	♥ 12:28pm Doug Schulkind: My high school jazz band made a real showpiece out of the Barney Miller theme. I had a drum solo. All very exciting.
	♥ 12:29pm Wolfgang: marcury!! hail to thee!!
	♥ 12:30pm Wolfgang: Dougie, let me die and be reborn to go witness that. Then I can die again.
	12:30pm Dean: Correction: He was working with Rod Stewart, Bob James, George Benson, Hank Crawford, and a bunch of other folks. Landed with Roxy Music by 1980.
	♥ 12:31pm Wolfgang: Good stuff, Dean, thanks!
	♥ 12:31pm Granny Spicy Tuna (e/em): Someone call me?
	12:34pm Dean: Flute solo was Hubert Laws, per Discogs.
	♥ 12:36pm Granny Spicy Tuna (e/em): I have a fairy goddessdaughter named Calliope. She can shriek on key. When she was a 'tween taking piano lessons, i introduced her to the music of Diamanda Galas. Her mother may forgive me someday…
	12:37pm Dean: When my daughter was a toddler, I routinely referred to her as "my little Diamanda Galas."
	12:42pm Dean: The cover of the second CTI album in that Schifrin two-fer, Towering Toccata looks suspiciously like another CTI album cover, Allan Holdsworth's Velvet Darkness: https://www.discogs.com/Allan-Holdsworth-Velvet-Darkness-/master/18396 Records appeared one year apart.
	♥ 12:43pm Wolfgang: John Newcombe’s doc - first half: www.youtube.com...
	🥁 ♥ 12:45pm doctorjazz: Almost time to eat....(on 16 hour intermittent fasting program...), ready!
	♥ 12:49pm Doug Schulkind: ABC News used this for years during broadcasts.
	♥ 12:51pm Wolfgang: Eyewitness News, in fact!!
	♥ 12:51pm Doug Schulkind: Definitely used by the local affiliates. Not sure if the network broadcast used it. What an all-time great soundtrack.
	12:56pm Dean: Two of the musicians on the "Machinations" track, Paul Shure and Eleanor Slatkin, were half of the acclaimed Hollywood String Quartet.
	12:56pm Leonardo: Whole lot of high end radio broadcasting going on here.
	12:58pm Dean: Eleanor and hubby Felix Slatkin, who was first violin for HSQ, were conductor Leonard's parents.
	♥ 1:03pm Wolfgang: Leonardo and Dean - get you a drink? Need somebody whacked? (I'm whacked, but that's not exactly what I mean)
	♥ 1:05pm coelacanth∅: (i'm having tea. i'll catch up)
	♥ 1:07pm Granny Spicy Tuna (e/em): enjoying this music while sipping a lovely rose oolong and puerh blend
	♥ 1:11pm Wolfgang: Has ever a harpsichord been so rocked?
	♥ 1:13pm Doug Schulkind: I played an Albert Ayler track on Friday with harpsichord. But it did not rock such as that.
	1:13pm Dean: In fact, yes, the harpsichord is rocked more frequently than you'd imagine. See, e.g., the recordings on Finlandia by Jukka Tiensuu. Then there's the 34CD Scott Ross traversal of Scarlatti's sonatas, some of which most definitely rock.
	1:16pm Dean: Did Schifrin score this music for Peter Weiss's play, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade?
	♥ 1:17pm TDK60: Dean, You won't believe it. I saw Marat Sade when a young teen. I was pleasantly shocked.
	1:18pm Dean: The stage play or the movie? Wish I'd seen the play. Best I could do was read the script.
	♥ 1:20pm TDK60: The play here in NYC. 1965, I think?
	1:23pm Dean: Wow. Dang. Musta been formative. Here's György Ligeti's "Hungarian Rock," not performed by Tiensuu, but you get the picture: https://www.youtube.com/watch?v=QUhj6tPdoI4
	♥ 1:25pm TDK60: Just another one of those '60s experiences that ruined me, y'know?
	1:26pm Dean: Headline in the NYT Dec. 29, 1965, of the review by Walter Kerr: 'Marat Sade' Lacks Moral Perspective.
	🥁 ♥ 1:28pm Sem: Good afternoon, Storkmeister, Storkmeister folk, and normal folk. Lalo afternoon, multiple thumbs up, thank you.
	♥ 1:29pm Wolfgang: Just in case anyone missed the link - and if you know where to get the 2nd of of this, please post!! John Newcombe’s doc - first half: www.youtube.com...
	🥁 ♥ 1:33pm doctorjazz: Love this! (Pretty much any Diz, of course).
	♥ 1:33pm Wolfgang: Sem - welcome, already!!
	♥ 1:34pm Wolfgang: drj is gonna be happy for the next half-hour or so.
	♥ 1:35pm hyde: loving this show!
	1:36pm Martinibomb: Heya Stork!
	1:39pm Jeff g. via app: And here I’ve been trying to reduce my moral perspective for years.
	♥ 1:39pm Wolfgang: Lovin yer lovin, Hyde!
	♥ 1:41pm Wolfgang: Boom! It's the M-Bomb! Hey, sit where one genreally sits who carries explosives - wherever the f-ya want!
	1:46pm Martinibomb: Hola Wolfey!
	1:46pm Martinibomb: Clear the room there's a bomb!
	1:57pm Dean: Who said this, not of Marat/Sade, but of a contemporaneous British "drama of cruelty"? (Hint: Hitchens wrote about it many years later.) "The theater is concerned, whether in the deepest tragedy or the lightest comedy...with the study, understanding and recognition of that most dreaded and dangerous eccentricity in the human design, the tripartite conspiracy between the sexual, the excretory and the cruel."
	1:59pm Dean: It was an apologia for a scandalous play, Edward Bond's Saved.
	♥ 2:01pm StringOFperils: Hello Stork and storklings. Back from all the whatever...
	♥ 2:03pm Wolfgang: Willkommen zurück, StingO!!
	♥ 2:05pm Wolfgang: Dizzy is melting the walls
	♥ 2:06pm StringOFperils: Heh. Funny that someone would point out that a play within a play, directed by the Marquis de Sade lacked moral perspective. What was expected, that everything be the opposite of what it is....actually I guess that's the answer.
	2:06pm Dean: Sir Laurence Olivier.
	♥ 2:06pm StringOFperils: We want a revolution NOW.
	2:07pm Dean: The review itself was intelligent, not objectionable. The headline, though, sheesh.
	🥁 ♥ 2:12pm doctorjazz: Dizzy would ALWAYS melt the walls!
	🥁 ♥ 2:13pm WR: Wow. That was killer!
	🥁 ♥ 2:14pm Sem: ^. Agreed.
	♥ 2:15pm StringOFperils: This is where Harry Callaghan runs down the psycho who's made off with a school bus full of kids and demonstrates that he is definitely not lucky.
	♥ 2:18pm StringOFperils: I'll have to go back to the archive for this show, to listen to it from the top. I've always liked Lalo Schifrin's music. TV. Same as everyone.
	♥ 2:21pm TDK60: Never knew about this Dissection album. Great title, heh..
	2:29pm Dean: From the Jan. 22, 1967, review of the Dissection record by Louise D. Stone in WaPo: Schifrin "proves one thing with this record. Music doesn't have to be psychedelic, 'by chance' or '12-tone' to be interesting or exciting!"
	♥ 2:35pm Wolfgang: Good one, Dean!!
	♥ 2:38pm hyde: i'm down an internet rabbit hole reading about the harpists on some of these records. Ann Mason Stockton played on 800 soundtracks and is on Beach Boys records, but Catherine Gotthoffer is on over 2000 recordings including the Singin' in the Rain soundtrack and records by Julie London and Glen Campbell
	♥ 2:42pm hyde: wait, no it was Dorothy Remsen who played with the Beach Boys. I deeply regret the harpist misinformation i have conveyed
	♥ 2:44pm Wolfgang: Hyde, I wanna follow you down that bunny-hole! Sounds alluring!!
	2:45pm Dean: Dissection was nominated for a Grammy in '67 for Best Original Jazz Composition. Assuming it didn't win...
	♥ 2:48pm Stanley: I think I'll take up smoking the pipe and call myself Donald Twain
	♥ 2:49pm StringOFperils: If...you take the D. Twain...you won't end up....in Harlem...
	2:50pm Dean: That same year Brookmeyer's ABC Blues was nominated in the same category.
	♥ 2:50pm TDK60: It's been a fun birthday party to stumble into, had no idea. Happy 88th Lalo.
	2:51pm Dean: As I figured, Ellington won in '67, but Schifrin won in the same category in '65 and '66!
	🥁 ♥ 2:53pm doctorjazz: Always liked Brookmeyer a lot.
	🥁 ♥ 2:54pm WR: StringOFperils @2:49. Noted.
	🥁 ♥ 2:54pm Sem: As long as you keep the same avatar, Stanley, go for it.
	♥ 2:55pm Wolfgang: Thanks everybody in the Club esta noche. It was really fun to research and prepare this baby. What a truly extraordinary writing talent, and fascinating life-story. Thanks,
	♥ 2:56pm Wolfgang: DrJ: Brookmeyer a double threat - piano player who sometimes played prepared
	♥ 2:57pm Wolfgang: This one scrambles my tiny brain
	🥁 ♥ 2:57pm Sem: Thanks, Wolfgang. Enjoyed the afternoon thoroughly, see you next time.
	🥁 ♥ 2:57pm doctorjazz: Saw the Gillespie Orch once (closed a jazz Festival), was great! Thanks, Stork! Until next time!
	🥁 ♥ 2:58pm WR: Thank you Stork. Excellent program!
	♥ 2:58pm hyde: yay!
	♥ 2:58pm hyde: thanks a lot. this was great.
	3:00pm Dean: Speaking of rocking harpsichords, 1967 was the year of the debut release of Mariano & the Unbelievables.
	♥ 3:00pm StringOFperils: NIce job Stork ! Thank you.
	♥ 3:02pm coelacanth∅: Thanks Stork!
	♥ 3:03pm coelacanth∅: hapbday Llo
	♥ 3:04pm Wolfgang: Thanks to UUUUU, StringO!! coel, hyde, WR, DrJ, Sem Granny, Dean, and I in't done, but i gotta fly - next week - same same!!

The Stork Club with Stork: Playlist from June 21, 2020

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