The Stork Club with Stork:
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from January 17, 2021
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
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On
WFMU's
Give the Drummer Radio
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January 17, 2021: Sunlit Peaks and Dark Valleys: Happy Birthday, Donald Erb
“It’s not a profession that’s on an even-keel. There are days when life rains on your parade. You really are making a living by scratching your own nerve-ends, and by challenging other people to think. " Composer Donald Erb at home in Cleveland Heights, with friend.
Listen to this show:
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| Artist | Track | Album | Comments | Approx. start time |
|---|---|---|---|---|
| Donald Erb |
Reconnaissance: movement 1
|
Music for Instruments & Electronic Sounds | —Conductor – Donald Erb —Double Bass – Rand Forbes —Engineer [Recording] – John Haeny —Percussion – Kenneth Watson —Piano – Ralph Grierson —Producer – Bernard L. Krause* —Synthesizer [Moog Polyphonic Instrument] – Leonard Stein —Synthesizer [Moog] – Michael Tilson Thomas —Technician [Technical Assistant] – Paul Beaver —Violin – Bonnie Douglas. — Side one recorded at Elektra Sound Recorders, Los Angeles. - 1969 | 0:00:00 (Pop-up) |
| DJ Guten Tag | 0:03:00 (Pop-up) | |||
| Donald Erb |
Drawing Down the Moon
|
Drawing Down the Moon | Percussion – Kirk Brundage ///Piccolo Flute – Jan Gippo. --- 1991 | 0:09:00 (Pop-up) |
| Donald Erb |
Sonata for Harpsichord and String Quartet III Allegro
|
Music of Donald Erb_The Devil's Quickstep_etc | Harpsichord - John White ///Koch String Quartet: Joseph Koch - Violin; Samuel Epstein - Violin; William Kirady - Viola; Donald White - Cello. -- written: 1962 | 0:24:08 (Pop-up) |
| Donald Erb |
Concerto for Brass and Orchestra II =48-56
|
Works By Donald Erb_St. Louis Symphony Orchestra - Leonard Slatkin | Orchestra – Saint Louis Symphony ///Conductor, Directed By [Music Director] – Leonard Slatkin./// Cello: Lynne Harrel --- Recorded April 1991, March 1992, and May 1992 at Powell Symphony Hall, St. Louis, Missouri. | 0:27:14 (Pop-up) |
| Donald Erb |
5 Red Hot Duets For 2 Contrabassoons - #3
|
Donald Erb_Chamber Music_The Watchman's Fantasy, etc. | Contrabassoon – Bradford Buckley ///Gregg Henegar --- rec'd 1990 | 0:33:59 (Pop-up) |
| Donald Erb |
Reconnaissance: movement 3
|
Music for Instruments & Electronic Sounds | A Reconnaissance —Conductor – Donald Erb —Double Bass – Rand Forbes —Engineer [Recording] – John Haeny —Percussion – Kenneth Watson —Piano – Ralph Grierson —Producer – Bernard L. Krause* —Synthesizer [Moog Polyphonic Instrument] – Leonard Stein —Synthesizer [Moog] – Michael Tilson Thomas —Technician [Technical Assistant] – Paul Beaver —Violin – Bonnie Douglas. — Side one recorded at Elektra Sound Recorders, Los Angeles | 0:00:00 (Pop-up) |
| DJ Erb'an Renewall* |
*Shamelesslly pilfered from Doug Schulkind
|
0:38:44 (Pop-up) | ||
| Donald Erb |
Remembrances, for 2 Trumpets (1994) IV. Plungermusic
|
Sunlit Peaks and Dark Valleys etc. (Verdehr Trio et al.) | Trumpet – David Spencer , Ryan Anthony --- 1997 | 0:45:10 (Pop-up) |
| Donald Erb |
Sunlit Peaks and Dark Valleys, for Violin, Clarinet & Piano (1995) I. Quarter note = 144
|
Sunlit Peaks and Dark Valleys etc. (Verdehr Trio et al.) | Violin – Walter Verdehr ///Piano – Gary Kirkpatrick ///Clarinet – Elsa Ludewig-Verdehr --- 1997 | 0:47:22 (Pop-up) |
| Donald Erb |
Reconnaissance: movement 5
|
Music for Instruments & Electronic Sounds | A Reconnaissance —Conductor – Donald Erb —Double Bass – Rand Forbes —Engineer [Recording] – John Haeny —Percussion – Kenneth Watson —Piano – Ralph Grierson —Producer – Bernard L. Krause* —Synthesizer [Moog Polyphonic Instrument] – Leonard Stein —Synthesizer [Moog] – Michael Tilson Thomas —Technician [Technical Assistant] – Paul Beaver —Violin – Bonnie Douglas. — Side one recorded at Elektra Sound Recorders, Los Angeles | 0:54:48 (Pop-up) |
| Donald Erb |
...and then toward the end...
|
Drawing Down the Moon | Trombone and tape– Stuart Dempster ---Written: 1971 | 0:57:42 (Pop-up) |
| Donald Erb |
The Last Quintet (1982) Mvmnt. V
|
The Devil's Quickstep | The Voices of Change: Deborah Mashburn, Gayane Manasjan, Harvey Boatright, Jo Boatright, Maria Schleuning, Peter Steffens, Ronald Neal, Ross Powell. -- 1983 | 1:06:06 (Pop-up) |
| Donald Erb |
Sonata for Harp (1995) III. Dirty Rotten Scherzo
|
Sunlit Peaks and Dark Valleys etc. (Verdehr Trio et al.) | Harp – Yolanda Kondonassis ---1997 | 1:08:14 (Pop-up) |
| Donald Erb |
Ritual Observances: Genesis Thunder
|
Works By Donald Erb_St. Louis Symphony Orchestra - Leonard Slatkin | Orchestra – Saint Louis Symphony ///Conductor, Directed By [Music Director] – Leonard Slatkin. --- Recorded April 1991, March 1992, and May 1992 at Powell Symphony Hall, St. Louis, Missouri. | 1:11:40 (Pop-up) |
| DJ Erb A. Licious | 1:16:33 (Pop-up) | |||
| Donald Erb |
Aura II
|
Donald Erb_Chamber Music_The Watchman's Fantasy, etc. | Cello – Lynn Harrell + a small group of people playing in the audience - 1982 | 1:23:56 (Pop-up) |
| Donald Erb |
In No Strange Land: movement 1
|
Music for Instruments & Electronic Sounds | —Double Bass – Bertram Turetzky —Engineer [Recording] – James Campbell (2) —Technician [Technical Assistant] – Reynold Weidenaar, Rudolph Bubalo, William Hemsath —Trombone – Stuart Dempster. —— Side two recorded at University of California at San Diego; electronic sounds realized at the R. A. Moog Company, Trumansburg, New York. | 1:33:34 (Pop-up) |
| Donald Erb |
Concerto for Brass and Orchestra I =72-84
|
Works By Donald Erb_St. Louis Symphony Orchestra - Leonard Slatkin | Orchestra – Saint Louis Symphony ///Conductor, Directed By [Music Director] – Leonard Slatkin./// Cello: Lynne Harrel --- Recorded April 1991, March 1992, and May 1992 at Powell Symphony Hall, St. Louis, Missouri. | 1:38:31 (Pop-up) |
| Donald Erb |
5 Red Hot Duets For 2 Contrabassoons - #1
|
Donald Erb_Chamber Music_The Watchman's Fantasy, etc. | Contrabassoon – Bradford Buckley ///Gregg Henegar --- rec'd 1990 | 1:43:57 (Pop-up) |
| Donald Erb |
The Devil's Quickstep
|
The Devil's Quickstep | The Voices of Change: Deborah Mashburn, Gayane Manasjan, Harvey Boatright, Jo Boatright, Maria Schleuning, Peter Steffens, Ronald Neal, Ross Powell. -- 1983 | 1:45:34 (Pop-up) |
| DJ Blech! | 1:54:05 (Pop-up) | |||
| Theo Bleckmann |
Elegy
|
Elegy | • Theo Bleckmann - voice • Ben Monder - guitar • Shai Maestro - piano • Chris Tordini - double bass • John Hollenbeck - drums -- Recorded January 2016 Avatar Atudios, New York | 1:58:39 (Pop-up) |
| Perry Blake |
Stop Breathing
|
Still Life | ///Backing Vocals – Fiona McGeown ///Bass, Double Bass, Acoustic Guitar – Glenn Garrett ///Drums, Percussion, Timpani – Steve Jansen ///Guitar – Alan MacFeely ///Piano, Organ, Keyboards [Additional] – Jamie Wright ///Strings [Live] – The Wired Quartet ///Viola – Bruce White ///Violin – Everton Nelson, Lucy Wilkins ///Vocals, Backing Vocals, Keyboards – Perry Blake Recorded at The River and Westside Studios, London, The Production Suite, Dublin and Plus XXX Studios, Paris. --- 1999. ///In memory of Dermott Gallagher (1966-1999) | 2:05:22 (Pop-up) |
| The Aluminum Group |
Easy On Your Eyes
|
Pedals | ///Bass, Double Bass – Eddie Carlson ///Drums – John Blaha ///Guitar, Acoustic Guitar, Backing Vocals – John Ridenour ///Piano, Synthesizer [Moog], Harpsichord, Keyboards, Electric Piano – Liz Conant ///Vocals, Backing Vocals, Guitar – John Navin ///Vocals, Backing Vocals, Piano, Keyboards, Organ [Farfisa] – Frank Navin. --- 1999 | 2:10:27 (Pop-up) |
| Brian Ferry |
River of Salt
|
These Foolish Things | ///Drums – Paul Thompson (2) ///Guitar, Bass – John Porter ///Keyboards [Violin], Synthesizer – Eddie Jobson ///Piano – David Skinner (3) ///Vocals - Brian Ferry Written-By – Zachery, Brown*,Zachery. --- 1973 | 2:14:58 (Pop-up) |
| Roberta Flack |
Sunday and Sister Jones
|
Quiet Fire | ///Alto Saxophone, Flute – Joe Farrell ///Arranged By [Horns] – William Eaton ///Bassoon – Wally Kane ///Harmonica – Buddy Lucas ///Soprano Saxophone, Flute – Romeo Penque ///Tenor Saxophone – Seldon Powell. — Written-By – Eugene McDaniels. --- | 2:16:40 (Pop-up) |
| The Dells |
Please Don't Change Me Now
|
There Is | Vocals – Charles Barksdale*, Johnny Carter, Marvin Junior, Michael McGill*, Verne Allison | 2:21:30 (Pop-up) |
| Candi Staton |
That's How Strong My Love Is
|
I'm Just A Prisoner | Written-By – Roosevelt Jamison | 2:25:00 (Pop-up) |
| DJ Ugh. Please! | 2:28:24 (Pop-up) | |||
| Roxy Music |
Grey Lagoons
|
For Your Pleasure | ///Bass, Guest [Guest Artiste] – John Porter ///Drums – Paul Thompson (2) ///Guitar – Phil Manzanera ///Music By, Lyrics By, Voice, Keyboards – Bryan Ferry ///Oboe, Saxophone – Andrew Mackay ///Synthesizer, Tape – Eno ---- 1973 | 2:34:00 (Pop-up) |
| Os Mutantes |
Preciso Urgentemente Encontrar Um Amigo
|
A Divina Comedia Ou Ando Meio Desligado | • Arnaldo Baptista: vocals, keyboards and bass • Rita Lee: vocals percussion, theremin, autoharp, recorder • Sérgio Dias: vocals • Rogério Duprat: orchestral arrangements • Liminha: bass --- 1970 | 2:38:09 (Pop-up) |
| Agitation Free |
In The Silence Of The Morning Sunrise
|
2nd | ///Bass – Michael Günther ///Drums, Percussion [Assorted], Voice, Mellotron – Burghard Rausch ///Guitar – Stefan Diez ///Guitar, Twelve-String Guitar, Bouzouki – Lutz Ulbrich ///Synthesizer, Keyboards – Michael Hoenig Recorded and mixed Studio 70, Munich, July 1973 | 2:41:56 (Pop-up) |
| Fifty Foot Hose |
If Not This Time
|
Cauldron... plus rare and unissued tracks | ///Bass – Terry Hansley ///Drums, Percussion – Kim Kimsey ///Electronics – Cork Marcheschi ///Guitar, Piano, Kalimba – David Blossom ///Vocals – Nancy Blossom ///Vocals, Guitar – Larry Evans ///Written-By – C. Marcheschi, D. Blossom | 2:48:23 (Pop-up) |
| Achim Reichel & Machines |
Vita a) cave explorers + birdmen
|
A.R. IV | ///Achim Reichel: Guitar ///Helmuth Franke: Guitar ///Frank Wulf: Sitar ///Hans Hartmann: Double Bass (still active with live concerts every week in Berlin) ///Claus-Robert Kruse: Electric Piano ///Jochen Petersen: Soprano Saxophone, Flute ///Hans Boche: Drums ///Matti Klatt: Percussion ///Olaf Casalich: Percussion ///Conny Plank: Engineer. --- 1973 | 2:51:59 (Pop-up) |
| Günter Schickert |
Leihst Du Mir Dein Ohr
|
Kinder In Der Wildnis | Guitar, Vocals, Tape, Composed By, Arranged By, Producer, Recorded By, Performer – Günter Schickert --- Recorded 1983. | 2:57:14 (Pop-up) |
| Funkadelic |
I Wanna Know If It's Good To You
|
Free Your Mind And Your Ass Will Follow | • George Clinton • Ray Davis – vocals • Calvin Simon – vocals • Grady Thomas – vocals • Eddie Hazel – guitar, • Bernie Worrell – Hammond organ, Vox organ, piano • Billy Nelson – bass guitar • Tiki Fulwood – drums. -- Originally released in 1970 | 3:02:33 (Pop-up) |
| The Grodeck Whipperjenny |
Wonder If
|
The Grodeck Whipperjenny | ///Bass – Michael Moore ///Drums – Jimmy Madison ///Guitar, Vocals – Kenny Poole ///Piano, Organ, Trombone – Dave Matthews (3) ///Vocals – Mary Ellen Bell Recorded at King studios —Cincinnati, OH, 1970 | 3:08:29 (Pop-up) |
| DJ Regrets Leaving | 3:11:22 (Pop-up) |
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Listener comments!
Stork:
Dean:
Fuzzy:
coelacanth∅:
spodiodi:
cheers, Patrons!
Irene Trudel:
coelacanth∅:
Stork:
StringOFperils:
doctorjazz:
Irene Trudel:
Dean:
Stork:
coelacanth∅:
(tee hee)
chresti:
chresti:
coelacanth∅:
fred:
What's this? To quote Juliana Hatfield (weird reference, I know), "took a hit and now I'm choking"
Dean:
TDK60:
fred:
spodiodi:
Linda Lee:
alanr:
spodiodi:
Stork:
Stork:
coelacanth∅:
hyde:
TDK60:
doctorjazz:
chresti:
doctorjazz:
TDK60:
Linda Lee:
hi TDK60! good to see you!
chresti:
coelacanth∅:
- are we going to hear some didgeridoo?
Stork:
Irene Trudel:
fred:
Dean:
Jeff Golick:
Stork:
chresti:
adamdoesit:
Stork:
Linda Lee:
Uncle Michael:
chresti:
coelacanth∅:
(if you said that i didn't catch it)
rest in peace.
WR:
Stork:
Irene Trudel:
Stork:
adamdoesit:
Uncle Michael:
Dean:
chresti:
coelacanth∅:
Doug Schulkind:
Dean:
Uncle Michael:
Dean:
Stork:
TDK60:
Irene Trudel:
coelacanth∅:
chresti:
Dean:
Dean:
Dean:
coelacanth∅:
Dean:
Dean:
coelacanth∅:
Dean:
Dean:
adamdoesit:
coelacanth∅:
TDK60:
coelacanth∅:
Dean:
Haven't heard the LVB yet, and I'm predisposed to like it, because I adore Savall's work and LVB's music. Recently acquired Rene Jacobs' recording of Leonore, the proto-Fidelio. Haven't heard it yet, either.
coelacanth∅:
but my comparison to gangsta rap is the bombast, the predictability.
not my favorite properties in music.
but i'd like to check this thing out.
doctorjazz:
coelacanth∅:
Stork:
TDK60:
Stork:
Dean:
Jacobs claims the original version is superior to what we know as Fidelio, contrary to the performance tradition.
Dean:
coelacanth∅:
Stork:
Dean:
Ike:
doctorjazz:
Stork:
Stork:
Dean:
alanr:
Dean:
Dean:
coelacanth∅:
coelacanth∅:
coelacanth∅:
- it's not that i haven't given them several listens)
chresti:
Dean:
I've always assumed it was Camper.
coelacanth∅:
coelacanth∅:
Stork:
coelacanth∅:
Stork:
Dean:
Stork:
adamdoesit:
Walking the dog just now, I was thinking about whether or when I'd listen to him again. The symphonies and the quartets were an important part of my life, at a time. I'd have to find a way to make them new for myself again. Sometimes a new recording can do that.
fred:
Dean:
Stork:
adamdoesit:
Dean:
TDK60:
doctorjazz:
fred:
chresti:
TDK60:
chresti:
coelacanth∅:
doctorjazz:
Stork:
Be next week?
chresti:
fred:
Dean:
Dean:
fred:
Dean:
Dean:
Listener Gregory:
doctorjazz:
coelacanth∅:
Dean:
Stork:
coelacanth∅:
Dean:
coelacanth∅:
chresti:
Dean:
coelacanth∅:
coelacanth∅:
Stork:
watchpocket:
Stork:
StringOFperils:
doctorjazz:
chresti:
doctorjazz:
doctorjazz:
spodiodi:
enjoyed the Erb ✌️
chresti:
Stork:
Jeff B Cali:
watchpocket:
Stork:
Jeff B Cali:
fred:
coelacanth∅:
coelacanth∅:
chresti:
coelacanth∅:
...and lyon's green box, brewed strong
fred:
watchpocket:
doctorjazz:
Stork:
doctorjazz:
StringOFperils:
doctorjazz:
watchpocket:
coelacanth∅:
Stork:
chresti:
doctorjazz:
Jeff B Cali:
WR:
Sem:
fred:
Jeff B Cali:
chresti:
Jeff B Cali:
coelacanth∅:
StringOFperils:
coelacanth∅:
Stork:
Stork: