Observations of Deviance with David Mittleman:
Playlist
from November 25, 2023
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Observations of Deviance is a vinyl focused, free form program that harkens back to early days of underground FM radio. Your host, David Mittleman, hunts down the most exotic, unusual and off-the-beaten-track music from around the world in a number of genres: Spiritual Jazz, Free Improvisation, Experimental Electronics, Ethnographic Oddities and World-Wide Psychedelic Funk. You are guaranteed to hear sounds you’ve never heard before.
Saturday
7 - 10pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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Upcoming events:
- Sat. May 4th, 7pm - 10pm:
A Strange Celestial Road: Ahmed Abdullah Interview
(More info...)
Pop-up player!| Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| Christian Wolff |
Burdocks
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For Piano 1 / For Pianist / Burdocks | WERGO | 2012 | recorded in August, 1971 at Dartmouth College, Hanover, New Hampshire ; featuring David Behrman, Gordon Mumma, John Nash, Frederick Rzewski, David Tudor, Christian Wolff | 0:02:41 (Pop-up) | ||||
| Steve Lacy, Richard Teitelbaum |
Improvisation (Numero Uno)
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The Sun | Emanem | 2012 | Roma - 1968 July | 0:08:49 (Pop-up) | ||||
| AMM III |
Radio Activity
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It Had Been An Ordinary Enough Day In Pueblo, Colorado | ECM | 1991 | recorded December 1979 at Tonstudio Bauer, Ludwigsburg | 0:11:05 (Pop-up) | ||||
| David Tudor |
Rain Forest Version One
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Rainforest | Mode | 1998 | for the Merce Cunningham Dance Company (1968), digitally recorded in New Delhi, India 1990 ; featuring Takehisa Kosugi | 0:30:51 (Pop-up) | ||||
| Ayako Shinozaki |
Heterodyne
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Music Now For Harp | WeWantSounds | 2023 | composed by & featuring Takehisa Kosugi ; https://wewantsounds.bandcamp.com/merch/ayako-shinozaki-music-now-for-harp-feat-takehisa-kosugi-deluxe-lp-edition-with-2p-insert-and-obi-black-vinyl | 0:52:27 (Pop-up) | ||||
| Gordon Mumma |
Hornpipe
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Live-Electronic Music | Tzadik | 2002 | Hornpipe (1967) dedicated to Christian and Holly Wolff | 1:00:55 (Pop-up) | ||||
| Joseph Celli & Jin Hi Kim |
Baccalau Trio
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No World (Trio) Improvisations | OODiscs | 1992 | featuring Alvin Curran | 1:14:12 (Pop-up) | ||||
| Sonic Youth |
Burdocks
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Goodbye 20th Century | SYR | 1999 | featuring Christian Marclay, Christian Wolff, Jim O'Rourke, Kim Gordon, Lee Renaldo, Steve Shelly, Takehisa Kosugi, Thurson Moore, William Winant | 1:28:24 (Pop-up) | ||||
| Takehisa Kosugi & Mototeru Takagi |
Untitled
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Live Nov. 13, 1982, Espace Japon, Paris | N/A | 1982 | 1:41:40 (Pop-up) | |||||
| Steve Lacy, Richard Teitelbaum |
Improvisation (Numero Due)
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The Sun | Emanem | 2012 | Roma - 1968 July | 1:54:56 (Pop-up) | ||||
| David Behrman |
On The Other Ocean
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On The Other Ocean | Lovely Music | 2019 | recorded at the Recording Studio, Center for Contemporary Music, Mills College (Oakland, California), Sept. 18, 1977 | 1:59:14 (Pop-up) | ||||
| George Lewis |
Spoken Introduction by George Lewis
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Rainbow Family | Carrier | 2020 | recorded May 1984 | 2:22:46 (Pop-up) | ||||
| George Lewis |
With Douglas Ewart
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Rainbow Family | Carrier | 2020 | recorded May 1984 | 2:23:25 (Pop-up) | ||||
| Alvin Curran |
Canti Illuminati [For Voice, Synthesizer, Tape]
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Canti Illuminati | Fore | 1982 | recorded February / March 1982 at the author's studio and at Mammuth Studios, Roma | 2:36:07 (Pop-up) | ||||
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Listener comments!
Listener Gregory:
I am here to deviate, but so is my internet signal, so let's see how long it holds out.
Observations:
Yvang:
Observations:
PaulRobeson1923:
Observations:
Observations:
Guitar, Guitar [Prepared], Electronics [Transistor Radio] – Keith Rowe
?:
? = Erik/VT:
Listener Gregory:
PaulRobeson1923:
Observations:
Observations:
Observations:
Listener Gregory:
Listener Gregory:
PaulRobeson1923:
PaulRobeson1923:
Listener Gregory:
Observations:
Observations:
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Listener Gregory:
Listener Gregory:
Observations:
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PaulRobeson1923:
Observations:
Observations:
David Behrman - electronics, Kim-1 microcomputer
Maggi Payne - flute
Arthur Stidfole - bassoon
Observations:
Observations:
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Observations:
Curran’s eclecticism is not willful; his sounds are there because they fit, and they convey a subtle and ingratiating sense of mysticism. These challenging, multi-faceted compositions manage, through their very catholicity, to synthesize and perfect a striking new musical syntax uniquely Curran’s own.”
Observations:
Observations:
DL in LA: