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July 9, 2014: Brian Beattie and Valerie Fowler present Ivy and the Wicker Suitcase
Listen to this show:
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Artist | Track | Album | Approx. start time | |||||||
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Lee Morgan | Yes I Can, No You Can't (edit) | The Gigolo | 0:00:00 (Pop-up) | |||||||
Emma Pollock | You'll Come Around | Watch the Fireworks | 0:03:48 (Pop-up) | |||||||
Art Blakey Percussion Ensemble | Oscalypso | Drum Suite | 0:08:58 (Pop-up) | |||||||
Ceefax | Don't Be Scared | Tasty Morsels, Vol. 2 | 0:17:08 (Pop-up) | |||||||
Jim Sullivan | So Natural | U.F.O. | 0:20:26 (Pop-up) | |||||||
Orenda Fink | You Can Be Loved | Blue Dream | 0:23:07 (Pop-up) | |||||||
Badbadnotgood | Kaleidoscope | III | 0:31:08 (Pop-up) | |||||||
Alice Cooper | Laughing at Me | Easy Action | 0:37:31 (Pop-up) | |||||||
Salma & Sabina | Pehli Pehli Preet (Super Trooper) | Sing the Hits of ABBA in Hindi | 0:39:51 (Pop-up) | |||||||
Minisnap | Coppice | Bounce Around | 0:47:00 (Pop-up) | |||||||
Beach Boys | Little Bird | Friends | 0:50:16 (Pop-up) | |||||||
Jan Bradley | Mama Didn't Lie | Soul Boppin' Ladies | 0:51:51 (Pop-up) | |||||||
Pierre Bastien | Caravan | Les Premieres Machines, 1968-1988 | 0:53:59 (Pop-up) | |||||||
Belinda Carlisle vs. The Beatles | Daytrip to Heaven | Go Home Productions | 0:56:31 (Pop-up) | |||||||
Brian Beattie | Ivy's Dream | Ivy & the Wicker Suitcase | 2:03:19 (Pop-up) | |||||||
Brian Beattie & Valerie Fowler | interview seg 1 | 2:06:25 (Pop-up) | ||||||||
K. McCarty & Grace London | That No Account Cosmo Wire | Ivy & the Wicker Suitcase | 2:15:44 (Pop-up) | |||||||
Grace London & K. McCarty | Kitchen-Caliche | Ivy & the Wicker Suitcase | 2:19:11 (Pop-up) | |||||||
Grace London & Ramona Beattie | Caliche Road | Ivy & the Wicker Suitcase | 2:21:14 (Pop-up) | |||||||
Grace London | Well-Creek | Ivy & the Wicker Suitcase | 2:23:09 (Pop-up) | |||||||
Brian Beattie & Valerie Fowler | interview seg 2 | 2:23:43 (Pop-up) | ||||||||
Grace London. Scott Marcus, & Will Sheff | Lava-Office | Ivy & the Wicker Suitcase | 2:35:27 (Pop-up) | |||||||
Will Sheff & Grace London | Busy, Busy, Busy/Nothing is Something | Ivy & the Wicker Suitcase | 2:41:11 (Pop-up) | |||||||
Brian Beattie & Valerie Fowler | interview seg 3 | 2:46:14 (Pop-up) | ||||||||
Bill Callahan | I Was Sleeping | Ivy & the Wicker Suitcase | 2:54:16 (Pop-up) |
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Listener comments!
Laura L:
rrg:
And Irwin!
P-90:
Irwin:
Laura L:
rrg:
Laura L:
rrg:
P-90:
Laura L:
glenn:
P-90:
Droll:
fred:
rrg:
rrg:
rrg:
armchair imperialist:
Laura L:
P-90:
ccrides:
Laura L:
fred:
P-90:
ccrides:
Michael:
P-90:
ccrides:
Listening Out There:
Robert:
rrg:
Oh, all right, I'll wait for the break.
V Priceless:
Irwin:
berbo:
rrg:
rrg:
rrg:
WFMU should just say, "we don't do that."
What are they going to do, take away your license?
Irwin:
Droll:
rrg:
Droll:
glenn:
YETI BOB:
rrg:
ᏠЄႶႶỊѺµЄ:
mark:
rrg:
ccrides:
berbo:
Robert:
fred:
Droll:
Listening Out There:
fred:
Droll:
Robert:
Droll:
fred:
Robert:
The Guy Who Knows Everything about Led Zep:
Revolution Rabbit Nov63:
www.youtube.com...
...Watch it there & - **you don't have to pay** !!...
fred:
Kenzo (Ken's Last Ever):
Droll:
Some mashups are commissioned by the original artists, but most mashups are using pirated stem tracks. The Beatles, I am positive, do not license mashups.
And RRN is right -- YouTube's business model, in a word, is "Piracy".
Irwin:
Kenzo (Ken's Last Ever):
Revolution Rabbit Nov63:
...Anyhow - they have us squabbling about fractions of percentages while a certain few are getting obscenely wealthy in this world @ our expense - but that's Politrix !...
Droll:
I also understand it's impossible for a musician to compete against a free version of their own back catalog, transformed or not. The loss is that without rights protection for musicians, it's impossible to have a class of professional musicians to produce new professional quality work. All we'll have in 20 years are amateurs and samplers.
Kenzo (Ken's Last Ever):
fred:
Eef Tunkel:
Revolution Rabbit Nov63:
The business model of The Biz is probably broken; 'Copyright Criminals' raises these questions as well as the Creative ones. Citing technology is obviously on target too...Wait till they're cloning you from a hair - this won't seem so relevant...
Revolution Rabbit Nov63:
Rich in Washington:
Using someone's booty-shakin' groove and simply using it to make your own booty-shakin' song is somewhat less creative, IMO.
To me, mashup artists like RIAA, Lobsterdust, Go Home Productions, Evolution Control Committee, et al. are really creative. They make jaw-droppingly weird or funny or spooky sounds by reframing and juxtaposing familiar sounds in new settings.
I find Girl Talk's stuff less creative. It's using really, really familiar and immediately recognizable dance tracks to make new dance tracks. It's kind of the modern equivalent to Stars on 45. It offers nothing new in terms of creativity or artistic commentary.
fred:
Kenzo (Ken's Last Ever):
ccrides:
Kenzo (Ken's Last Ever):
Revolution Rabbit Nov63:
- You can't copyright a song *title*...
Kenzo (Ken's Last Ever):
Jack:
Jack:
the weirdest jesus:
ccrides:
rrg:
Revolution Rabbit Nov63:
Rich in Washington:
Revolution Rabbit Nov63:
- & that doc says George hated Sampling !
Droll:
TV is already sliding down the same slope as the music industry, and the film industry is next.
fred:
Kenzo (Ken's Last Ever):
ccrides:
P-90:
Jack:
Mike East:
rrg:
berbo:
ccrides:
Jack:
P-90:
Whosondephone:
ccrides:
rrg:
Wow.
holland oats:
P-90:
ccrides:
rrg:
www.gracelondonmusic.com
rrg:
www.youtube.com...
ccrides:
Robert:
Robert:
rrg:
Laura L:
P-90:
P-90:
rrg:
Robert: