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Familiar & forgotten gems from 50-plus years of music on the darker side, shoegaze, synthpop, goth, psychedelia, darkwave, with unapologetic detours into 70s pop. In a dark night of the soul, it's always 3 o'clock in the morning.
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Artist | Track | Album | Year | Images | Approx. start time |
---|---|---|---|---|---|
David Bowie | Fashion | Scary Monsters (And Super Creeps) | 1980 | 0:00:00 (Pop-up) | |
Helen Love | Love and Glitter, Hot Dayz and Muzik | Love and Glitter Hot Days and Musik | 2000 | 0:05:10 (Pop-up) | |
Robyn Hitchcock & The Egyptians | The Shapes Between Us Turn Into Animals | Globe of Frogs | 1988 | 0:10:06 (Pop-up) | |
You Am I | Berlin Chair | Sound As Ever | 1993 | 0:13:38 (Pop-up) | |
Nicole Saboune | Rip This World | Miman | 2015 | 0:15:58 (Pop-up) | |
Tempers | Daydreams | Private Life | 2019 | 0:19:53 (Pop-up) | |
Ummagma | Kiev | Antigravity | 2012 | 0:24:09 (Pop-up) | |
Joy Division | New Dawn Fades | Unknown Pleasures | 1979 | 0:27:29 (Pop-up) | |
Eirin Peryglus | Bronson | Bronson (single) | 1987 | 0:32:18 (Pop-up) | |
Music behind DJ: Peter Schilling |
Major Tom |
0:37:37 (Pop-up) |
|||
Snowpony | Snow White | The Slow-Motion World of Snowpony | 1998 | 0:45:50 (Pop-up) | |
Mayflower Madame | Endless Shimmer | Prepared for a Nightmare | 2020 | 0:49:00 (Pop-up) | |
Hooverphonic | Waves | The Magnificent Tree | 2002 | 0:52:55 (Pop-up) | |
Blushing | Control | Blushing | 2019 | 0:57:14 (Pop-up) | |
Christine Owman | Away Away Away | When on Fire | 2016 | 0:59:42 (Pop-up) | |
A.R. Kane | Green Hazed Daze | Love-Sick | 1988 | 1:03:46 (Pop-up) | |
White Magic | The Gypsies Came Marching After | Through the Sun Door (EP) | 2004 | 1:07:03 (Pop-up) | |
The Sundays | I Won | Reading, Writing and Arithmetic | 1990 | 1:10:12 (Pop-up) | |
Ousel | Silent Mess | Ousel | 2020 | 1:14:29 (Pop-up) | |
Garside | Teenage Crisis | Should've Been/Could've Been | 2018 | 1:19:16 (Pop-up) | |
Music behind DJ: The Beach Boys |
Good Vibrations (stereo backing track) |
1:23:24 (Pop-up) |
|||
Elton John | The Border Song (live) | Rock of the Fillmore West | 1970 | 1:31:46 (Pop-up) | |
The Who | Amazing Journey | Tommy | 1969 | 1:35:01 (Pop-up) | |
The Group Image | New Romancing | A Mouth In The Clouds | 1968 | 1:38:26 (Pop-up) | |
Black Fortress of Opium | Dulcet TV | Black Fortress of Opium | 2008 | 1:40:35 (Pop-up) | |
The Moody Blues | Out and In | To Our Children's Children's Children | 1969 | 1:50:00 (Pop-up) | |
Kathy McCord | Rainbow Ride | Kathy McCord | 1970 | 1:53:41 (Pop-up) | |
Colin Blunstone | Say You Don't Mind | One Year | 1971 | 1:58:45 (Pop-up) | |
Dovedale | Trying to Make This Easy | Dovedale | 2020 | 2:02:00 (Pop-up) | |
Music behind DJ: Deep Purple |
Lalena (instrumental) |
2:06:54 (Pop-up) |
|||
Donovan | The Trip | Sunshine Superman | 1966 | 2:17:00 (Pop-up) | |
Tremosphere | Woken | Interiors | 2019 | 2:20:55 (Pop-up) | |
Pink Floyd | Crying Song | More (OST) | 1969 | 2:25:55 (Pop-up) | |
PJ Harvey | Dear Darkness | White Chalk | 2007 | 2:29:19 (Pop-up) | |
Olivia Newton-John | If I Gotta Leave | If Not For You | 1971 | 2:32:17 (Pop-up) | |
Rainy Day | I'll Keep It With Mine | Rainy Day | 1984 | 2:34:59 (Pop-up) | |
Pentangle | Lord Franklin | Cruel Sister | 1970 | 2:38:13 (Pop-up) | |
Leonard Cohen | Be For Real | The Future | 1992 | 2:41:38 (Pop-up) | |
Dolenz, Jones, Boyce & Hart | I Remember the Feeling | Dolenz, Jones, Boyce & Hart | 1976 | 2:46:06 (Pop-up) | |
The Kinks | Funny Face | Something Else By the Kinks | 1967 | 2:49:20 (Pop-up) | |
Music behind DJ: Syd Barrett |
Gigolo Aunt (loop) |
2:51:53 (Pop-up) |
|||
The Cure | Friday I'm in Love | Friday I'm In Love single | 1992 | 2:57:13 (Pop-up) |
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Listener comments!
Sylvia (France-NYC):
Photocopy Cha Cha 2000:
Sylvia (France-NYC):
Alex In Illinois:
Julie:
Mary Wing:
Alex In Illinois:
Julie:
Alex In Illinois:
Alex In Illinois:
Photocopy Cha Cha 2000:
Julie:
Revolution Rabbit Nov63:
...my new band...
northguineahills:
Julie:
C.S.:
Julie:
C.S.:
Revolution Rabbit Nov63:
northguineahills:
Julie:
northguineahills:
Revolution Rabbit Nov63:
C.S.:
Julie:
C.S.:
northguineahills:
Photocopy Cha Cha 2000:
Revolution Rabbit Nov63:
...well my sense of humor took a Scorpio turn today...soaking in a tub & I'll see what that does...
Julie:
Mary Wing:
Mary Wing:
northguineahills:
Dean:
Dean:
northguineahills:
Photocopy Cha Cha 2000:
northguineahills:
Mary Wing:
Mary Wing:
Photocopy Cha Cha 2000:
C.S.:
Julie:
CC:
Sylvia (France-NYC):
Photocopy Cha Cha 2000:
C.S.:
Julie:
Julie:
northguineahills:
C.S.:
Ike:
Julie:
CC:
Dean:
Weirdly, my sense of diurnal passage of time is sometimes uncanny. My kids will ask the time, I'll take a stab without checking a clock, and damn if I'm not within two minutes.
Photocopy Cha Cha 2000:
Photocopy Cha Cha 2000:
Julie:
Dean:
Photocopy Cha Cha 2000:
Julie:
Photocopy Cha Cha 2000:
Photocopy Cha Cha 2000:
Julie:
Dean:
Mary Wing:
Photocopy Cha Cha 2000:
Photocopy Cha Cha 2000:
Photocopy Cha Cha 2000:
Julie:
Mary Wing:
Photocopy Cha Cha 2000:
Julie:
CC:
Mary Wing:
Dean:
The track after "In the Cage" is "Grand Parade of Lifeless Packaging." Yeah, you're right that Eno likely was involved in that, too. But hidden?
Julie:
Revolution Rabbit Nov63:
Even now - as huge as they became - they are not quite assessed along with the rest by the historians & rawkumentarians.
Everybody knows The Dead could not play, sing, write or use the studio.
Problem with that... 'American Beauty' lacks not one thing I can determine that qualifies a Masterpiece.
When Country Rawk or Americana have exposition - how can this album possibly be excepted ??
The paradox of course is this:
I reasoned that if Folk Music is anything in our time (...or was...) - it is that Music that when you greet strangers @ a fire on the beach in a new town that you are all familiar with & can sing together. The Grateful Dead have been exactly that
...& even the Punks knew about them - all along...
Photocopy Cha Cha 2000:
CC:
Dean:
I jest. I know Lamb exclusively through LP.
Photocopy Cha Cha 2000:
Dean:
Photocopy Cha Cha 2000:
Dean:
Photocopy Cha Cha 2000:
CC:
Dean:
Photocopy Cha Cha 2000:
Julie:
CC:
Dean:
Revolution Rabbit Nov63:
...you pander to me.
Photocopy Cha Cha 2000:
Julie:
CC:
Photocopy Cha Cha 2000:
Revolution Rabbit Nov63:
Photocopy Cha Cha 2000:
Dean:
I had friends with siblings some years older, which is how I learned early about the Dead, Steppenwolf, Allman Bros., Leo Kottke(!), Deep Purple, and so forth.
Ken From Hyde Park:
Julie:
Julie:
Julie:
CC:
Dean:
Julie:
Photocopy Cha Cha 2000:
Julie:
Julie:
Dean:
So you're telling me, Photocopy, that public libraries in Finland had Eno and Trojan record boxes in their collections? I worked at a public library in SoCal for over a decade. One of my gigs was selection of classical recordings, and so I'll wager that the library's collection for the '90s was pretty darn good as far as off-the-beaten-path material goes for that period. But Finland's public libraries have *nothing* to be ashamed of if they were collecting Trojan record boxes.
Julie:
Photocopy Cha Cha 2000:
CC:
Julie:
Dean:
Revolution Rabbit Nov63:
Well - we were in small-town New England with NO SCENE whatsoever ...but my brother had *1,000s* of albums & magazines like Creem - & played Guitar - eventually in G.G.Allin & the Jabbers. So I just had to sit there & take it in !
Even when I was small - he'd give me the 45 if he got the LP & things...
Photocopy Cha Cha 2000:
Julie:
Photocopy Cha Cha 2000:
Julie:
Julie:
CC:
Julie:
Dean:
G.G. Allin, whoa! That's gotta be a war story. The coffee shop I visit most mornings here features a wall plastered with old punk flyers, Allin's among them. I have a high tolerance, even an appetite, for insane behavior, but I'm not sure I would have endured an Allin performance.
Julie:
Revolution Rabbit Nov63:
...Funny thing is I took stuff like Eno, Mayfield, the Staples - outta the library when really young ...& I could not get to it! I rushed back to my Who records. Which now makes no sense to me... From stuff I got thru the Library - I did take immediately to International music - & JAZZ hit me like a revelation. Coltrane walked into my heart & stayed.
Photocopy Cha Cha 2000:
Dean:
Julie:
Julie:
CC:
Julie:
Dean:
Photocopy Cha Cha 2000:
Revolution Rabbit Nov63:
Julie:
Julie:
Dean:
Julie:
CC:
Dean:
Photocopy Cha Cha 2000:
Revfolution Rabbit Nov63:
...Nonesuch! That's right. Highly educational & great.
Dean:
CC:
Photocopy Cha Cha 2000:
Dean:
deancrowan -at- yahoo
Photocopy Cha Cha 2000:
Photocopy Cha Cha 2000:
Dean:
CC:
Julie:
Photocopy Cha Cha 2000:
Roberto:
CC:
Revfolution Rabbit Nov63:
Julie:
Roberto:
Julie:
Julie:
Dean:
I saw Donovan only once in 1976 when he opened for Yes. Loved him.
CC:
Ken From Hyde Park:
Dean:
Julie:
Julie:
Photocopy Cha Cha 2000:
Julie:
Dean:
Julie:
Dean:
Dean:
Julie:
Photocopy Cha Cha 2000:
CC:
Photocopy Cha Cha 2000:
Dean:
There is too much goddamn glorious music. To whom should I write to complain?
Julie:
Photocopy Cha Cha 2000:
CC:
Julie:
Photocopy Cha Cha 2000:
northguineahills:
Photocopy Cha Cha 2000:
CC:
Dean:
Olivia Newton-John, granddaughter of Max Born!
Julie:
Julie:
CC:
northguineahills:
(it was a viola)
northguineahills:
Revfolution Rabbit Nov63:
2. I was Leaving Home right in those early 80s when Alternative was crossing over - & I can't separate these...
3. Dylan always around the corner @ least...
Photocopy Cha Cha 2000:
CC:
Julie:
Julie:
Revfolution Rabbit Nov63:
northguineahills:
Julie:
Photocopy Cha Cha 2000:
Julie:
Photocopy Cha Cha 2000:
CC:
Julie:
Photocopy Cha Cha 2000:
Julie:
CC:
Revolution Rabbit Nov63:
Rainy Day wigkey : en.m.wikipedia.org...
Julie:
Julie:
Photocopy Cha Cha 2000:
Julie:
CC:
Photocopy Cha Cha 2000:
Julie:
CC:
Julie:
Revolution Rabbit Nov63:
CC:
Photocopy Cha Cha 2000:
OVERTIME
JULIE
Roberto:
Photocopy Cha Cha 2000:
OVERTIME
JULIE
northguineahills:
Revolution Rabbit Nov63:
northguineahills:
Photocopy Cha Cha 2000:
Soon.
Julie:
northguineahills:
Photocopy Cha Cha 2000:
CC:
Julie:
Roberto:
Julie:
Julie:
Ken From Hyde Park:
Mary Wing: